Showing posts with label jam band. Show all posts
Showing posts with label jam band. Show all posts
Sunday, November 21, 2010
Jam Band Extraordinaire, Modern Day Moonshine’s New Album Slated For November Release
After signing on with Ripple Music in the waning weeks of 2009, the Bay Area’s Modern Day Moonshine found themselves in the scenic, serene, and solitary environs of Tres Llamas Studios, a converted ranch overlooking the Towalame River in Northern California. With no one to disturb except for the indigenous wildlife and the three llamas that roam the studio grounds, the band spent late days and even later nights laying down the basic tracks to the dozen or so songs that would eventually make up Refuge, the bands third full-length album.
Scheduled to hit the streets on November 23rd, 2010, Refuge is an album of soulful blues-based rock that features grand elements of jazz, funk, and roots-Americana. This musical diversity has made Modern Day Moonshine practically impossible to accurately categorize, and will undoubtedly leave listeners emotionally charged and excited to explore the multiple layers of the recorded sounds.
Armed with a catalog of well over a hundred songs and the experience of performing more than five hundred shows (including a two and a half years as the house band for the House of Blues in San Diego), Modern Day Moonshine are prepared for a lengthy stint on the road where no two shows will ever sound the same.
Refuge is available for pre-order at the Ripple Music Store or for digital download at Digstation/ModernDayMoonshine
"come on in and pour yourself a cup of alright"
http://www.moderndaymoonshine.com/
www.ripple-music.com
Saturday, November 13, 2010
MODERN DAY MOONSHINE BEGINS FREE "BOOTLEGGERS" CLUB FOR FANS

With the release of their new studio album Refuge (Ripple Music) just weeks away, blues/soul/rock trio Modern Day Moonshine announce the launch of their free fan interactive "MDM Bootleggers” Club
Spread across the bands' newly redesigned website and social media, the project allows "MDM Bootleggers" to access a new song every Tuesday. With a catalogue of songs reaching well into the hundreds, the streaming mp3's will range from demos and live performances to previously unreleased studio tracks, and will feature exclusive photos and updates from the band. Fans will be polled each month to choose their favorite tracks, with the winners being compiled into a special edition “Bootlegger Album” that will be available as a download only.
Offered free to all MDM fans, the only “cost” to join is their word of mouth. Operated much like the charity candy display at a gas station cash register, MDM is using the honor system of holding fans accountable to helping spread the word. In return for their efforts, MDM Bootleggers will have access to all new material as well as contests, giveaways and free tickets to upcoming shows.
Commented drummer David Burrows "These tunes need to be heard, and we want the fans to determine a unique album. This is the quickest way to get them out. We're really looking forward to hooking up our fans for helping spread the Modern Day Moonshine name."
Modern Day Moonshine's Refuge will see a November 23rd release through Ripple Music.
www.moderndaymoonshine.com
Tuesday, August 24, 2010
The Derek Trucks Band - roadsongs
He was a guitar prodigy at the age of 9. By the time he was 12 he was sitting in with Buddy Guy and touring with the Allman Brothers (it helps when your uncle is Butch Trucks, the drummer for the band). He founded his own band when he was fifteen years old, By the time he was twenty he had played with Bob Dylan, Stephen Stills and Joe Walsh. At the age of 22 he married guitarist and vocalist Susan Tedeschi. By his 24th birthday Rolling Stone ranked him 81st on its 2003 list of "The 100 Greatest Guitarists of All Time." He was the youngest person on the list. At the age of 27 he toured and recorded with guitar god Eric Clapton. When he turned 30 his band released the album "Already Free" which debuted at #19 on the Billboard Top 200 Chart, #1 on the Internet chart, #4 on the Rock chart and #1 on the Blues chart. To paraphrase a beer commercial - He's the "Most Interesting Slide Guitar Player In The World."
The Derek Trucks Band album "roadsongs" is Derek Truck's 2010 offering. It is a two CD, 14 track live album recorded and produced by Trucks (guitar) with Todd Smallie (bass and vocals), Yonrico Scott (drums and vocals), Kofi Burbridge (keyboards, flute and vocals) Matt Mattison (lead vocals), Count M'Butu (percussion and vocals), Mace Hibbard (tenor saxophone and horn arrangements), Paul Garrett (trumpet) and Kevin Hyde (trombone) during two April 2010 concerts at The Park West in Chicago, IL. The two CD set includes performances of six tracks of original material Trucks wrote or co-wrote ("I'll Find My Way"; "Get What You Deserve"; "Days Is Almost Gone"; "Already Free"; "Down Don't Bother Me"; and "Don't Miss Me") plus covers of Bob Dylan's "Down In The Flood"; Frank ("Toots" of Toots & the Maytals) Hibbert's "Sailing On"; Mongo Santamaria's "Afro Blue"; M. Smith's and J. Taylor's "I Know"; Bob Marley's "Rastaman Chant"; Big Bill Broonzy's and C. Segar's standard "Key To The Highway"; Allen Toussaint's "Get Out Of My Life Woman"; Jimi Hendrix's "Who Knows"; and Eric Clapton's and Bobby Whitlock's classic "Anyday."
The song choices are fantastic. The band is tight and each track accentuates the "Most Interesting Slide Guitar Player In The World's" chops. The Allman Brothers' influence can be heard on every track. Trucks regularly produces slide guitar music that is on par with one of the greatest slide guitarist the world has known - the late Duane Allman. The Derek Trucks Band's sound is a mash-up of the Allman Brothers sound with that of the Eric Clapton of Derek and the Dominoes era. Although Derek Trucks can, and does, play some fingerstyle guitar, this live album is about his slide guitar acumen. It is southern slide guitar bluesrock at its best with a dash of horns added for flavor.
The recording venue for this live album was intimate. According to The Park West website "Park West can hold up to 900 people for receptions and can comfortably seat groups of 100 to 700." It is this intimacy that seems to inspire the band throughout the album. The audience is awestruck, appreciative, but mixed down to be unintrusive. The recording is impeccably mastered by Dave McNair. McNair is known for mastering recordings by Stevie Ray Vaughan, Los Lobos, Bruce Springsteen, Willie Nelson, Miles Davis, Angelique Kidjo, and Kelly Willis.
I don't alway listen to new southern bluesrock slide guitar, but when I do, I choose the Derek Trucks Band "roadsongs." Stay thirsty my friends!
- Old School
Buy here: Roadsongs
The Derek Trucks Band album "roadsongs" is Derek Truck's 2010 offering. It is a two CD, 14 track live album recorded and produced by Trucks (guitar) with Todd Smallie (bass and vocals), Yonrico Scott (drums and vocals), Kofi Burbridge (keyboards, flute and vocals) Matt Mattison (lead vocals), Count M'Butu (percussion and vocals), Mace Hibbard (tenor saxophone and horn arrangements), Paul Garrett (trumpet) and Kevin Hyde (trombone) during two April 2010 concerts at The Park West in Chicago, IL. The two CD set includes performances of six tracks of original material Trucks wrote or co-wrote ("I'll Find My Way"; "Get What You Deserve"; "Days Is Almost Gone"; "Already Free"; "Down Don't Bother Me"; and "Don't Miss Me") plus covers of Bob Dylan's "Down In The Flood"; Frank ("Toots" of Toots & the Maytals) Hibbert's "Sailing On"; Mongo Santamaria's "Afro Blue"; M. Smith's and J. Taylor's "I Know"; Bob Marley's "Rastaman Chant"; Big Bill Broonzy's and C. Segar's standard "Key To The Highway"; Allen Toussaint's "Get Out Of My Life Woman"; Jimi Hendrix's "Who Knows"; and Eric Clapton's and Bobby Whitlock's classic "Anyday."
The song choices are fantastic. The band is tight and each track accentuates the "Most Interesting Slide Guitar Player In The World's" chops. The Allman Brothers' influence can be heard on every track. Trucks regularly produces slide guitar music that is on par with one of the greatest slide guitarist the world has known - the late Duane Allman. The Derek Trucks Band's sound is a mash-up of the Allman Brothers sound with that of the Eric Clapton of Derek and the Dominoes era. Although Derek Trucks can, and does, play some fingerstyle guitar, this live album is about his slide guitar acumen. It is southern slide guitar bluesrock at its best with a dash of horns added for flavor.
The recording venue for this live album was intimate. According to The Park West website "Park West can hold up to 900 people for receptions and can comfortably seat groups of 100 to 700." It is this intimacy that seems to inspire the band throughout the album. The audience is awestruck, appreciative, but mixed down to be unintrusive. The recording is impeccably mastered by Dave McNair. McNair is known for mastering recordings by Stevie Ray Vaughan, Los Lobos, Bruce Springsteen, Willie Nelson, Miles Davis, Angelique Kidjo, and Kelly Willis.
I don't alway listen to new southern bluesrock slide guitar, but when I do, I choose the Derek Trucks Band "roadsongs." Stay thirsty my friends!
- Old School
Buy here: Roadsongs
Monday, May 24, 2010
John Butler Trio - Sunrise Over Sea
Okay . . . this little gem has been in steady rotation for what feels like forever. I must have picked it up when it originally came out, way back in . . . 2004? Are freaking kidding me? In one way, it’s hard to believe that I’ve been listening to this album for all this time, in another way, it’s not all that surprising. If you’re not familiar with John Butler and his fabulous band of stalwart musicians, then please, go out, get yourself a copy of Sunrise Over Sea and kick back, grab a cup of tea, cross your legs while sitting in a Queen Anne, maybe smoke a little of that funny stuff, roll out your yoga mat, hug a tree, get all hippie with your bad selves, and enjoy.
John Butler is Australian (though born in the U.S.,) and has managed to fuse the sounds of bluegrass, country, folk, Americana, and straight up rock n’ roll to create his own signature sound. Combining socio-political lyrics with this stripped down style of music seems to make the man’s ideals, positions on environmental preservation, social change, mental perception on the world issues at hand feel that much more real and . . . well, honest. It’s one thing to preach about world change and hide behind the relative safety of the studio walls, it’s something all together more real to get arrested for protesting a governments wrongs or to live in a tree to make one’s point. Don’t know about any of you, but I can’t really imagine living in a tree . . . though, in some ways, it totally sounds cool!
On to the album!
Kicking off the disc is “Treat Yo Mama” is a heavy blues-based burner, powered by a swampy sludge groove, filled with some outstanding slide work and made infectious by the catchiest of catchy choruses. Butler’s vocal performance is more rapped than traditionally sung, building a more dramatic and immediate mood than sung otherwise, and his lyrics initially will have you thinking that the song is all about treating one’s birth mother, one’s flesh and blood with respect. But as we get to the last verse, the meaning broadens and becomes all about treating our earth mother with respect. The way he weaves the lyrics never ceases to amaze me, and the way he strung these words together shows a dude who not only has a mastery of the English language, but someone who is clear in thought with the conveyance of his ideas. Musically, while you’re getting your primitive groove on, listen to the guitar work as Butler effortlessly plucks notes from some hidden treasure trove of taste and class.
One of the underlying themes in John Butler’s music is corporate greed and how big business has no morale qualm with raping the earth so that a small percentage of humanity can live it luxury. No song captures this message as well as “Company Sin.” With upright bass boppin’ along and polyrhythmic percussion poppin’, the song has a vibe mixed in reggae and juke joint jazz. Butler’s voice is rich and soulful on this particular track, and his passionate performance draws the listener ever so close to standing in a dusty wasteland created by higher profits. The guitar solo is wah drenched funky jam with a huge jazz tone running through it. I find it a weird contrast of moods to hear music so upbeat and soulfully powerful, yet to have the lyrical content as dark and filled with personal struggle. But, like the reggae masters who called for revolution in thought and, ultimately, through action with their airy style of sound, John Butler has culled a style of music from a similar vein.
“Betterman” is funky, upbeat jam. Again, the rhythm section provided the addictive groove while John Butler gracefully plucks notes or caresses the guitar neck with a slide. Pay close attention to the guitar work on the one . . . the harmonics, the slide, the fluidity that Butler plays with . . . damn! I love how he also has the presence of mind to stop playing and just lets the rhythm section push to the song along, then jumps back into the jam. The solo is slide players wet dream. Listening to him play is one thing, watching his utterly mindboggling. It simply makes me want to break my own fingers in frustration.
“What You Want” is a slower jam, but no less powerful. In fact, this song may be one of the heaviest tunes on the album, and I can only think that’s attributable to the open space for the sound to flow, as well as the lush richness of Butler’s voice. Strings arrangements fill some of the nooks and crannies with sound, but in essence, the song is the trio creating a picturesque beaut of a tune. The melody throughout is infectious, though laced with a subtle sound of sadness, it also has these great uplifting moments. Dynamic in tone due to the volume swells, the vocal harmonies, and the individual musical performances, “What You Want” is undoubtedly the song I hit repeat to every time through, and I find myself getting lost in the textural sounds and the countless musical subtleties.
“Seeing Angels” never fails to make me think of my wife. It’s one of those sensitive songs without being sappy. It’s one of those songs that will make most guys sit back and nod in respect towards their significant other, makes them realize that they are really nothing without a woman by their side. The second verse is a lyrical killer. Fuck. Dude can write a moving tune. “Zebra” is another funky number and the first song I remember hearing from the disc. Packed with great tones, the warm sounds of the upright bass groovin’ it’s groove, the vocals all over the place . . . jumping into the mix at odd times, emotion drivin’ guitar work, drums snappin’, crackin’, whackin’ away on the upbeat, on the downbeat, on the sidebeat . . . killer tune!
Sunrise Over Sea is, without a doubt, one of those albums that I can listen to anytime of the day. There is so much going on, not just in the music but in the lyrical ideas and conveyance. And, the more I listen to this album, the more I think that John Butler is a genius. I really don’t understand why he hasn’t picked up more popularity in the States, especially with the mindset of today’s nation. Who knows? Now that BP has gone a fucked life as we know it in the Gulf of Mexico, maybe people will gravitate to the words in the message of John Butler and realize that this earth is the only mother that really matters. Or then, of course, there’s also a greater chance that our nations media will bury the story under government propaganda and celebrity bullshit. Anyway, Sunrise Over Sea is a great disc, you should check out the tunes I’ve highlighted, then check into the rest of the album coz’ the whole thing is brilliant. Me? Well . . . I’m going to the record store to see if I can track down any of his more recent albums . . . after I take a nap in my garden. - Pope JTE
Buy here: Sunrise Over Sea
Buy here: Sunrise Over Sea
www.myspace.com/johnbutlertrio
www.johnbutlertrio.com
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