And the parade of beautiful songs continues, with a song quite similar in sound to BoA's Ordinary Day, with that little bit more character. The Brave Brothers are known in my books for songs like this - beautiful, albeit autotuned, melodies and trademark beats.
To quote what I said about this song when I first reviewed it in September, "When I first heard Bittersweet I was tired as hell and pissed off, but it's one of those songs that have the power to make me smile with just the melody." I seem to like songs like that, don't I? I stand by what I said then, with more elaborations to my first review.
I just realized that Brave Brothers productions like this have more kick and character than any other producers'. SME makes their midtempos very clean and classy, YG does it with the intention of remixing it a million times for live performances, JYP does theirs like how JYP would do it, but the Brave Brothers do it with kick, and yet still manage to keep the taste level where it should be.
Rap has never really appealed to me, but I've learned to live with it this year - this and a few other songs have turned my hatred into a matter of preference. There are still times when I can't stand it, but my generalizing days are over, and I'm welcome to rap, now that I know there's a way to do it and not have it sound tasteless - Bittersweet is pretty far enough from tasteless, and I like how Hyun A's the one rapping and the guy's the one singing.
Ohmyohmyohmyohmy, how long as it been since my last post? Well, it doesn't matter - I'm back, and I won't be going anywhere for the next few weeks. Except maybe around the time I deliver my senior speech (ABOUT HALLYU!!!) and take the second and last university entrance exam I'm taking. That and I lost my earphones yesterday so I'm relying on my phone for all blogging listening I have to do, and the battery life of my phone is not the best in the world. But anyway, I'M BACK WITH AN ALBUM REVIEW!
The Brave Brothers. Whether you're new to kpop or a veteran in the field, you've heard their songs. You may not know which songs they were responsible for, but I think it's a given that they produce majority of the non-"big 3" acts, and even a few big 3 acts here and there. They (some sources lead me to believe that it's just one guy, but whatever) used to work under YGE, but left to start independently producing. It's pretty much paid off, as they've worked with/for artists like After School, San Dambi, U-Kiss, 4Minute, BEAST, Brown Eyed Girls, and the list goes on.
This album's format is very much like that of Timbaland's Shock Value - the credited artist on the tracks is "Brave Brothers", but each song bears a "featuring" tag, and those featured artists sing/perform majority of the song. I find it stupid, but then again they are producers, not singers. BUT THEN AGAIN, they're producers so they shouldn't be credited as the performer, they should be credited as the producers. I better stop now.
The thing with these kinds of albums that I like is that they are cohesive - all produced and written by the same people with experience in catering to different acts while keeping a distinct sound, that's bound to be cohesive. Even if almost all of the duo's "commissioned" songs sound very similar, I think they did a very good job of "showing a whole range of styles" without straying from the cohesion that so little acts nowadays have.
The first full cut on the album is 너를 그린다 (part of that translates to "tears"?) with vocal powerhouse duo Davichi and Electroboyz, who I assume are rappers/occasional singers. The melody's gorgeous, and I find it nice and refreshing that the girls aren't screaming their heads off, even if they do a pretty good job with that. The rap was annoying at first, but for once I'm thankful they had some autotuned bits - none on Davichi though, thankfully. Pretty song, nice and laid-back, it's a joy to listen to.
Ugh. I don't like 돌아 돌아, I really don't. It's got character, I give that to them, but if you were with me when I started my foray into kpop, I'm not the biggest fan of rapping, and even until now I don't respond well to songs that are predominantly rapped. The autotune-laden hook really sticks, but the song just makes my finger want to press "forward" about 20 seconds into it.
Ahh yes, the Jaebeom song - 울고싶단 말야. I've got to hand it to these guys, they know how to make beautiful songs. There are pretty songs, yes, but there are also beautiful songs - the ones that make you smile, but are actually really simple. The melody on this song really stands out against the simple, but gorgeous, piano loop and the generic percussion line. It isn't easy pulling that off - a boring melody on top of the elements you have on this song will make it your run-of-the-mill R&B copycat song with no kick. But this one's got a melody to die for.
I don't like Addict either, I'm sorry. Although, to put my two cents in, it reminds me a lot of something Big Bang would be willing to record as an album track - I can vividly imagine GD rapping that rap line. The synths annoy me, though, and the melody is very stiff and techno-y. I realize where they're coming from with this track, I just don't like it. Period.
Even if I'm all "music shouldn't really be censored unless absolutely necessary", Music Award and 돈 벌었지, frankly, sound horrible because of all the cursing. I understand if they want to curse, freedom of expression is there for everyone to avail of, but the right to freedom of expression comes with the responsibility to make something tasteful. These were everything but tasteful.
They've whipped up a "new version" of Invisible with Son Dambi, and they've really made it sound like a Dambi song. From the arrangement, the vocal treatment and all the way down to the instrumental - everything just sounds right. I like how they managed to portray the featured artists as how their actual material sound like, not make them clones of one another. I used to say that the Brave Brothers' productions all sound the same, and to a certain extent they do, but this package as a whole kind of makes me want to partially retract that statement a bit.
Electric guitars on 가위바위보, huh? Interesting. To a certain extent it comes of as a bit wannabe-ish to me, especially when he spells out R-O-C-K, but whatever floats your boats, guys.
Saving the two best songs for last, I assume.
First, a "guitar remix" of 슬픈 음악 with ballad dudes V.O.S on vocals, and their vocals on the chorus remind me of the Davichi song, but the song's got a completely different thing altogether. The cymbals mixed with the rest of the percussion line and the progression of the arrangement are similar to After School's Because Of You, but the rather quaint guitars give the song character. I like character.
When I first heard Bittersweet I was tired as hell and pissed off, but it's one of those songs that have the power to make me smile with just the melody. The rap part is tasteful, they got it right on this cut even if there is relatively a lot of rapping, and the melody is just gorgeous. The treatment of the vocals remind me of that song they released December last year with the two guys from U-Kiss, but with a slightly different sound. That cut was crisper, this one's a lot warmer - almost effortless. All the elements just come together and the end result? A gorgeous, gorgeous end to a strong album.
Best Track: It's between Bittersweet and 울고싶단 말야 Better Tracks: 너를 그린다, Invisible Worst Track:Music Award The Rating: 4.3/5 the two tasteless songs ruined it
YES! We've made it to the end of the year. FINALLY! 8 songs this month - let's get started.
#8: The Banned of St. Trinians - Up and Away
This is the 'chic' part of British music - the sophisticated one. At least it is for me. It's edgy, it's young and it sounds Brit though and through. I love the vocals on this and the chorus is very catchy. Thank God for a song without processing. Hahah.
#7: Girls Can't Catch - Echo
They may sound way too much like The Saturdays but I dunno, Echo as a song is pretty good. It sounds a heck of a lot like The Sats and the verses may be a little bleh but the chorus is catchy. The vocals are OK, a little resonant to my ears, but the hook does the trick on this song.
#6: Supernova - My Destiny
I honestly think Supernova should concentrate on Korea before they even try breaking Japan. I know DBSK went over there in their early days but they already had a name in Korea when they made their first attempt - Supernova only got popular for their project group with T-Ara. But that aside, when I first heard My Destiny I thought it was good, processing aside. THe melody competent, the vocals good and the over-all song very current. When I listened to it more though, I realized that it sounds a lot like the work of a certain swedish producer - RedOne.
Just when I thought it sounds like a RedOne song, turns out it's too close to RedOne for comfort. Can you guess? So I did some digging and My Destiny is called Just Like That in Sweden - it's a cover of a Danny Saucedo song. Believe me, when I found out I was banging my head on the computer table. IT IS SWEDISH. So that's why I kinda liked it. Though I'm sorry to say it but the Danny version is better. Oh well. Also note that I discovered this BEFORE I saw the info on the YT video below. Just to clarify. Hahah.
#5: SNSD & Super Junior (part of them) - S.E.O.U.L. Song
It's the stereotypical advertisement song/"jingle" with stereotypical SNSD and Super Junior vocals - not good, not bad. The only problem is that I just can't stop listening to it and I like the cinematography of the video (LOL). Besides, the more I listen to it the more I actually start thinking it's a pretty good song. I mean it'll never be the next Genie or anything like that but you know, it's better than a lot of other crap that's out these days.
#4: Katharine McPhee - How
I seem to be one of the few who enjoyed her first album to a certain extent (heck, I have a physical copy of it! But that was mainly because I didn't know where to get albums back then) but on Idol I didn't like her - the season she was in pretty much failed. Well she's back and after a few fails after her first album, I'm pretty glad to say that I kinda liked this new song. It's a new sound for her but for some reason it doesn't seem far from what she used to do - even if it is. It's a logical leap and I love it. I love the real drums, I love the melodies and her vocals fit this kind of song. It gets epic later in the song and I love that too. How by popreviewsnow
#3: Brave Brothers feat. 2 guys from U-Kiss - Finally
The first thing that led me to this song was the rather strange video (see below) and at first listen it's one of those generic R&B mid-tempos that all sound the same. It still is. So why the crap is it on this list? For two reasons, actually. The first is the chime-like part at the beginning (it's computer generated and all but yeah) - it's GORGEOUS. Add the sparkly stuff after that and that alone is enough to make me melt. It did. The second reason is a more obvious one - the melody. It's probably one of the most beautiful melodies I've heard all year - it's flat-out gorgeous. I was humming it in class the other day and I was like "damn, this is gorgeous".
