[Christmas 2010] Christmas Staples Done Right

So here we are, a few days 'till Christmas, and what do I have up my sleeve? A whole host of Christmas songs for every possible taste. I mean it this year - I've chosen a much wider range than usual, some I like, some I don't. Christmas festivities on PRN this year come in 2 parts - this first part is all about the carols, the staples everyone knows. The second part will focus on modern Christmas songs, the non-carols. Yayyyy!


I say this every year because it's true - just because the lyrics have "snow" or "santa" or "Christmas" in them, doesn't mean you can call it a Christmas song.

A Christmas song should make you feel all fuzzy inside, it should bring back memories, whatever they are, of Christmas, whenever you listen to it. If it's a contemporary Christmas song, you should get the same feeling you get when you hear carols, but at the same time hear familiar melodies and structures.

That's why this year, I'm listing down a few Christmas classics, and giving you guys an idea of which versions I like and don't like. Plus more songs to take note of, and some non-carols, but good Christmas songs nonetheless. ;D

O Come All Ye Faithful
This is my favorite Christmas song. Ever. EVERRRRRRRRRRRRR. Mainly because even if the melody is simple, there are an infinite number of things you can do and it will still sound good, it will still sound like Christmas. I like it so much, I can literally hear the perfect arrangement in my head. I have it all planned out, from how it starts, how there are gradual additions to each verse then suddenly the key changes and everything explodes. Very few versions have come kinda close, and a heck of a lot have miserably failed, so I'm still searching for that one arrangement that will blow. me. away.

Stacie Orrico (2001): Of the versions of that I've heard, this is the one I've blacklisted. Call me a purist or a biggot or whatever for not liking the Stacie Orrico-ized O Come All Ye Faithful, but I'm sorry. The rearrangement sounds more like a CCM song than a Christmas package, and the epic-ness of the song was lost - I don't care if they wanted to make it sound more contemporary, there's a way to do that and still make it sound like Christmas. This clearly does not. And all the stuff they added just made the song a big mess.


Katharine McPhee (2008): This version's fine, but I wish she would've toned down all the gymnastics. It's a beautiful song on it's own with a simple enough arrangement, no need to overreact and make it all squiggly. That and the part just before the end was just anticlimactic. This is supposed to be big, and majestic and all that - she does it pretty OK during the verses when her voice has that urgency to it, but towards the end it gets lost. Even if it's a so-called "R&B"/piano arrangement (with an orchestra-like set up towards the end), there's a way to do that. They didn't do it.


Josh Groban (2007): My only problem with his version is that it doesn't explode exactly like I'd want it to, but this one of the best versions I've found so far. The organ isn't to my taste either, but it does make it sound like a Church and in turn, like Christmas. I love the strings throughout the song, and the rest of the arrangement is really beautiful. For me the build-up was a little too sudden but it's epic-ness at the last verse is really the way I'd want it to be - majestic, huge and epic in every way possible. Using an orchestra. Just the way I want it.


Aled Jones and Libera (2008): And this, my friends, is how it is done. Not only does this guy have a gorgeous voice, Libera sound fantastic - boys really do have much brighter voices than girls, perfect for the obligato part. OH MY GOD THE OBLIGATO, someone slap me. The arrangement isn't that slow either - it has a snappiness to it. Me liking this version just shows how much of a purist I am, and proud of it. I like my Christmas songs orchestral, with a soloist and a choir and with gorgeous harmonies that resound. If this is ever turned into a more pop arrangement though, I'd trade the church organ for a sharp, and simple yet gorgeous, piano line. Other than that, everything stays as it is - ESPECIALLY THE LAST VERSE. Beautiful.

Hark! The Herald Angels Sing
I have a love-hate relationship with this song. If you do it right, I love it, but if you so much as screw one little detail up, I'll hate it. It can't be too fast, it can't be too sad, it can't be this and that. I have my favorite version already though, so I'm not in searching mode.

Carrie Underwood (2008): This was the version that made me adore the song - the arrangement has hints of country in it, but it feels like Christmas. Carrie sang it not only the right way with the right dynamics, but in the right key for her. That's what a lot of singers fail to get right when they sing carols in general - the key. You can't sing a song too high, nor too low - it not only has to match your voice, it has to sound comfortable to the listener's ears because they've heard a gazillion versions of songs like these. I like how the song was arranged so the last verse is somewhat like a middle 8. The instruments are very crisp to the ears - the drum line, piano line and other elements scattered around are defined, but not sharp or painful. The perfect pop arrangement, in my opinion.


Jump5 (2007): As a Jump5 song I like this - especially the start with all the pretty harmonies and all. The arrangement has kick, and the vocals are standard Jump 5 so I'm not surprised. However, as a Christmas song this is atrocious. It sounds nothing like Christmas, and it lacks life - the vocals lack dynamics. Yeah sure it has kick, but having kick doesn't mean a song has life. So it's a no.

Other Modernized Christmas Staples to take note of:

Taylor Swift - Silent Night
I do not understand how you can murder such a beautiful song and turn it into a completely different one, that doesn't even sound like Christmas. I'm open to change, but only if it's actually done well. It's like for this song, and all the others on Taylor's Christmas EP, all the life out of these gorgeous songs, everything that makes them the way they are, was sucked out. That's not Christmas music.

Mandisa - Angels We Have Heard On High
Now, this is one of the better arrangements that lean more towards to the pop side. The harmonies and the background vocals, as well as the way they tweaked the melody to fit the arrangement, although modern, still retain the "majesty" of the song, even if the arrangement isn't really epic. See? They knew which parts of the melody to play around with, but they knew which parts of the original song really had to stay.

Glee - God Rest Ye Merry Gentlemen
It's a gorgeous arrangement, and I mean like epic in all ways possible, but I have one, rather big, problem that has kept this from going on my eternal favorites. It doesn't sound like Christmas, it sounds like an epic-ly arranged pop song. If you changed the lyrics into more "mainstream" lyrics, it would have no problem masquerading as a pop song.

*NSYNC - O Holy Night
Every self-respecting, acapella-based, talented boyband has sung this arrangement of O Holy Night, and yes, that includes DBSK. It's a timeless arrangement, really - each voice can very well stand alone with all the runs and the oohs, but together the arrangement soars. It's a boyband staple for all the right reasons, and it better continue to be one for a very long time.

DBSK - The First Noel
It's in Korean, so what? Would you rather they "bastardize" the song by singing in crooked English? Of course not. The arrangement is gorgeous - the string section sends chills down my spine, and all the other instruments are just floating along. The harmonies are beautiful, to say the least, and the execution has both grace and intensity - DBSK can obviously sing anything that's thrown at them. Changmin's solo is one of my favorites of his, ever, and Yoochun's part is perfect for him, simply put. What makes it even better is that during a time when all they did was lipsync, they performed this live. My ears are in heaven. It's one of the shorter cuts on their Christmas EP, but I personally think it's the best one - I listen to it once and all the Christmas memories start flooding in. THAT is what a Christmas song should bear - memories.

You know what I want to do in the future? Put together a post full of Filipino Christmas songs. This is not just because I'm Filipino - some of the most beautiful Christmas songs I have ever heard are Filipino. I spent a little over the first decade of my life singing these gorgeous songs during Christmas, and even if I absolutely hate performing, those songs were too beautiful to not enjoy singing. In time.

But anyway, catch part 2 within the next few days - I tackle some of my favorite modern Christmas songs.

New Music!

School's getting slightly less stressful now so lemme fill you guys in on what I've been listening to these past few days(and plus the fact that my last new music post was a disaster..).

• I just discovered a while ago that Stacie Orrico's (There's Gotta Be) More To Life was written by a girl called Lucy Woodward who apparently won an award for it. She also apparently recorded a version of it for the Japanese release of her album(which means it might have been on the album released in some other parts of Asia, including where I live! yay!) and I'm listening to it as I'm writing this. Vocally she's not as good a Stacie, I think the song sounds better sung by a smoother and more powerful voice like Stacie's and this version's a bit too lazy and rock-ish versus the very, very, VERY pop nature of Stacie's version, which I love to bits. Amazing song though, whoever sings it.(I'm listening to the Stacie version now, and I really love it heaps better than this one! haha.)
• I've heard Utada's new American song as well, Come Back To Me and I was surprised at what I heard! When I heard the pianos, I thought it would be more of a Flavor Of Live-ish ballad but it's nowhere near that. First and foremost, it's R&B which makes sense since it's for the US and right now the way into the market is R&B but somehow I still heard Utada in this song. Maybe it's because of her distinct voice or something like that but even if she is really a JPop artist and her Japanese songs are nowhere near this, it somehow still makes sense for her. The end though, sounds a lot like an Utada song(haha..). I love the verses and the chorus but I am a bit bothered by the talking(I always am, in any song, duh.). Still, amazing song and I'm curious about what the rest of her US album is going to sound like!
• So yesterday I had another chat with BeE(I always do.. haha.) and she told me about this song by Keke Palmer called Bottoms Up. She thought it was a remix of the track of the same name on her debut album but I listened to the album track then this track in question and they were nowhere near each other. I later found out that it was the theme song for some kind of movie or TV show. I love the song, the melody's amazing! Wanna hear the song? Head on over to Pop Nation!
• I don't know if I said this already but I have once again predicted a post-album single, this time for Jesse McCartney! Yup, How Do You Sleep is the confirmed third single from Departure and with that comes a remix! There's a version with Ludacris in it and apart from the fact that the intro was cut short and there are these strange noises during the bridges, I kinda like this version. The rapping is for once not that annoying, it's tasteful, I love how it wasn't just put into the song without thought, the beat was measured and all, I love it! haha.
• Well, Popjustice has heard Kelly Clarkson's new single and they're saying it sounds a lot like Since You've Been Gone! In that case, I'm even more excited to hear the song itself! I hear it's premiering Wednesday next week in the US. Fingers crossed it's got an amazing melody!
• Speaking of Kelly Clarkson, I've been listening back to the singles off Breakaway and they were absolutely, undeniably GENIUS. The album could've just been made up of those five songs and it would still sell millions. That's what they are, amazing pop songs that'll forever be remembered by my generation. I definitely think Breakaway is one of the best mainstream pop albums the US has produced in the past nine years, Idol certainly didn't get this winner wrong.
• There's a new Varsity Fanclub song out. I so can't wait for the album, the two songs I've heard so far are absolutely AMAZING!!!! Melodically and everything, thank heaven's they're getting somewhere with the album release, it's coming out this month! Now all I want are the NLT, V Factory and WESTLIFE(AAAH!) albums and my year is half-complete! haha. Me freaking out, sorry.