Showing posts with label Red Hot Rebellion. Show all posts
Showing posts with label Red Hot Rebellion. Show all posts

Sunday, January 23, 2011

A Sunday Conversation with Red Hot Rebellion


Chatting with Jim, bass and vocals for Red Hot Rebellion.  Soundtrack to a bar fight indeed.

When I was a kid, growing up in a house with Cat Stevens, Neil Diamond, and Simon and Garfunkel, the first time I ever heard Kiss's "Detroit Rock City," it was a moment of musical epiphany. It was just so vicious, aggressive and mean. It changed the way I listened to music. I've had a few minor epiphany's since then, when you come across a band that just brings something new and revolutionary to your ears.


What have been your musical epiphany moments?


The first song that really made me want to learn electric guitar was "Round And Round" by Ratt. It was a quick decent from hair bands into Iron Maiden -- in fact "Ides Of March" was the first song I learned on guitar. Once I mastered the power chord, I just kind of stuck with it and played metal and punk for years and then switched to bass cuz there were waaaaay better guitar players out there than me. So that was another epiphany: dude, you're not all that good at guitar, but you can play the shit out of a bass.



Talk to us about the song-writing process for you. What comes first, the idea? A riff? The lyrics? How does it all fall into place?

Most of our songs start with a riff or a series of riffs from Doug (Spencer - RHR guitar). He's literally got thousands of riffs in his head and he records them all on a little digital recorder, so when its time to write new stuff he either pulls one out of his ass or "goes to the tape" and then we all collaborate or arrangements and extra parts. But it almost always starts with a riff that gets us all excited.



Who has influenced you the most?

Our dark lord Satan. And chicks in leather pants. And booze -- except no one in the band drinks except for me...but the other guys are still influenced by it. 





Where do you look for continuing inspiration? New ideas, new motivation?


See above...Also we always think about the songs in terms of the live show. We continuously try to up the intensity and fun factor.



Genre's are so misleading and such a way to pigeonhole bands. Without resorting to labels, how would you describe your music?

The Soundtrack To A Barfight.



What is you musical intention? What are you trying to express or get your audience to feel?

We strive to rock people's socks off. We know we're not breaking any truly original ground here, and that's intentional. One of our main core tenets is to Keep It Simple.  Another is to Keep It Rocking. Yet another is to PLAY LOUD AND HARD. Rock n roll should be fun and exciting and we are striving to create something you don't have to think too hard about. Just something that hits you in the gut, maybe gives you a few goose bumps and want to shotgun a beer or two.



Come on, share with us a couple of your great, Spinal Tap, rock and roll moments?
I passed out at the end of one of our sets once...actually I had to end the set one song early, then stumbled out side and passed out for a few seconds and threw up on myself. I wasn't drunk, but I was the night before -- which was St. Patrick's Day. I had a wicked case of the Irish Flu, but since i am a trooper, I played the show and rocked it a little too hard. I was dehydrated and needed to be rebooted. Not one of my prouder moments, but shit happens.


What makes a great song?

The hook. The beat. The emotion. And a Les Paul and a Marshall doesn't hurt either.



Tell us about the first song you ever wrote?

When I was 3 years old I wrote a song called "Cheddar Cheese." Its lyrics where the most profound thing I've ever written: "Buy cheddar cheese, and you get cheddar cheese" That's it. Over and over and over and over again. I would sing it for hours until my parents yelled at me to stop. That's when I knew I wanted to be a rock n roll musician. Cuz when you have a microphone and 14 millions watts of sound system behind you, they can't quite you down...



What piece of your music are particularly proud of?

We are recording our first full length album as we speak -- so I'm going to wait until the recording is done to answer this.



Who today, writes great songs? Who just kicks your ass? Why?

Right now I love love love The Sword. They write about crazy shit like witches and interdemensional space travel and rock harder than most bands around these days. And put out concept albums. I am a sucker for concept albums. I highly recommend their latest "Warp Riders" -- badass!



Vinyl, CD, or digital? What's your format of choice?

Vinyl. Definitely. Love the large art. Love the process of pulling out a record an putting in on a turntable -- but I'm a bit of a hypocrite, because as I am writing this I am listening to streaming music via Pandora and my turntable and records are literally 2 feet away from me...



Whiskey or beer?  And defend your choice

Beer. I once wound up in a tree during a hurricane where I proceeded to yell at the storm (or God) to try and kill me after drinking half a bottle of Jim Beam. The next morning the top half of the tree (where I was standing) had snapped off...so I stick with beer now. 



We, at the Ripple Effect, are constantly looking for new music. What's your home town, and when we get there, what's the best record store to lose ourselves in?

They just closed the only cool record store in Dayton, Gen City Records. Cincinnati has a bunch of cool ones tho...


Any final comments or thoughts you'd like to share with our readers, the waveriders?

We always have fun and free stuff on our website (www.redhotrebellion.com). Check it out and join the mailing list so we can send you more free stuff!

Wednesday, October 27, 2010

3 Blasts of Penfold - Featuring Red Hot Rebellion, Holding Sand, and Dan Miraldi

Red Hot Rebellion  -  Built to Rock/For the Benefit of Evil

I love it when a band has a simple purpose, something everyone can easily understand.  Red Hot Rebellion writes music with only one thing in mind, rocking your socks off!  Seriously, the band openly promotes the fact that they want their music to sound like “the soundtrack to a bar fight”.  They set about achieving this goal by utilizing tried and true methods pioneered in decades past.

“Built to Rock” starts off the two song sampler.  This song harkens back to the heyday of boogie rock with its ultra fuzzed out guitar, solid medium-tempo groove, and lyrics devoted to one very special lady.  While this track is solid, the real show begins with the second song, “For the Benefit of Evil”.  Pure rock righteousness bursts forth from this song in every imaginable way.  Once again the fuzzy/heavy guitar tone dominates the proceedings.  The verses are built around a series of choppy riffs, while the choruses revolve around a stop/start mechanic used to great effect.  Towards the end there is the mandatory breakdown leading into a lethal guitar solo to close out the song.  I love the Misfits-like gang vocals in the choruses, and with lyrics like “Devil called me up and said listen here, I got something to tell you son.  It’s better to die behind the guitar than die behind the gun” I get goose bumps!  Did I mention that these songs are obtained for free from the band’s website?  Why are you still reading this?  Get clicking!

 www.redhotrebellion.com

Song Download -  http://redhotrebellion.com/tmp/2songs.zip 


 

Holding Sand -  On Sleepless Nights EP

Alright, I will be the first to admit that melodic hardcore is not a genre of music in which I am very well versed.  Some of the bands that are name checked as important to this musical category don’t do anything for me personally.  That being said I am very enthusiastic about this new five song EP from French band Holding Sand.  From the moment I started listening to it, the music grabbed me with a vice-like grip and refused to let go.  It’s a good thing that the EP lasts for just under twenty minutes because when I listen to it, listening is all I am doing.  Nothing else gets accomplished in that span of time, and I can’t afford that on a larger scale.

What makes the music so endearing you ask?  Allow me to explain.  Each and every song here has an extremely satisfying musical crunch thanks to the distorted, downtuned guitars of Matthieu Jacquet and Franck Grison.  Anchoring the guitarists is the rock solid rhythm section of Coralie Fumard on Bass and Pierre Sionneau on drums.  Similar to most singers in this genre Clement Horvath switches from angry growls and anguish filled yelling to clean singing at the drop of a dime.  Unlike some other singers I have been subjected to over time however, I can derive no sense of false emotion or fakery in any of his vocals.  On the contrary they seem entirely genuine, and this adds quite a bit to the overall honesty beaming from the music.

“The Future Belongs to Heartless Whores” acts as a strong opening salvo for what is to come and “Shooting Stars” effectively concludes the EP, but my favorites are the three songs in between.  “On Sleepless Nights” brutalizes from start to finish with whiplash inducing guitar lines and vocal vitriol aplenty.  “Black is the new Black” substantially scales back the tempo for what I would deem more of an introspective number.  This song reminds me of an early composition of the band Cable from their Skyhorse Jams EP, except that “Black is the…” has greater focus and meanders far less.  Finally “What Eyes Betray” throws a curve ball at the listener by devoting the first twenty seconds of the song to a series of distorted sound crashes.  The band then stomps on the accelerator with insistent drumming coupled with an ascending guitar riff and only lets up at the end of the song.  Fantastic!


Dan Miraldi  -  Tease

You would be excused for thinking that the three songs on this EP were released years ago.  That isn’t to say that the songs sound dated.  They certainly do not.  Actually, the production on the album is crisp and crystal clear.  No, the songs just sound as if they were written by someone who has not been influenced by any artist or group after the era of The Rolling Stones and The Beatles.  And you know what?  That is a great thing!  All three songs greet the listener like a breath of fresh air with their utter lack of pretense and posturing.

“The Holy Roller Stone Revival” kicks the tires and lights the fires immediately with a strong driving beat and vocals reminiscent of a powerful preacher lecturing his flock.  Although I doubt that young Mr. Miraldi has in fact “…seen it all” as the lyrics suggest, he has certainly seen enough to create this rollicking song, with the call to join this particular revival too infectious to ignore.  “Lucinda” comes next and offers a very pretty folksy ballad for your listening pleasure.  The vocals are hauntingly clear and without any semblance of a whine.  Very endearing.  “Tease” brings the processional to an end with obvious nods to early upbeat Beatles material after a brief keyboard introduction.  The bottom line is that anyone looking for songs that will bring cheer and happiness to their day should check these out, post haste.  Just don’t blame me when all three come unbidden into your head and you’re forced to sing along.

 http://www.myspace.com/danmiraldi (all songs streaming there)


--Penfold