Small Stone’s been steady rolling out some really good product these days. It’s always exciting when a party pack with their return address label shows up because that means heavy rock is inside. The latest shipment was no exception. Here are 3 of their latest and greatest.
Lo Pan’s - Sasquanaut
As far as I know, Thin Lizzy and Hawkwind never played together, but if they did and had a late night jam session Lo Pan’s Sasquanaut might have been the result. This was originally released on another label but when Small Stone signed the band they did some remixing and remastered the whole thing. Never heard the original, but this sounds great. Vocals have a nice distorted halo around them and the band crushes while it swings. They can get kind of trippy at times like Mick Bolton era UFO but never to the point of pointless noodling.
buy from Small Stone: here
“Dragline”
Red Giant - Dysfunctional Majesty
Red Giant got my immediate attention with their great Love Gun album rip off cover artwork. Even better is the disc contained inside. Dysfunctional Majesty is their first album in about 6 years. Sounding like a really pissed off Clutch, it rocks hard right out of the gate. Crushingly heavy riffs combined with angry, strangulated vocals and frenzied drumming. Fire this one up in the car after a shitty day at work and defy the cops to pull you over. There’s even a good version of AC/DC’s “Let There Be Rock” as a secret bonus track. Can’t go wrong with this muther.
buy from Small Stone: here
“Chopper” (live)
Blackwolfgoat - Dragonwizardsleeve
If you ever imagined what Angus and Malcolm Young would sound like borrowing a Frippertronics rig, then Blackwolfgoat’s debut Dragonwizardsleeve is right up your alley. Not the entire album is like that but opening song “Risk and Return” made me think of that. This one man instrumental band is guitarist Darryl Shepard (Hackman, Roadsaw, Milligram) not rocking like his old bands but once the rock is in you, it always comes out no matter how hard you drone. This would make a good gateway for people who are put off by the statistical density of Earth or Sunn O))). It’s also really good if you’re high on pot and need something to zone out to. But the best application would be to annoy your co-workers with. That really did the trick on a misty morning in the office.
buy from Small Stone: here
Thursday, February 10, 2011
Wednesday, February 9, 2011
BOB GELDOF NEW ALBUM “HOW TO COMPOSE POPULAR SONGS THAT WILL SELL” TO BE RELEASED MARCH 15, 2011 ON MERCURY/VAGRANT RECORDS
Mercury/Vagrant Records proudly announced the March 15, 2011 release of Bob Geldof's new record "How To Compose Popular Songs That Will Sell," to be launched at SXSW where Geldof will perform and headline as keynote speaker.
The name Bob Geldof is habitual and ubiquitous. It is woven into three decades of the global narrative and its cultural soap opera. Ask people have they heard of him and all will answer in the affirmative. Ask them what he does and all will have a separate answer. Ask do they have an opinion of him and, for good or ill, most will. Ask how that opinion was formed and they don’t quite know. Whistle one of his tunes and most will remember it but they won’t know who wrote it. Bob Geldof is the most famous secret songwriter in the UK.
Bob's new solo album, “How To Compose Popular Songs That Will Sell”, is his first album since 2001’s “Sex, Age & Death” and his fifth album as a solo artist (his eleventh if you include his work in his band the Boomtown Rats). The album features 10 new Geldof compositions recorded with his band in his home and in various friends’ studios and produced by his longtime collaborator Pete Briquette.
Lyrically the album is full of love, hope and joy and one senses that Geldof is more comfortable in his own skin than ever before.
On March 17 at SXSW, when Bob and his band take the stage, there will be no question what Bob Geldof does, and that he is very very good at it.
www.Bobgeldof.com
The name Bob Geldof is habitual and ubiquitous. It is woven into three decades of the global narrative and its cultural soap opera. Ask people have they heard of him and all will answer in the affirmative. Ask them what he does and all will have a separate answer. Ask do they have an opinion of him and, for good or ill, most will. Ask how that opinion was formed and they don’t quite know. Whistle one of his tunes and most will remember it but they won’t know who wrote it. Bob Geldof is the most famous secret songwriter in the UK.
Bob's new solo album, “How To Compose Popular Songs That Will Sell”, is his first album since 2001’s “Sex, Age & Death” and his fifth album as a solo artist (his eleventh if you include his work in his band the Boomtown Rats). The album features 10 new Geldof compositions recorded with his band in his home and in various friends’ studios and produced by his longtime collaborator Pete Briquette.
Lyrically the album is full of love, hope and joy and one senses that Geldof is more comfortable in his own skin than ever before.
On March 17 at SXSW, when Bob and his band take the stage, there will be no question what Bob Geldof does, and that he is very very good at it.
www.Bobgeldof.com
Jet Black Berries Live On Ripple Radio
The buzz isn't building . . . it's becoming a siren! With the reformation of '80's post punk rockers, Jet Black Berries and the release of their new album Post Modern Ghosts, word is out! With their first single "God with a Gun" racking up serious airtime world-wide, and their latest, "They Walk Among You," being claimed by zombie enthusiasts wherever they may dwell, the Jet Black Berries are officially back from the dead.
And what an appropriate metaphor. First rising to national acclaim with their song included on the cult-favorite Return of the Living Dead soundtrack, the Berries hadn't been heard from since the late '80's. But fate has intervened.
Hear the whole story, talk with the band, hear cuts off the new album, all on Ripple Radio.
Just hit here, and join in the fun. 8pm Pacific time. Join the zombies.
Ripple Radio
And here's some videos to whet your appetite.
And what an appropriate metaphor. First rising to national acclaim with their song included on the cult-favorite Return of the Living Dead soundtrack, the Berries hadn't been heard from since the late '80's. But fate has intervened.
Hear the whole story, talk with the band, hear cuts off the new album, all on Ripple Radio.
Just hit here, and join in the fun. 8pm Pacific time. Join the zombies.
Ripple Radio
And here's some videos to whet your appetite.
Exemption - Public Cemetery Party
Well…now is as good a time as any to begin. I called this impromptu assembly, and I was looking out at a completely full gymnasium, jam packed with people. As a matter of fact, I could see many citizens standing outside the gym doors who would still be within earshot of the speakers that had been set up. Good turnout. No, scratch that. Great turnout! Okay, don’t focus on the butterflies in your stomach Penfold. It’s time to get this mob focused and organized. I stepped up to the podium and began my speech.
“Ladies and Gentlemen, thank you very much for coming this afternoon. I know that each of you has security concerns that require your attention, so I will get right to the point. As you well know our safety has been threatened, and our societal well being has been assaulted. We live in a constant state of alert and preparedness. We don’t know where or when the next attack will come. About the only thing we are sure of is that it’s only a matter of time before we’re hit again. I called this meeting today because I am sick and tired of sitting on my hands doing nothing, and I bet all of you are too. It’s time to get proactive. It’s time to go on the offensive. It’s time to show our enemies that the people of Long Island are not afraid of them! It’s time to show our enemies that they will no longer exert control over our lives! Who among you feels the same way I do?”
A chorus of angry exclamations from the assembled throng tore through the air. These people had been on edge for far too long, and I knew they were a powder keg just waiting to explode. That being the case, there were still a couple of people who needed convincing that I could lead them out of this crisis. A woman near my podium stood up and spoke. “That sounds good Mayor Penfold. Fantastic even! But what do you actually propose that we do to fight back? The Zombie Horde just keeps coming no matter what!”
“I’m glad that you asked me that ma’am. You are absolutely right. These mindless zombies have run amok! Our problem is that we have yet to band together to fight them as one. So far we have each fought the Horde on or near our own property, either by ourselves or with only a few others, inflicting minimal casualties. I’m here to tell you folks. If they could form original thoughts, that is just what the zombies would want! Here is my proposal. Tonight, right after this meeting adjourns; all of us will arm ourselves and together set out to the Good Ground Cemetery. I’m no expert on the undead, but I have to believe that cemeteries are the original spawning grounds for this menace. If we attack and cleanse the cemeteries we will take the fight directly to our enemies, and begin turning the tide on the Zombie Horde by eliminating possible reinforcements! Good Ground Cemetery is a good test bed for my strategy. It’s a relatively small cemetery with only a little over two hundred registered burial plots. A war party of our size should have no problem winning this battle. Constituents! Who’s with me?”
Three quarters of my mob stood with arms pointed skyward expelling a war cry that shook the foundation of the gymnasium beneath my feet. It was a terrific feeling knowing I had that seething mass of humanity on my side, but I needed everyone here to participate. As far as I was concerned my community did this together or not at all. Luckily, I had one more trick up my sleeve.
“I see that some of you are hesitant to join our little brigade. I understand your reluctance. I really do. This is a risky mission, but I want to say one more thing to you undecided few. If you are not willing to do this for your family or friends, join us for yourselves. Not only will you be doing your community a great service, but there will also be an absolutely killer concert put on by our very own Exemption after we clear out the cemetery.”
That did it! “Oh man, Exemption!” “I’m in now!” “Exemption! All right!” “Man, that’s all you needed to say!” “Exemption? Why didn’t you say that in the first place?”
You see waveriders, I’m about to let you in on the not so little secret that the indecisive citizenry of New York have failed to make known to you till now. There is a band that calls Long Island home named Exemption, and they recently released an album entitled Public Cemetery Party. I understand that simply reading that last sentence isn’t exactly going to rock your world, but trust me. When you listen to the music this band generates, the Richter scale will be insufficient for proper categorization. That old base-10 logarithmic scale doesn’t extend high enough and won’t be able to cope with this magnitude of rock!
So what does this band sound like you ask? Well, that one isn’t so easy. While it is true that the standard power trio makeup (guitar, bass, and drums) is maintained, one label I would never place on this music is simplistic. No sir. There are a lot of musical ideas bouncing off one another, coming and going in each song. In fact, I can understand how some simpletons might believe that there are too many ideas being floated around in these compositions. Good thing we waveriders are such an enlightened bunch! Complexity does not frighten us. Not in the slightest! Listening to the album, it is abundantly clear that this band is made up of Mastodon fans. Oftentimes, they sound like Mastodon would if they had strictly clean vocals, played major chords instead of minor ones, and were seemingly less bitter people (make no mistake, I dig Mastodon too). The other connection I like to make is comparing the writing approach of Exemption to that of the band Torche. I find great similarities in how both bands layer memorable pop elements over a pure metal background. Awesome stuff!
Now…I’ve seen this band referred to as stoner metal. Please! No offense, but the members of this band play way too nimbly with ultra-fine musicianship to fall into what I typically refer to as stoner metal. Exemption is a progressive metal outfit. I say that because I can not remember another band that sounds quite like them. Now hold on a second! I don’t mean progressive metal in the vein of endless soloing and lengthy, dithering songs. Nope. All nine songs that make up Public Cemetery Party scream immediacy and leave the listener wanting more, not less. My personal favorites are the ear-scorching “Mutating Skulls”, the wildly gyrating “Byrds”, and the bombastic opener “Hyperspiral”.
Waveriders, check out this fantastic album and support the young men who manufactured this mighty artifact. You will not regret your decision, similar to the citizenry who followed me into battle that night. We cleansed that cemetery and forged a devastating new strategy in our war against the Zombie Horde. Want to know the best part of the whole night? We did not lose a single citizen. I myself was injured afterwards at the concert. The tunes were so rockin’, I got a serious case of whiplash!
-- Penfold
Buy here: Public Cemetery Party
Tuesday, February 8, 2011
World Premiere of Fen's New Video "Miracle" Debuts on Heavy Planet
We’ve been talking about this for a few months and it’s all finally coming true . . . Fen’s first official video is complete and ready to be viewed by the masses! Tuesday, February 8th, the video for the band's second single from the Trails Out of Gloom album, “Miracle”, will exclusively air on the Heavy Planet web site (hint, hint . . . view the video here . Heavy Planet) before it’s made available through other viewing avenues. At the same time, “Miracle” is landing on the desks of radio programmers across the nation in a concerted effort to push the track. Produced by Mind of a Snail Co. and featuring a couple of hand-made marionettes, the video tells the visual tale of two young lovers finding out just how miraculous love can be.
“The speaker is pining to regain the initial spark of a relationship,” states singer/guitarist Doug Harrison on the meaning behind the song. “He pleads with whatever mysterious power brought them together, hoping that it will help him fully remember that miraculous union, and through this knowledge, bring them closer together again,” he explains.

In support of Trails Out of Gloom, Vancouver’s progressive alt-gloomsters are preparing for dates across Canada in the Spring, as well as a special tour that will feature live performances in select ghost towns. More information will be made available as soon as the details are worked out on all fronts!
“The speaker is pining to regain the initial spark of a relationship,” states singer/guitarist Doug Harrison on the meaning behind the song. “He pleads with whatever mysterious power brought them together, hoping that it will help him fully remember that miraculous union, and through this knowledge, bring them closer together again,” he explains.
In support of Trails Out of Gloom, Vancouver’s progressive alt-gloomsters are preparing for dates across Canada in the Spring, as well as a special tour that will feature live performances in select ghost towns. More information will be made available as soon as the details are worked out on all fronts!
Video: Heavy Planet
Here's what the press has to say about Trails Out of Gloom:
"Consistently enchanting from start to finish, Trails Out of Gloom is one of the more rapturous releases you're likely to encounter in quite some time. It is fantastic in every way. Highest possible rating, 16/16." -- Progressions Magazine
"It’s one of the better if not the best release in 2010!” – Prognaut
"Doug Harrison is one of the new remarkable talent in the prog scene. Beautifully structured songs that almost drown in the right emotions and are decorated with tasteful arrangements. Fen resembles Anathema meets Threshold , but with an original, unique angle.” – Lords of Metal
Joe Purdy - This American
There is a campfire in the White Mountains of Arkansas. The sun is going down and a cool breeze comes up from the west. The sky turns hues of red and purple as the day ends and twilight begins. Couples huddle around the fire, drinks in hand, as the evening winds down. Joe Purdy pulls out his six-string, puts on a harmonica holder and sits down with the gathered campers.
He sings and plays fifteen passionate, contemplative, folk songs that reach into the soul. Purdy is a modern day early 1960’s Bob Dylan with a better voice and as much to say. He is a singing, songwriting, acoustic guitarist who also plays harmonica, with which he weaves tale after tale in the flickering shadow of firelight on “This American.”
Joe has played electric, rock, and with a band, He has toured Europe and has sold an incredible number of downloads. His music has been used in TV shows and movies. But here, on “This American,” Purdy gently sings stories about the American experience. He treks the Oregon Trail, goes to Louisana, is a Pioneer and visits the Dustbowl. Purdy captures the soul and mood of a people, teaches lessons about history, love and honesty, and regales us from the heart.
It is a difficult thing to do to play and record only your voice and your music, unprocessed - just, you, your acoustic guitar and your harmonica. There is no drummer, no bassist, no click track. To successfully solo is the sign of the true balladeer and that is what Purdy is - a modern day troubadour. When I listen to the album I feel the heat of the fire, the chill of the evening and see the veiled images evoked by the storyteller. I am calmed, transfixed and warmed.
You can hear the entire album on Purdy’s website. Better yet, you can go there and buy “The American” as a digital download, CD or, soon, on vinyl with a digital download. Then, turn on the fireplace, grab a blanket and transport yourself into the midst of the great American camping trip. Let Purdy pull out his old Gibson, put on a harmonica holder and sing to you about “This American.”
- Old School
Buy here: This American
Buy here mp3: This American
Monday, February 7, 2011
Alice Cooper - Theater of Death Tour 2009 CD/DVD
Now, please allow me to manage your expectations. I am a huge fan of Alice Cooper…there I said it. I’m not one of these fly by night types who got into Poison when it came out in the 80’s nor am I one of the sniffy purists who only claim allegiance to the original band between 1970 and 1974 (though obviously this has to be the best era…any fool knows that!!!). No, I am a fan, I won’t turn my nose up at the challenging first two albums when he was in bed with Frank Zappa. I can forgive him Lace and Whiskey because of the good songs and even his early 80’s era, which he forgot before it had even ended, has its moments of quality. So with all this in mind any hope of this being an impartial and objective review are pretty much zero. This was always going to be a good review but whether it would be a great review…well, that would remain to be seen….
When I heard that Alice would be playing a show local to me on his 2009 “Theatre of Death” tour I almost literally busted a nut to get tickets. Impoverished, I begged and borrowed to be able to get two tickets for myself and my wife (one of the fly by night Poison-era fans!!!). On the night Alice delivered backed up by an incredible band…obviously not the classic Buxton, Bruce, Dunaway and Smith line-up, but a stripped down 2 guitar line-up that played the catalogue with skill, fire, passion and due reverence. It’s one thing though standing amongst 2000 other fans watching the spectacle unfold in front of you and it’s quite something else listening to it on a CD in the comfort of your room or watching it compressed to a TV screen on DVD. But this is a good review right? So you already know that I dig the living shit out of this release!!!
Given the benefit of a crystal clear, low end powered, punch in the nuts sound Alice’s live albums have never sounded so good. Chuck Garric’s bass tones threaten to pull your guts out of your ass (maybe a future stage prop?), while the duelling guitars of Keri Kelli and Damon Johnson are the closest Alice has come in years to nailing the Michael Bruce/Glenn Buxton partnership of the original band or even the mid 70’s pairing of Dick Wagner and Steve Hunter. Both players play as if they were born to be in Alice’s band. Former Y&T and Megadeth man Jimmy Degrasso is obviously reveling in his role playing out the hits and the more obscure tunes with millisecond perfect precision. And what of Alice? What of the main man himself? In his 60’s and 40 plus years into his career we could forgive him for sounding a little jaded right? We could forgive him if his voice wasn’t what it used to be, if he strained to hit the higher notes after rasping his vocals chords for more years than most of us have been eating solid food…not to mention blasting them for many years with alcohol? No fucking way!!! Alice is a pro and delivers with the guts and determination of a man a third his age and far from being shot his voice is as strong as ever. In fact the guy must have vocal chords like leather as his voice is tougher, stronger and meaner now than ever before.
What of the material I hear you ask? Is this an attempt to sell the latest album of the time (2008’s magnificent Along Came A Spider) or is this a cash in greatest hits package? Neither, this is Alice delivering the best show he can from a catalogue that that most of his contemporaries would even shudder to compete with. The choice of material stretches as far back as Love It To Death with all the classics you would expect, only Muscle of Love from this era is ignored but as the track list flies buy you’d be hard pushed to notice. Welcome To My Nightmare is featured heavily with no less than seven songs (perhaps setting the tone for his next project, a sequel to that classic album). Even Goes To Hell and From The Inside are represented with classics like the former’s title track and “Nurse Rozetta” from the latter. Most of the 80’s are sensibly ignored though Poison does get the back combed, scantily clad metal chicks frothing at the mouth. Even Alice’s more recent output is given some welcome airing with “Wicked Young Man” from Brutal Planet and the title track from the Dirty Diamonds album. Whatever era is represented here, none of it sounds out of place which is remarkable considering the number of musical u-turns Alice has taken in his career. The band holds it all together with faithful arrangements that give the set a sense of continuity and cohesion.
The added bonus here is that, not only do you get to hear Alice do what he does best in a live environment, flip the DVD on and you can watch it all in glorious, glorious technicolour as it all went down on that fateful night in old London Town. Capturing the live Alice Cooper experience on film is never going to be easy but the direction is sharp yet retains that in-the-audience vibe that some live footage can miss. To see Alice putting everything into his performance at an age when most people are contemplating holidays by the sea and cocoa before bed is inspirational, particularly as he endures being killed onstage not once, not twice but four times by guillotine, lethal injection, hanging and in the Iron Maiden. Here, as well, Alice’s band prove themselves to be no mere side men. Each member works the stage and the crowd as if this was their own life’s work they were presenting. Garric even gets to take the role of front man during “I Love The Dead” while Alice is resurrected from one of his many deaths.
There must come a time when Alice Cooper has to consider how long he can keep doing things to this level but when he does decide to retire to his armchair to pull the legs off spiders this CD/DVD package will remain for the faithful to fill the void. The fact that I received this on Christmas Eve 2010 and it immediately hit the higher reaches of my top 10 for a year full of highlights should give some indication as to how essential a purchase this is. Buy it…unless you’re a pussy scaredy cat!!!
--Ollie
Buy here: Alice Cooper - Theatre Of Death-Live At Hammersmith 2009 (DVD W/Bonus CD)
Buy here: Alice Cooper - Theatre Of Death-Live At Hammersmith 2009 (Blu-ray W/Bonus CD)
Buy here: Theatre Of Death-Live At Hammersmith 2009 (CD/DVD)
Subscribe to:
Posts (Atom)







