Showing posts with label mighty high. Show all posts
Showing posts with label mighty high. Show all posts

Monday, December 17, 2012

Big Ripple Music Holiday Years-End Sale!!

Happy Holidays! It's time to pick up some of those last minute stocking stuffers or a little something for yourself coz' you've been a good little boy or girl. With the exception of all multi-unit and sale packages, everything in the Ripple Music Store is on sale! It's simple . . . throw a minimum of two items in your cart, enter the code word: grinch, receive 20% off your entire order!

The sale is running now until we say it's over (probably sometime in January) . . . here's your opportunity to share the wondrous rockin' sounds of Mos Generator, Trucker Diablo, Fen, Mighty High, C.F.A., Grifter, and really, the entire Ripple Family, at a discounted rate!

Happy hunting and we wish you and yours a safe and happy holiday season!

http://ripplemusic.bigcartel.com/

Thursday, November 29, 2012

Mighty High needs you!





Some of you may know this already but Mighty High's rehearsal room at the South Sound in Brooklyn was devastated by Hurricane Sandy. Basically everything in the attached photo is gone. Luckily, most of the guitars you see were in a different location but the drums, PA system, amplifiers, speaker cabinets, etc were submerged in toxic salt water from the Gowanus Canal. Many items were either vintage or custom built and cannot be easily replaced. We are not covered by insurance and not eligible for relief from FEMA. The cost to replace/repair these items is staggering.


We have two shows scheduled in December in Brooklyn to try and raise some funds. Here's the info if you can attend, we'd love to see you. We'll have shirts, vinyl, CD's and posters for sale at both shows.

Saturday December 1 at the Grand Victory 10PM
Friday December 14 at Trash Bar 10PM

If you want to buy a copy of our new album Legalize Tre Bags or any of our previous releases, please visit our label Ripple Music. They have a lot of other great bands (Poobah, Mos Generator, Stone Axe, etc)



STAY HIGH N DRY!

Friday, June 29, 2012

MIGHTY HIGH's Premiere of Brand New Album on Blog Tour Release Party Wraps Up Today with Final Five Songs



Continuing with the party that found Brooklyn's finest regressive rock act crashing the party at some of the best music sites in the world, Mighty High bring their debut album blog tour to the Ripple Effect for the premeire of the final two songs, "Chemical Warpigs" and "High on the Cross."

Invading places they'd never be welcomed normally, Mighty High and Ripple Music offer you the opportunity to hear the whole album Legalize Tres Bags, and visit some great rock music sites to boot.  Ripple Music has teamed with the finest leaders in heavy music journalism, The Soda Shop, Heavy Planet, Cosmic Lava, Grip of Delusion Radio, and The Ripple Effect, to bring you Ripple Music’s first ever Blog Tour Album Release Party.

Don’t miss the album that Heavy Metal Time Machine says stirs “together some classic rock riffs, punk rock energy and stoner rock madness to serve up some of the catchiest rock to come down the pike in some time.”

Blog Tour Schedule:

Tuesday June 26th: Soda Shop (www.thesodashop.us)
Wednesday June 27th: Heavy Planet (www.heavyplanet.net)
Thursday June 28th: Cosmic Lava (www.cosmiclava.de)
Friday June 29th:  The Ripple Effect (www.ripplemusic.blogspot.com)
All week, Grip of Delusion Radio (www.gripofdelusion.com)

And catch Mighty High performing Legalize Tre Bags live & nasty:

Saturday June 30 at The Rock Shop in Brooklyn, NY    www.therockshopny.com

You can find the album at the Ripple Store and all fine physical and digital outlets.

For a review of the album, check out The Sleeping Shaman.

"Yeah I know I’m in a band on the same label as these guys but that doesn’t necessarily mean I think this bunch of lobotomised chimps are any good now does it? For the record, I do…and I did long before we were label mates right back to the birth of their previous album “In Drug City” which proved to be a raw, uncultured blast through rock and roll’s dark history whilst under the influence of a truck load of narcotics.

The band describes their sound as “Black Flag Railroad”…and that’s pretty accurate. Imagine it’s the year 1973 and Grand Funk Railroad have inadvertently discovered hardcore punk. Not wanting to fuck up their lavish rock star lifestyles they decide to find a willing group of slightly retarded, stoned teenagers and teach them to play this new sound…that band would be Mighty High…except they’re far from being teenagers and this is 2012…the rest of the description remains pretty accurate.

Kicking off with the barely-scraping-a-minute blast of “I Don’t Wanna Listen To Yes” it’s clear that, despite line-up changes this is very much business as usual for Mighty High…raw, in your face punk meets 70’s boogie rock and roll. Any song that features the line “I don’t wanna fuckin’ listen to Yes, Yes sucks, fuck you!!!” is an instant winner. From here Mighty High continue to mine their tales of drug abuse on the remaining 10 tracks. “Mooche” is a classic tale of a free loading deadbeat set to rollicking punk fuelled riffs. It’s not big…but it is surprisingly clever as Woody High displays a humour and turn of phrase in his lyrics that elevate themselves from being purely dumb, this is an intelligent level of dumbness that’s pretty hard to achieve. The High plumb their 70’s rock influences on “The Ram” which grooves on a riff that would have made Budgie proud and shows that the band, despite their image have a real eye for a well structured song. They probably won’t thank me for saying this but they are a surprisingly adept rock and roll band…maybe they can use this line in their advertising!!!"  . . . Read more at The Sleeping Shaman.

And now, here's your final two songs from Legalize Tres Bags, and since there was a technical glitch yesterday on Cosmic Lava, we'll drop those in also.









Thursday, May 3, 2012

Cortez - S/T





This is one of the easiest reviews I'll ever get to write. Cortez is one of my favorite contemporary bands playing mid-tempo heavy rock. They have a new DOUBLE ALBUM on 180-gram vinyl with great cover art that's worthy of acrylic on denim. All the kick ass songs I've been hearing them blast out at shows the past 4 years are now documented and now I know what the songs are actually called. It's the full meal deal! Be warned, there isn't a parental advisory sticker on the cover but there are a lot of pottymouth lyrics.

Since their 2007 EP Thunder in a Forgotten Town, Cortez switched singers and lost a guitarist but the changes only made the band stronger. Lots of bands out there are playing in a heavily Sabbath influenced realm but Cortez is one of the few to utilize more than just the usual Master/Volume 4 riff rehash. For those of us who have spent decades analyzing the Sabbath family tree know just how much killer shit there is that people tend to overlook. The reason why all those Black Sabbath, Led Zeppelin and Deep Purple records are so classic is the variety. Cortez understands that and plays the music they want to hear. I wanna hear it ,too and have been playing the hell out of this!

Album opener "Johnny" is the perfect introduction to Cortez. Guitarist Scott O'Dowd laying it down hard and heavy. Drummer Jeremy Hemond comes in with one of his patented Cozy Powell-esque drum fills to signal bassist Jay Furlo to start thudding away and singer Matt Harrington starts belting it out big time. This is a fast and catchy song that I guarantee that you will cause you to increase the volume at least twice before it's over. The rest of side one is equally killer. "All Hail" is slow and powerful while "Until We Die" has a killer trippy jam in the middle. "Ride On" is easily my favorite Cortez song. Kick ass speed limit rock with references to cheap beer and dirt weeed. You will definitely want to crank this one loud when you cruise around the parking lot looking for a spot at the Priest concert. It's too bad radio stations don't play album sides anymore, this would be a good 'un for people to get down to this summer.

And the other sides ain't bad either! Side two shows them stretching out with some psychedelic warrior jams like "Wormwood" and the Mountain-influenced "Beyond The Mountain." "Monolith" has some excellent Corky Laing style cowbell and "Immigrant Song" moans. Side three has great songs like "Nice Try" and "Northlander" but "Satan" towers high above them. If you ever wished "The Tempter" by Trouble wasn't so damn pro-Jesus, then you've got a new favorite song. Also, anyone that loves the song "Warhead" will be thrilled. Side four (!) has raw demo versions of "Johnny," "Until We Die" and "Monolith" as a nice bonus. The music's heavy and the vinyl's heavy. What more could you want?

--Woody

Not sure of the exact street date on this one but their record release show in Boston is 5/5 with special guests Mighty High.

Band website

http://www.cortezboston.com/

Buy from Kozmik Artifactz

http://www.kozmik-artifactz.com/shop/index.php?cat=c170_KOZMIK---BILOCATION-LABEL.html&XTCsid=4d8a9ced74923384fe1d49242bd35b47


"Johnny" on bandcamp
http://cortezboston.bandcamp.com/album/cortez

Thursday, January 19, 2012

Heavy Pink - 7"

Normally I'd review a 7" single with a few others but given that it's a new solo project from Stone Axe/Mos Generator main man Tony Reed and released on JJ Koczan's label Maple Forum it warrants a few more words than normal. Also, I haven't bought any other 7" singles lately. I came close to picking up a reissue of Adrenalin O.D.'s "Lets Barbecue" single at Black Gold Records in Brooklyn but opted for a used Enoch Light LP that was a lot cheaper. 10 years ago the prices on those two records would have been the exact opposite.

The first thing I thought of when I heard that Tony was putting a solo single out under the name HeavyPink was of the old Detroit band Frijid Pink and how I need to finally get their first album. The second thing I thought was I needed to get the HeavyPink 7" pronto. JJ was nice enough to deliver a copy of the record when he came to see Cortez and Mighty High at Hank's Saloon in Brooklyn. He put it on the band merch table but I was the only customer. Later that night 3 or 4 people saw me holding the record and were like "what's that? New shit from Tony of Stone Axe? Where'd you get that?" You snooze, you lose but there are still copies left and you should order one.


"Flower and Song" is slow and heavy but not really in the metal realm. There are definite elements from the first King Crimson album but also the pulverizing grind of vintage Celtic Frost. There are also some excellent "Black Sabbath" tolling bells. Not sure if this is totally accurate, but it kind of reminds me if the Swans had a more traditional hard rock approach. Intriguing stuff. Flip the record over for "There Is A Light" and it gets a bit heavier. A killer "Into The Void" style riff sits underneath a chiming "Welcome To The Machine" riff and then makes room for some nice "Hotel California" guitar harmonies. When the vocals come in, they are suitably trippy and chanty. The lyrics "you bring the light…show me the way" probably contain a deeper meaning than asking someone to bring a lighter over when Frampton's on the stereo. The single comes with a download card that contains an extra song called "Long Live The Mellotron." It sounds exactly like you think it does - a mellotron orgy of glorious sound.

Hopefully there's a double album in the works because I'm ready for a lot more of this.

--Woody

sample: http://theobelisk.net/obelisk/2011/11/22/88heavypinkleft/

and don't miss your chance to pick up one of the few remaining copies of the Stone Axe/Mighty High split 7" on Ripple Music

Sunday, June 19, 2011

Ripple Music Invades Grip of Delusion Radio!

Black Light Revolution for 6-18-2011

Keepin’ It Fresh!

Thanks to: Ripple Music, Vulture, Otis Reaper, Tricorn Rock, Kingsnake Philadelphia and Frost Hammer for submitting songs!  You should submit songs to: GripODR@gmail.com !





1. -(16)- – Thiothixene (Re-recorded Version) (4:07) 2. Poobah – Rock n’ Roll (3:48) 3. Mighty High – Don’t Panic, It’s Organic (3:41) 4. Grifter – Small Man Syndrome (2:32) 5. Sun Gods In Exile – Over My Broken Bones (4:46) 6. Stone Axe – Nightwolf (4:32) 7. Khann – The Gate (4:23) 8. The Engineer – Starving Artist (4:15) 9. Birch Hill Dam – Colossus (5:16) 10. U.S. Christmas – The Scalphunters (5:42) 11. Alunah – Living Fast in an Ancient Land (6:43) 12. Frost Hammer – Master of Weapon (4:27) 13. Tricorn – Give Me Some More (4:11) 14. Black Rainbows – Babylon (4:27) 15. Zeke – Chinatown (1:37) 16. Otis Reaper – Optimator (3:29) 17. Fister – Santabbath (5:41) 18. Vulture – Prick of Misery (6:09) 19. EyeHateGod – Dixie Whiskey (2:55) 20. Cherubs – Baby Huey (3:36) 21. The Lemmings – Blue Mountain (4:04) 22. Danko Jones – When Will I See You (3:27) 23. Kingsnake – Dying Working Man (3:25) 24. BOSS 302 – No Overdose (5:18) 25. Struck By Lightning – False Hope (3:30) 26. Obiat – Angry Water (4:10) 27. Capricorn – Hello Strawberry Skies (2:54) 28. Avernal – Green Machine (3:49) 29. Blind Dog – Keep Up The Gloss (3:46) 30. Dala Sun – I Have a Better Way (3:54) 31. Black Sabbath – Supernaut (4:41) 32. Tona – Red Cylinder (3:20) 33. Deathbeds – No Funeral (3:03) 34. Electric Magma – Tokener (2:01) 35. Apehanger – Put The Skin On It (4:54) 36. Lento – Hadrons (5:14) 37. Corrosion Of Conformity – Stone Breaker (5:16) 38. Solace – The Disillusioned Prophet (6:59)

http://www.steamingheathen.com/delusion/2011/06/19/black-light-revolution-for-6-18-2011/

Tuesday, May 31, 2011

Charity Auction of Rare Test Pressing of Heavy Ripples Double 7": Proceeds to Benefit Joplin Tornado Vicitms


 
Continuing with the company tradition of giving back to the community, Ripple Music will auction an extremely rare original test pressing of Heavy Ripples: vol 1, featuring Stone Axe, Sun Gods in Exile, Grifter and Mighty High, with proceeds going to benefit Joplin Tornado Victims.  The auction will take place on eBay at the Ripple store, starting Tuesday, May 31st, and run for 7 days only.

Only 5 of these test pressings exist, and this is the only one made available to the public.  You can jump into the auction, win a cool heavy rock collectible and benefit disaster relief at the Ripple Music Ebay Store.

The Heavy Ripples test press auction is the latest in a growing line of charity auctions that Ripple Music has created.  Previously, rare JPT Scare Band and Stone Axe test pressings were auctioned with proceeds going to Gulf Disaster and Japan Tsunami disaster relief agencies.  With the tragedy that recently unfolded in Joplin, Mo., Ripple founders John Rancik and Todd Severin thought the time was right to release another rare test pressing from their vault and raise money for a worthwhile effort.


Press raves about Heavy Ripples, vol. I:

"Ripple Music is back with a vinyl-only compilation and, as expected, keeps delivering quality products, not only in respect of their musical taste but also concerning the layout and packaging of the double 7" vinyl set. 'Heavy Ripples' is an excellent compilation which offers the possibility to discover some great unknown bands. The packaging is also high-quality because both records are hidden in a tasteful gatefold sleeve which includes a sweet inside illustration painted by Wayne "Braino" Bjerke." - Cosmic Lava
Stone Axe's “Nightwolf” is one of the bad ass of all bad ass songs, reminds me a bit of ZZ Top’s “Tush” mixed with early Judas Priest. Sun Gods in Exile’s  “Over My Broken Bones” and continues the great sound from their 2009 debut. Grifter gets two songs on this release, and both are punchy, upbeat, catchy and Grifter seems to be having a lot of fun.  Mighty High's “Hempophobic” is fast punchy and the guitars are tight with hints of a blues tune in between the bong hitting.This delicious slab of wax  first pressing is limited to 500 copies so don’t hesitate on ordering yours." -- the Soda Shop
"For fans of heavy classic rock and fans in general of unpretentious riffery, it’s a must-have!  Increasingly, Ripple are becoming a force to be reckoned with when it comes to purveying quality (and varied) rock and roll. A cool listen for converted heads and one that might even win over a few new recruits to the cause." -- The Obelisk



www.ripple-music.com

Sunday, May 15, 2011

Ripple Music Update! Lots of Killer Stuff Coming!



Lots of great stuff to tell you about.

Heavy Ripples, the double 7" gatefold release with Stone Axe, Sun Gods in Exile, Grifter, and Mighty High is out and getting killer reviews.  We're in the planning stages for Heavy Ripples vol. 2, so you may expect Mos Generator and Gideon Smith and the Dixie Damned, and a couple more to be named.  Any suggestions?

The new Iron Claw album, first major release by the 70's underground doom/raw blues legends, is in the final mixing/mastering stages by none other than Tony Reed, as is the brand spanking new Grifter full-length.  Expect both those out this summer!

Mighty High is rounding up their stuff also for a summer release of frenzied stoner punk.

Songs are coming in for Stone Axe III and we're planning a Deluxe Collectors Edition of Stone Axe II just like we did with Stone Axe I, which (hopefully) will feature an entire live disc recorded on their most recent tour.   That Stone Axe I reissue is buzzing out the doors, so if you're interested, you may want to stop by Ripple and pick one up.

10 year anniversary issue of the first Mos Generator coming out on vinyl soon and hopefully some new stuff to follow.

And we got a total redesign, remaster, with new songs of the latest Poobah album, Peace Farmers in the works.  Our vinyl/CD reissue of Poobah's second album, US Rock is slated for 2012, which will be another 2xLP freakout of Poobah rock.  First pressing of Poobah's Let Me In already sold out so we've gone back to press to keep up with the demand.

Finally, for prog fans, Fen is opening up for Blackfield at the end of this month, and we're planning on following that up with a vinyl edition of their critically acclaimed, "rails out of Gloom.


Working overtime here at Ripple Central to bring you guys some killer music.  And folks, we really appreciate all your support.

Peace

Sunday, December 26, 2010

Ripple Music: 2011 Releases - Great Stuff in the Works

Ripple Music: 2011 Releases

In light of the success that we’ve seen here at Ripple Music over the last year, we wanted to look into our crystal balls and take a stab at what we see for the coming year, and then pass these findings on to you . . . the ever vigilant fan of heavy music! 2010 saw the label release seven titles, and 2011 is promising an even greater growth. Since the first release in June, Ripple Music has welcomed two additional acts to the family and has plotted out these follow up releases:

Scheduled for release in early April, we’re looking at a deluxe CD re-issue of the Stone Axe debut album with bonus live material, and a companion DVD featuring promotional videos and tons of live footage highlighting the bands epic performances. This re-issue will be released in conjunction with the bands trek across the Atlantic to tour the UK and parts of Europe that will culminate with their appearance at 2011’s Roadburn Festival in Holland.

While we’re on the topic of Stone Axe, word has come down from Tony Reed that the band is hammering away at material for a new album. No date has been set on the release, though initial discussions have us looking at a late summer street date.

Also featuring Stone Axe, we’ll be releasing the Heavy Ripples compilation double 7”, which will include the return of Brooklyn-based stoner-fied punks Mighty High, the introduction of blues-based retro rockers from the UK, Grifter, and on loan from the incomparable Small Stone Records, Sun Gods In Exile. The 7” will be packaged in a double gatefold jacket featuring the glorious artistic touch of Wayne Braino Bjerke. Expect to see this monstrous beast of sonic debauchery in April.

Speaking of Grifter, the band is partnering up with Ripple Music to release their upcoming album! The band is currently putting the wraps on the recording of new material and both parties are shooting to have the CD (vinyl?) released in May. A UK tour and potential U.S. tour are in the works in support of the as of yet unnamed album, though odds are, it will probably be self-titled.

Being that we talk with Tony Reed on a near daily basis, we have some information pertaining to another Reed project that has us rejoicing in our sleep. We’re looking at re-releasing the first Mos Generator album as a deluxe 10 year anniversary edition. The details are still being worked out in regards to time frame and content, but much like the deluxe Stone Axe CD, expect there to be some great bonus material to be included in this package.

On the doom metal front, is arm locked with Venomin James to re-issue their debut album, Left Hand Man, on vinyl! The album will be specifically mastered for the vinyl format and will include unreleased/live bonus material. Left Hand Man will be available in the first half of the year.

Poobah will be returning in 2011 with a brand new studio album entitled Peace Farmers. Originally self released by Jim Gustafson to a limited run of less than 500 copies, Peace Farmers acts as a great follow up to the re-issue of Let Me In and features a couple of updated renditions of some Poobah classics. Initially, Peace Farmers will be released on CD only, but as the case always seems to be, the door is open to press limited runs of vinyl to accompany the CD edition.

Santa Barbara’s melodic hard rockers Tripdavon are currently working on additional bonus tracks for the deluxe re-release of their latest album Sketches From Silence. As with many of the releases for the year, the time table isn’t set in stone, though we suspect that the album will be ready for mass consumption towards the end of summer.

Finally, Ripple Music will release the latest offering from Scotland’s Iron Claw. The as of yet titled full length album is comprised of all brand new material and includes the vocal talents of new member Gordon Brown. This will initially be a CD only release, but much like the Poobah release, there’s a great chance that it will also see a vinyl edition. Tony Reed is scheduled to master the album once it’s complete and should be available sometime mid-year.

That’s it for all of the major releases for the time being, though as things go around here, that could all change in a moment’s notice and the releases may double in quantity. Also, keep in mind, this doesn’t take into consideration any of the 7” single projects that are in the works, and possibly some big news for Ogre fans . . . so keep an ear out for that news as it becomes available.

Cheers!

Sunday, November 28, 2010

The Ripple Patch Arrives!


Waveriders Beware! 

Appearing unexpectedly, shockingly, in mail boxes around the world, The Ripple Patch arrives!   At first, jettisoned to the rapturous applause of dedicated Ripple fans, there are plenty of patches available for waveriders left and right.

Under the Grand Designs of Pope and Racer, those who wish to enter the revered brotherhood of the patch are required to perform this simple rite of initiation.  When your patch arrives, take a photo of the patch in any situation you desire; wearing it, not wearing it, feeding it, driving with it, jumping on the space shuttle . . . whatever moves  you.  Let your creativity flow and send us a picture.  All pictures will be posted here on The Ripple Effect, Grooves and Ripples, and later on the official Ripple site, www.ripple-music.com.

For our first photo, we can see the devastating effect the Ripple patch had on a simple rehearsal for the band Mighty High.  There's the patch, right there, branded to the amplifier. Last we heard, no one was brave enough to start mouth-to-mouth.

 So be ready, beware.  When the Ripple patch arrives, don't give into the fear.  Enjoy and embrace your selection into the fraternal order of Ripple.

Long may the patch wave!!@!

Saturday, September 11, 2010

Ripple Music Named Label of the Month by the Next Big Thing Network


We're pleased, and quite a bit flattered, to announce that Ripple Music was recognized as the "Label of the Month" across the Next Big Thing Network! Along with front page exposure, a number of the bands on the Ripple roster have been featured in review and on the networks podcasts. Not too shabby for a label with such humble beginnings!

Within a year of creating a solid business foundation and working long days and nights to streamline the production and supply of product, label founders John Rancik and Todd Severin have begun to see the fruits of their labors taking shape. On June 22nd, the label released their first album, JPT Scare Band's Acid Blues is the White Man's Burden, and were immediately inundated with orders from across the globe. Shortly after, Kevin Beadles (You Can't Argue With Water) and Fen (Trails Out of Gloom) were released, both receiving glowing reviews and critical-acclaim, and essentially completing the "first wave" of Ripple releases.

While the "first wave" was being managed, a project fell into the laps of label in the form of a split single featuring Stone Axe and Mighty High, which created a flurry of press, positive reviews, and internet banter. This project cemented a working relationship with T. Dallas Reed (Stone Axe/Mos Generator) who has now opened his vault of music to the Ripple Music, including the re-release of the first Stone Axe album on vinyl, as well as deluxe CD. Reed also took part in the labels fifth release, the re-issue of Poobah's 1972 debut LP Let Me In, by re-mastering the original six tracks along with twelve additional tracks that never made the original cut.

This initial success has brought on partnerships with a couple of U.S. and European distributors, namely Netherlands-based Clear Spot International, who is working feverishly to support Ripple Music and the great releases on the labels roster. So far, catalog releases have been sent to Germany, Italy, Australia, Japan, Sweden, Austria, and the UK, to name just a few countries.

Now, with Wave 1a nearing completion, Severin and Rancik are concentrating on the second wave of releases, which includes the third full length album from the Americana/Rock trio, Modern Day Moonshine (Refuge), the re-release of Sketches From Silence from the Santa Barbara-based rockers Tripdavon, and the first new release in over forty years from proto-metal overlords, Iron Claw. Tack on other projects such as a new Stone Axe LP, a re-release of the first Mos Generator album with bonus material, a new Poobah album, as well as a number of single and compilation releases, 2011 is going to be a monstrous year for Ripple Music.





Follow all the Ripple Music Fun at www.ripple-music.com
and on Facebook


To read more from the NBT Network, please follow the link: The NBT Network

Sunday, August 8, 2010

A Sunday Conversation with Grifter

They’re called Grifter, but they were almost called Simon’s Fuck Hammer. Let’s hope they use that title somewhere down the line, it’s too good to throw out. Grifter are your new favorite heavy rock trio from Plymouth, England. They play it loud, proud, lean and mean. Fans of Cactus, Humble Pie, ZZ Top, Clutch and Firebird will love these guys. They boogie hard, have a great sense of humor and are fueled by Döner kebabs (aka “death wrapped in pitta bread”). Guitarist/shooter Ollie was nice enough to sit through a rigorous Ripple questioning. Check out Grifter at www.myspace.com/grifterrock.


What made you decide to record the new EP completely live in the studio? How many takes before you nailed a master?


The plan really was to just demo up a bunch of songs we had without really having any idea what to do with them. We'd kind of done the whole multi-tracking thing on the first EP so decided to just go in and nail everything live. We're a three piece, that's how the songs were written and that's how they sound best, plus we wanted to get that energy and vibe you get from playing live. It turns out that the recordings came out better than we expected so decided to approach Catacomb records about a release...and they said yes!!! As for takes...some of the tunes were nailed pretty quickly in one or two takes but some were a nightmare. If you listen to "I Jesus" about 3 seconds after the track finishes there's a huge exhalation of breath then a stream of profanity!!! We tried that track so many times and each time I screwed up the middle bit. On the final take I got past the middle bit but there was a telepathic air in the room that said "fuck up now and we kill you!!!" The swearing was the pure relief at nailing it...but we did get a pretty charged take so it was worth it in the end.

What kind of gear did you use in the studio? Was it different from your live set up?

Foz used his normal kit and Phil had his Ampeg SVT blazing away in one room as he likes to stand in front of it and feel his clothing move. The only difference for me is that I usually use one half stack...a Marshall DSL 50...but on this I knew I wanted a stereo pan on the guitars so I borrowed a second cab and split my signal into the DSL and into an old 1978 Marshall JMP50 head cranked right up then mic'd them both. In the mix the JMP sounded so sweet I'm hoping to use it for the next recording. We generally have pretty good gear so no need to change much...plus we wanted to sound like Grifter so we kept the gear pretty straight. We may play with things a little on the next recording.

I like the title of the EP – The Simplicity Of The Riff Is Key. Did the other guys try and title it Simplicity Of The Beat Is Key or Simplicity Of The Bass Line Is Key?

That'd never happen. Ideally Foz would be in a prog band and Phil would play jazz funk so for them the more complicated the better!!!! Hahaha!!! Nah, I think that was a phrase that one of us came up with at rehearsal...possibly Foz...and it stuck. All of us like the power of a simple riff and a good straight ahead hammering beat!!!

You have released a couple of EP’s. What appeals to you about the format other than it’s cheaper to record fewer songs?


I do like EPs, they don't outstay their welcome and it's good to give people a taster of the band to tease them. For the first EP, High Unholy Mighty Rollin in 2008 on Fury 76 Records they only offered us the chance to do an EP...which was fine as they were a new label and we didn't want to blow all our songs on an album not knowing if they'd do a good job for us. Turns out we were right as there wasn't a whole lot of promotion done!!! So that wasn't our choice to do an EP. For the new EP Catacomb had the full 10 songs from the live session and asked if we'd like to do an album but we figured we'd rather pick the four best songs and do another EP rather than maybe use some versions of songs where we felt we may be able to do better versions down the line. Now though we have a killer selection of songs and feel we're ready to go in and lay down an album. We've done our apprenticeship, time for the real deal!!!

How did you come up with the band name? Were you aware of the Memphis band The Grifters from the 1990’s? Or Jim Thompson’s book The Grifters (1963) or the movie they made from it in 1990?


I'd seen the film but never heard of the band to be honest. The name actually came from our drummer (again!!!). When we were kids we used to have a really popular push bike called a Grifter, kind of like a BMX but better, and Foz was a real big fan of them so one day he suggested it. Up to that point we'd come up with a few names...Greedo, Teet and Simon's Fuck Hammer but Grifter just struck a chord. I don't think any of us were really aware of it being used as a term for a con man...but that's also pretty cool I guess.

For someone who’s never heard Grifter before, how would you describe it to them?


Someone asked Phil right before a gig what sort of music we play and he just replied "rock and roll". That's what it all boils down to. We all dig the blues, we all dig Sabbath, we all dig AC/DC, we all dig Clutch but we all have disparate tastes. I'm a huge 70's freak and I love doom, Phil loves some weird angular stuff, Foz loves old school ska and reggae. Between us we listen to most stuff but it distills in us as heavy, blues based, boozed up rock and roll!!!

Grifter formed in 2003. How has the band evolved since then (musically, lyrically, songwriting, etc)?


When we started we actually had a different singer who lasted two months before I took over the vocals...that's truly when the band were born. In the early days our songs were longer, more overtly complex in structure and there was more of a doom element but I think we kind of gravitated to the more rocking and grooved up side of things as it has more soul and more of a vibe for us. Our progression has been pretty natural. The fact that we play songs in our set that are five years old and sit right alongside our newer stuff pretty much says that we've hit our stride now and are running with it. It's worked for AC/DC for over 35 years!!!

Drummer Foz is credited with van driving on your myspace page. Does he resent not being able to drink after shows? Is everyone else a good band mate and take a turn behind the wheel?

Foz has a matt black van called the Swollen Goat which he has fully equipped for us as a tour van to carry the gear and sleep in. He loves the van and won't let any of the rest of us drive it...and we've offered. Foz actually seems cool with doing the driving. That's not to say he doesn't let off steam a little when we play a home town gig or someone else drives like on the recent tour, but he still keeps himself together to play the gig. Plus he smokes weed anyway!!!!

What’s the crowd like at your shows? Does anyone under 40 understand your music?


Over here it's hard work to get anyone into any gig. Weedeater only pulled about 50 people in our de facto home town of Plymouth!!! I have to say though we seem to do ok, crowds may not be huge stadium fillers but they're small and appreciative. We seem to get folks from across the board...and we even get young chicks dancing which is awesome. Most folk may not be so aware of our musical heritage but we seriously kick it live so people either dig the aggression we have live, the grooves or the sense of humour. We're there to have fun and we want everyone else to join in so we get them shouting, clapping and get them involved...with us you get a rock and roll show, not musical therapy!!!

You toured earlier this year with the Sun Gods In Exile from Maine. Did they complain all the time about the lack of good maple syrup in the UK?


Oh those guys were too awesome for words. We loved them and were gutted when the tour ended. We actually wanted to find a way to legally adopt them as brothers!!!. They didn't complain about the lack of maple syrup...not after we introduced them to Döner kebabs (spiced mushed up and reformed lamb served in a pitta bread with salad, chili and garlic sauce...they can only be eaten when drunk!!!). Tony did complain about the lack of iced Bud though.


How did that tour come about? Was it a good time? Would you do it again?


I believe they got in touch with a buddy of ours, Jack from the band Stubb who also runs a multi media project called Mindzap. Jack immediately thought both bands would make a cool pairing and set to work arranging it. He'd never organised a tour before but he pulled it together with a little help from myself and the guys from Alunah who played a few of the dates with us. Would we do it again? In a heartbeat...it was the most fun ever. In fact the plan is to head over when we've saved the air fares and hit the States to do some shows down the East Coast with them.

You and bassist Phil are both parents. How difficult is it to find the time to be in a band on top of work and family life? How thrilled are your spouses to be married to guys with such an expensive and time consuming hobby?

Good question. We have had to make some sacrifices. We have to keep some of our holiday from work free for family stuff and we have to keep certain dates free like kids' birthdays and stuff like that so we have to be a little more selective over the gigs we do play but other than that it's all pretty easy and cool. We love our families to bits but we have a real need to do this. This is our release, our time and without it we start crawling up the walls, getting really angsty and agitated. This is where we let off steam. Fortunately Phil and I both have awesome wives and Foz has an awesome girlfriend that all love an support the band and understand that it's better for everyone for us to do this and be happy than not and be fucking evil to live with. It also helps that we're such close friends and all the ladies get on so well as well, it's kind of like a weird family. At the end of the day some guys go off on fishing trips for a weekend, go snow boarding, banging hookers in Vegas...this is our hobby just the same so they're cool with it. At least we don't bang hookers in Vegas!!! (We haven't been to Vegas yet though!!!)

What was the first music that really excited you? And how long after that did you pick up an instrument?


For me growing up my house was always full of music and my dad had a really diverse and awesome taste in music. He's a massive Rolling Stones fan and loves the old school blues guys so Sunday mornings and in the car he'd always be playing this amazing stuff that seeped into me I suppose. He'd also play old school 60's ska like Prince Buster and 70's soul. His record collection is incredible!!! I guess then my earliest stuff would have been the Stones then maybe The Police and Adam and the Ants when I was around 10. It was all guitar based from the start then one day I saw a Status Quo concert on the TV when I was 12 and was hooked. My dad bought me an album next, then it was a slippery slope into heavier and heavier stuff but I've never lost the love for the Stones or the blues. I probably picked up a guitar around 10 as well as my teacher at school played and started a guitar club. My dad had an old acoustic so I went along...haven't looked back since.


Who are some of your biggest musical inspirations? Favorite albums?


For me, ever since I first heard the opening chords of "Neon Knights" from Sabbath's Live Evil album when I was 13 it's been Sabbath. They're pretty much the pinnacle for me. The rest of my influences? I'd say AC/DC, Motorhead, The Who, The Stones, Led Zeppelin, Lynyrd Skynyrd, ZZ Top, Clutch, Aerosmith, Mountain, Cactus, Humble Pie...you get the picture. Favourite albums? The first 6 Sabbath albums, any AC/DC album with Bon Scott, Overkill and No Sleep Til Hammersmith by Motorhead, Live At Leeds and Who's Next by The Who, Nothing's Shocking by Jane's Addiction, Exile On Main Street by the Stones, Clutch's self titled, Humble Pie Rocking the Filmore...the list could go on forever.

How’s your hearing these days?


Pardon?

What current bands do you find inspiring?


The Sun Gods in Exile album kicks my ass...and even my wife and dad love it. Stone Axe are just an incredible band...so organic and natural...they sound like a band even though Tony Reed does it all himself virtually. That is one awesomely talented dude. We have some very cool bands over here in the UK...Domes of Silence play pretty awesome stoner, like QOTSA on steroids with attitude. Suns of Thunder are amazing from Wales. Medamaki from Evesham are one of the best live bands I've seen on the underground circuit but the laziest bunch of fuckers going!!! Most of what I listen to is pretty old so most of the current bands I dig sound pretty old. Mighty High are pretty good too I guess ;-)

How do you feel about people posting your music for free on blogs?


I would prefer it if they bought the CDs as it's that revenue that keeps us able to get out and gig and record but I'd prefer it even more if people just heard us so I can't complain. I'm just as happy of someone gets in touch to say they like the band from hearing it on a blog as on a CD...let's just say I'd rather 1000 people heard it for free than 100 people paid for it!!!

Vinyl, CD, or digital? What's your personal format of choice?

I'm old school, I love vinyl. The buzz I used to get as a kid from searching for an album, sometimes for weeks, then finding it...or finding an old second hand copy of some obscure 70s thing...it was a magical feeling that you don't get nowadays. That said, I'm on the move a lot, drive a 90 minute round trip to work, listen to music at work on my headphones...etc so digital may not be my preferred choice but it's the most convenient. (I hang my head in shame!!!)

Ever had any good Spinal Tap moments on stage?

A combination of beer and rocking out has seen Phil fall off stage a couple of time. He's never gone ass over tit and always stayed upright and playing but it's been a close call. Numerous times I've made myself dizzy from banging the head too much...never lost it though!!! I nearly fell through the stage at one gig as I didn't realise the section of stage at the front was little more than a box...still held it together though. There have been a lot of nearly moments. I have learned I can't drink wine before playing though...one time I did I forgot a bunch of stuff and introduced one song we'd just played as the next song!!! Guinness or Jack Daniels all the way for me now!!!

What’s next for Grifter?

We're constantly on the lookout for gigs...it's a full time job getting gigs, promoting the band, etc. The next plan is to record a bunch of tracks for the album and a few extra tracks for other stuff (an exciting vinyl proposition that I'm sure will be made known in the fullness of time!!!). Then we'll hopefully get a cool label to put the album out for us. As I said we also aim to hit the States with Sun Gods in Exile at some point and we'd like to get over to Europe if we can...maybe France or Italy...or Germany...or anywhere really!!! We're just going to keep plugging away, writing, playing live wherever we can and getting our music out there wherever and however we can.

Thanks for taking the time to do this interview. Anything you’d like to add?


Cheers Woody for taking the time to come up with some really cool questions and a big thanks to Ripple Music for the support, it's very much appreciated. Come check out our stuff, drop us a line, say hi, buy a CD, download some tunes, come to a gig, offer us a gig, offer us a record deal, buy us a drink (Guinness all round...cheers!!!). Check out the bands I mentioned before and...be good to each other!!!

Wednesday, July 28, 2010

Praise Pours in for the Stone Axe/Mighty High split 7" Single
























Ok, here's the conundrum.

We got on our hands one of the coolest pieces of split vinyl to come around in ages.  But we're much too shy to write about it ourselves, and we wouldn't want anyone to think we were illegally tooting our own horns on this release.  But we wanna spread the word.

So what we decided to do, was let others tell the story of how killer this split is.  So let's go--

Stone Axe/Mighty High Split 7"

"Impossible not to crack an illegal smile when you hear this.  Stone Axe are one of the best retro-metal acts around.  Kiss might've sounded this good if they'd learned to play their instruments.  There's no one better than Mighty High at making fun of wretched metal excess.  It's priceless."  -- Lucid Culture

"Stone Axe is pure old-school metal played with a power that is sadly rare these days.  Will leave you lusting for more if an ounce of rock and roll spirit throbs in your veins. Mighty High kick off a stoned punk squall that sounds like Queens of the Stone Age playing Rancid Covers.  Both tracks are well worth your time and money and it’s hard to imagine rock fans not wanting to track down at least one of the albums by these fantastic bands. Either way, with two bands of this quality on one release this is something of a must-have."-- Sonic Abuse

"Newcomers Ripple Music managed to get two highly explosive bands onto a 7".   Stone Axe's "Metal Damage" has me thinking of pre-Stained class Judas Priest, the kind of mid-1970's metal where band's took their time and built up the sound with a steady boil of activity. Mighty High's "Don't panic, It's Organic" is even better. The main riff is huge and dripping with 1970's fuzzed out goodness. This is the perfect tune for playing about two minutes after 5:00 on a Friday. Both bands deliver the goods on this album." -- Metal Mark, Heavy Metal Time Machine

"Ripple Music have a gem on their hands. An awesome set of tunes. Stone Axe delivers the goods once again.“Metal Damage” is a throw back to classic Judas Priest from the later 70′s to early 80′s. The best duo around to preserving music from the 70′s. Mighty High really rock with their contribution “Don’t Panic, It’s Organic,”a fast paced, almost punk-like rock song. Get yours today." -- The Soda Shop


Produced in amazingly limited supplies.  The only way to get this is to catch Stone Axe or Mighy High on tour, or get your copy at www.ripple-music.com

Saturday, June 19, 2010

Ripple Music Announces a Killer New Split 7" with Stone Axe and Mighty High - Released as a Tour Single for the Saint Vitus/Stone Axe Tour

We couldn't be more excited about this.  In fact, we're so thrilled, we're giddy.  Like kids in a candyshop.

Ripple Music is proud to announce that last week we sent in the art and fully-mastered tracks for a killer new 7" split vinyl single featuring the masters of retro-70's rock, Stone Axe and stoner cretins Mighty High.  The single should be ready for your consumption mid-June.

Featuring some mindboggling, fold-out, Mighty High inspired artwork, this 7" is sure to leave em stunned.  Stone Axe contributes a monster rock burner, "Metal Damage," featuring Tony Reed's blistering guitar attack and staggering vocals from Dru  Brinkerhoff.  Mirroring 1978-1980-era Judas Priest, this song is everything that Classic Rock Magazine has been raving about when they declared Stone Axe to ". . . conjure a guttural, soulful hard-rock cauldron. "

Mighty High contributes "Don't Panic It's Organic" with a blistering high energy feel that sounds Rose Tattoo in bed with MC5.  Quite possibly the best thing to come from Mighty High yet.

The split will be extremely rare, limited to 500 and each one hand numbered.  Stone Axe will have some for their West Coast Tour this summer with Saint Vitus and Mighty High will be displaying some at their gigs as well.  The rest can only be bought here, at Ripple Music.  Don't miss out.

Go to www.ripple-music.com for more details.

Here's the Saint Vitus/Stone Axe Tour Schedule

6/25 - EL CORAZON - Seattle
6/26 - SATYRICON - Portland
6/27 - DNA LOUNGE - San Francisco
6/28 - ORIGAMI VINYL -Los Angeles(no Vitus)
6/29 - VIPER ROOM - Los Angeles
6/30 - THE CASBAH - San Diego
7/01 - WASTED SPACE @ HARD ROCK HOTEL - Las Vegas
7/02 - THE ZEPHYR - Reno(no Vitus)
7/03 - THE ALIBI - Arcata(no Vitus)

Tuesday, May 25, 2010

Ripple News - Vinyl Sales Continue to Rise!


 News that just warms our Ripple hearts.  From the Telegraph, the British Newspaper.  Vinyl sales continue to rise as music fans appreciate the portability of the download, but love the feel, look, and sound of vinyl.

At the Ripple, we're firmly committed to this point of view.  With new double LP, gatefold vinyl releases of JPT Scare Band's Acid Blues is the White Man's Burden, and the grand re-release of Poobah's classic 1972, protometal masterpiece, Let Me In.  Both albums coming this summer, not to mention some nifty split 7" coming from Stone Axe and Mighty High and another from Ripple favorites Grand Atlantic and Sky Parade.

Long live the vinyl resurrection!

From the Telegraph:   Sales of old-fashioned albums rose by more than five per cent last year, figures from the Official UK Charts Company showed.

CD sales have fallen by a fifth over the same period, leading to some manufacturers threatening to halt their production.

Despite accounting for less than one per cent of music purchases, American sales of vinyl topped almost three million, an increase of a million records.  Music website Amazon.co.uk said it had more than 250,000 vinyl albums in stock to meet the growing demand.  Internet search engine Yahoo meanwhile, has reported a 210 per cent increase in searches of the phrase "blank cassette tapes" and a 110 per cent rise in users seeking “music cassette tapes”.

The new trend is believed to have originated from New York teenagers, leading to a boom in record player and turntable sales. Most vinyl records bought over the past 10 years were by DJs and dance music fans, but recently more rock and country music albums have been sold.

Some of the most popular records include music from Florence and the Machine and The Courteeners and re-released Jimi Hendrix and The Red Hot Chili Pepper albums.

Music experts said that vinyl sales figures could be even higher because official British statistics do not include sales from smaller record shops and albums sold at concerts. British sales of seven-inch records peaked in 1979, with 89 million copies sold, but as CDs became more popular they slumped to less than 180,000 in 2001. Last year sales rose to 223,000.

Some vintage blank tapes are reportedly selling for more than £20 on auction websites.

"Downloads are quick and easy but nothing beats the joy of holding a heavy piece of vinyl,” Steve Clancey, a Brixton rare records and vinyl dealer told The Sun.  "Vinyl sounds richer and there's something special about the cover art and sleeve notes which you cannot get with digital tunes."

Latest figures show that digital music sales accounted for more than a quarter of the music industry's global income in 2009 for the first time.  Almost 30 per cent of global music revenues were generated via digital downloads last year, generating a total of £2.6billion.