Saturday, July 11, 2009

INTERVIEW: Ju-Taun

You've seen them on my weekly top 20 and have heard me rave about them on Twitter so why exactly have I been doing those things? Because my friends, I bring you my second indie interview.
The first time I ever heard Ju-Taun I was in awe of the impeccably executed vocals, the swoon-worthy harmonies and everything else that draws me to vocal groups - be it a boy band, girl group or whatever. I thought musically they were one of the best groups I'd heard in the past three years and believe me, I've heard a ton of them so yeah - I adored them from the first note I heard come out of their mouths. Let Me In is a staggering 7 minutes-long but you know what? The time just flew by while I was listening to it - those seven minutes didn't and will never seem like 7 minutes because I lose track of time when I listen to their music.

The first time I heard Let Me In I was using crappy bass-less and flat to the point of tin can-y earphones so right now as I listen to the song with a brand new pair of earphones with the best bass and sound quality ever, the brilliance I first heard now sounds life-changing. Their other songs are equally brilliant as well and I think Es Amor is just below Let Me In when it comes to the quality of the songs. Oh dear, have I become a fan girl? No problem there!

Just the music made me desperately want to interview the band so I prepared the questions as critically and close to home as possible and sent them in before waiting a few days. Apart from the quick response I got, while reading the interview for the first time as a whole just before I started doing this write-up, their answers made me smile so much.

I don't know if they knew I believed in the same things I do but I saw answers that practically took a page out of my principles that have to do with music. It's rare that I find artists who read my mind this precisely and this is the first time I've heard someone say them directly to me - I'm dumbfounded. They've given me a reason to fight harder for what I believe in - knowing that a band has the same principles and ideals as me and is fighting for the same things I am really inspires me.

So, please do take the time to read their answers to nine of the questions that were brewing in my head and really get to know the band - what they said here means a lot to me and for that I now genuinely respect them as artists. You do realize if you don't know already that my artistic/creative respect is something I don't give to just anyone.

1. In theory I see you as somewhat a boyband - you sing songs, don't play your own instruments and you're vocal harmony-based. To you yourselves, what are you? Are you what I said you were or do you have another term for yourselves?

There's such a stigma and preconceived notion that comes to mind when the term "boyband" is used. Maybe "Vocal Group" would be better. But then again that term didn't really come to the pop culture forefront until BSB and NSync got so big that they began to get backlash from their immense popularity. Groups like Boyz II Men, All 4 One and Take 6 don't recieve that label. I think nowadays that term is better used for groups that were put together. We've been together since our early high school days so there's nothing fabricated here. We taught ourselves (with the help of one of our fathers) how to produce our own records and eventually found our own sound. Everything you hear on this album is us. Everything from the backing tracks and lyrics to the vocal production and mixing we did ourselves. So no we wouldn't label ourselves as such but we'll let the public and the media come up with their own labels. Our goal is to make the best and most heartfelt music possible.

2. Being indie artists(I assume..), do you want a major label contract or are you happy with what you have at the moment?

Honestly when we first started we were so determined to get signed to just about whatever came our way. We thought it would be easy but we were in for a rude awakening. But as we continued down this road of independence we learned that maybe that road isn't for us. We have so much freedom to make the music we feel needs to be heard. Signing to a label without making them come to us would just cause us to have to compromise our sound. So I guess the answer to that answer is Yes. So far we truly feel we're fulfilling our destiny.

3. Over the years after getting to know a lot of vocal groups, watching how they debut, get famous then split up as well as being in a group myself, I've noticed that there's a certain dynamic needed between the members to properly last over a certain time period - to exceed the shelf life of a vocal group/boyband. Your bio says that you've been together since 2000 - what's the secret to the group lasting this long?

It's really all about Love. It's the reason our album title is "Love Changes Things". You treat people differently because you want the best for yourself and others. We can tell each other about each others faults and shortcomings without the fear that what we say might rub the other the wrong way. Not only do we have a brotherhood, but we also know that whenever we approach one another respectfully with a suggestion or complaint it's out of us wanting the best for each other.

4. Is music first priority for you? Above trying to break the industry, making tons and tons of money or having hoards of screaming girls running after you wherever you go - do you always want to make music that moves people and has the ability to cross generations? Why?

Definitely, you hit it right on the head. We've been approached by big name producers and labels with the lure of riches at their side but in order to play the game we had to play it their way. We were fortunate enough to find our way and make a decision to not send the wrong message through our music before they came knocking. From the very beginning music was about how it made you feel. Even in this commercialized industry artists like Robin Thicke and John Mayer still gain noteriety and success while still maintaining their integrity. We plan to do the same and stay true to the music that comes from our hearts.

5. You've opened for The Temptations, I've heard. What part of the group - their career, vocals, music, the respect people have for them or whatever, do you want for yourselves?

To even attain a fraction of their success or to be mentioned in the same sentence would be a blessing within itself. If we would have to choose it would be the respect they achieved from their peers. Whether competition or label mates (though we're sure that's the same category since Motown had a reputation for their in-house competitive spirit) they we're always respected for their body of work, and their work ethic. Their vocal delivery was impeccable, their songs we're memorable and they laid the blueprint for many groups that came after them.

6. One of the things I look at in a boyband/vocal group, apart from amazing songs is their ability to do brilliant a capella work. Powerful vocals that fit together like puzzle pieces - the reason why I adore my favorite boyband is because they can nail a five-part harmony like no other. Can you guys nail a four-part harmony that'll make me faint?

We pride ourselves in knowing that we can always be better as musicians, vocalists, producers and people. So we're not one to toot our own horn, but in our own humble opionion we can throw in some ninths and sustains with some dynamics that were pretty sure can get us kudos from the most seasoned musician.

7. Why do you want to make music?

Our parents all loved music so maybe we had no choice! lol...But we truly enjoy singing together and making music. We even enjoy working towards perfecting our harmonies, dance steps and vocal delivery at our rehearsals. This honestly feels like what we were supposed to do. Some people never find out what they truly want to do with their lives, we're just happy and blessed that we did.

8. How does your song selection process work? Do you write most of your material or do you work with other people and around how many songs did you consider to put on the album?

At one point we had 15. If you count all the songs that could have possibly been placed on this album the number rises past twenty. Like we said we write and produce all our own music. Although it was something we didn't plan, we really had no choice. We haven't really met many writers or producers that had an energy about them that just clicked with ours. Chemistry is so important. It's something we have now after years of working with each other. With us song selection is just a feeling we all get. We usually know by the time we get to writing the Hook/Chorus whether it's a good song or not and we're usually all in agreement. The best compositions are the ones that just come together so quickly that we're dumbfounded. We're just vessels for the music. The songs we picked for this album all represent how love can change things in one persons life in one form or the other. They all fall in line with the motto we live and operate by.

9. What do you want to be remembered for in the next 10 or 20 years?

We want to be remembered as the group that never gave up. The group that persevered and continued to fight an industry that makes you pay if you want to play. The group that tore down walls and built new ones. The group that reminded listeners that we're just like everybody else. Four regular guys with just a dream. The group that reminded everybody that the right kind of love can allow us to do anything we wish to do in our lifetimes.
Find them online:
Twitter
MySpace
Facebook

Friday, July 10, 2009

2NE1 + Jordin Sparks + The Sugababes = This Week's Friday Night Post

It's been one heck of a week for me but it's by far been the best since school started back in June. I'm way more comfortable with the going to school routine and I'm not sick anymore, the main thing but I also happened to ACE a geometry test about a lesson I enjoyed every bit of - I kinda sort of like studying now. I've also loved every second of my elective this semester and plan to ace this again like I did last year. Music-wise a lot as happened and I have two interviews ready to be published in the next two weeks so watch out for them, OK?

A diverse selection tonight - there's a song I think sucks, a good song and an outright brilliant one. Read away, alright? Alright.

The first matter of this post is from the world of K-pop. I'm sorry for the people who read this because of the Western pop but I'm afraid I've fallen trap waaaaay too deep - there's no turning back and I feature everything I like. Done deal.

For the longest time I've despised 2NE1 or at least found Fire extremely annoying and a waste of my time. Add that to the fact that Sandara Park tried to have a career here and for a while she was big but at the height of her popularity she went back to Korea. Now we know why - BECAUSE SHE'D BECOME THE CRAPPIEST MEMBER IN A GIRL GROUP SURROUNDED BY THREE OTHER VOCALLY CAPABLE GIRLS. Great, just great.
I'm dead serious. The rapper in 2NE1 can hold a melody properly and competently, the oldest member has the most critically beautiful voice - it 'just' has beautiful timbre on the surface but dig deeper and it has the ability to change your life, sort of. Then we have the youngest girl and she reminds me and a lot of other people of my favorite Big Bang member - DAESUNG!!!! Mainly because I think she has an amazing voice that grabs your attention the minute you hear it - it will make you swoon. Like hell.

OK. So they have a new single - I Don't Care. When it first came out I was unimpressed and bored but when I saw the video last night, my jaw literally dropped to the floor. OK maybe it didn't but you get the point, right? Right. It just to happens that My favorite is the 'star' on this song with three solos that aren't the chorus. Oh dear. Of course Sandara's crappiness right after my favorite member's solo completely destroys the whole thing but I've learned to live with it - the song is near-epic. The melodic parts (even Dara's.) are surprisingly gorgeous from a band that brought us the annoying Lollipop and waste-of-time Fire but this is probably the only song on their mini album that makes that much of an impact. Bittersweet.
4.3/5

From what I quickly skimmed through and glanced at, SOS is Jordin Sparks' second single from Battlefield. Countless artists have coined SOS as a song title and the songs have been enjoyable at the very least but Jordin's is above enjoyable. Everything about this song says that I SHOULDN'T like it - that it's way too this or that for my taste but I LOVE IT. There are elements in the chorus that remind me of a bygone era - whether 70's or 80's I'm not sure but it's one of either. The verses are exactly my taste though - beautiful vocals and an insanely epic melody.

If I was to gauge how epic the song is I'd seriously give up before I succeed. The epic-ness of the whole thing spreads throughout the song but the instrumental break before the last chorus redefines the word epic. What makes it better is the fact that the more I listen to the song, the more I fall for it and the more brilliance I find. For lack of words to describe the brilliance of this song even further - just listen to the damn thing.
The rest of Battlefield is looking very, very amazing and the record as a whole including the songs I don't like sounds very cohesive so far. I honestly can't wait for it now - there's bound to be at least one more great song we can milk off the girl. YESSSS.

5/5

I adore the Sugababes - I honestly do but the minute they make a song wherein I only find three lines worth my time but aren't even that good, my adoration will slowly wane. I'm sorry to say but their new single is just that.

Ever since Get Sexy was released and all my fellow bloggers talked about what they thought of it on Twitter it seems like I'm seriously the only one who's disappointed to the point of angered by the song. The intro before they start singing is scary, when they start singing it's not exactly enjoyable, the disjointed chorus without a melody is indulgent in all the wrong ways and the only decent part is when Heidi sings like 2 or 3 lines - that's it.

The song doesn't sound effortless and it isn't epic so it's obviously not beautiful to me. It sounds disjointed, unmelodic and annoying - so un-like them.

1.9/5

Wednesday, July 8, 2009

Jordin Sparks - Walking On Snow

There are songs that help me relax and clam nerves but there are songs that go the extra mile for me - they make me smile no matter how crappy I'm feeling. I don't come across those kinds of songs very often though and if I do some of those songs get way too overplayed and don't have the element that keeps me interested. I never expected Jordin Sparks to have a song that did that to me. Too bad though - she does.

The first time I heard Walking On Snow was back in February when a clip of an early version of it was released. I was slightly regretfully way too preoccupied with Paper Cut's brilliance (which I think I'll never be able to hear in full) but I thought Walking On Snow was amazing at the very least. Now that we have it in full (and in pretty decent quality..) though, it has really, truly blown me away.

The song's epic yet happy - it has the ability to make you think it's the most brilliant and amazing song in the world when it wants you to and then completely change your opinion to make you smile the other half of the time. The verses build up to epic-ness of the instrumentals and the happy-ish-ness of the melody during the chorus that makes you the good kind of confused as to what the song actually is. The middle 8, oh dear. It dignifies the phrase 'short but sweet' - those four lines seem so short yet are enough to leave you amazed.

The one thing I'm afraid of is the fact that after a few days or weeks or months there's a high possibility that it will lose its impact on me and only come back after I stop listening to it for months at a time. I honestly think that after a few days I won't be gushing over it anymore and it'll sound boring. For that reason, I won't give the song a perfect score.

4.9/5

Sunday, July 5, 2009

INTERVIEW: mnek

OK. So over the past few weeks I've been arranging a number of interviews with some amazingly promising indie artists who deserve major label deals RIGHT NOW. Some of them were brought to my attention by a PR firm I recently got access to but the guy I'm featuring today first e-mailed me to review his songs months back. If you remember, I wrote about him here.

The guy's a genius songwriter so I picked his brains a few hours ago and here's what conspired:

1. What made you want to do music at an age where a lot of kids/people are still struggling with their identities and finding out who they are?

I've always wanted to do music, I've always been doing music. It's just at this point I'm taking it to the next level.

2. As far as influences go, who are they and why are these people the ones you look up to or listen to?

Ryan Leslie is a genius in my eyes and highly underrated. I love Frankmusik, Sam Sparro, La Roux, Whitney Houston - my mum is a huge fan, so when I was young I'd be used to listening to a lot of I Wanna Dance With Somebody and Saving All My Love For You. Xenomania, Calvin Harris, Blake Lewis. Just a lot of pop music.

3. If you were given a major label deal right now, what would be your reaction, will you accept it and what will you do once you have it?

ATM, I'm not really looking for a record deal. I've signed a publishing deal with EMI so now I'm a professional writer and producer, but I'm holding off on the artist thing.

4. So I know kids like us can't do certain things when it comes to music or writing because of our age or because of school but what do you do to further yourself and your music? How important is getting your music out?

Extremely important. There's no point making it if it's not gonna get out there IMO. If you love what you do, I don't feel anything should really get in the way, because it's your dream, it's your life.

5. How do you react to criticism?

Better than I did a few years ago. Now I know there's a difference between constructive criticism and criticism on its own. Constructive would be, "You suck, but here's how you can improve". While criticism on its own is just basically "You suck."

6. What makes a good song for you? Do your songs have all those elements?

A good song TO ME, is a song that is catchy and non-filler. Something in which not only the chorus captures, but the melody, the verses, the instrumentation, everything. I think all my songs have those elements. I like making songs that are great, but will get annoying after, lol!

7. Is school important to you? As in even if you're given the chance to break the industry, will you still make time to finish studying?

I genuinely despise school, but you gotta do what you gotta do. I, ironically, don't believe in being taught music in school. Being told to play this, like this and like that, that's not music. Music is one of those things where you can only go where your heart takes you, not where your teacher takes you.

8. If it's the only choice, will you join a reality show to get into the industry? Why or why not?

I wouldn't. I reckon reality TV shortens the chances of the artist having a long and fruitful career, with a few exceptions (Leona Lewis, Kelly Clarkson). And plus the label makes them who they want them to be which isn't cool.

9. At the moment, what's the 'ultimate dream' so to say? What do you think you want to do for the rest of your life?

The ultimate dream...I would say being a musician for the rest of my life. Being a RESPECTED musician.

Find him online:
MySpace
Twitter

Top 20

Super Junior and Industry come in at 20 and 19 respectively while BoA's My Boy and Queensberry's Flow both debut in the next two spots. Natalie Bassingthwaighte's new single, Not For You debuts at number 16 while Girls Can't Catch rise one place to number 14. BSB and Jessica Mauboy both fall out of the top ten, finishing at 13 and 15 respectively. Agnes Carlsson is safely at 12 for another week while Kristinia DeBarge just narrowly misses the top 10, debuting at number 11.

Brit Nicole sinks 4 places to the number 10 spot but JoJo isn't doing any better - she's at number 9 this week. SNSD's Genie is slowly working it's way up, finishing at number 8 this week while Ju-Taun make an impressive 13-place leap from 20 to 7. BoA's Etude and Demi Lovato's Gift of a Friend rise to numbers 6 and 5 respectively. The debut of new songs from Ola and Big Bang at number three and two respectively push SNSD's Boyfriend down to number four but The Saturdays are still the queens of the chart this week - Unofficial stays at number one for the second week in a row.

The top 20 in full:

20. Industry - My Baby's Waiting
19. Super Junior - It's You
18. Queensberry - Flow
17. BoA - My Boy
16. Natalie Bassingthwaighte - Not For You
15. Jessica Mauboy - Do It Again
14. Girls Can't Catch - Keep Your Head Up
13. Backstreet Boys - Bye Bye Love
12. Agnes Carlsson - Release Me
11. Kristinia DeBarge - Future Love
10. Britt Nicole - The Lost Get Found
9. JoJo - 25 to Life
8. Girls' Generation/SNSD - Tell Me Your Wish (Genie)
7. Ju-Taun - Let Me In
6. BoA - Etude
5. Demi Lovato - Gift of a Friend
4. Girls' Generation/SNSD - Boyfriend
3. Ola - Sky's The Limit
2. Big Bang - Gara Gara Go
1. The Saturdays - Unofficial (2 Weeks)

Friday, July 3, 2009

New Music!

A lot has been happening and I haven't had the time to properly digest everything since I got sick. I'm feeling a lot better now - better than yesterday but I'm stuck at home for the next three days.
  • For those of you who loved the severe pop-y-ness of BoA's Milky Way during the KPOP special and Etude - the song I featured a few days ago, there's another song in that category. My Boy is honestly like a mix between Milky Way AND Etude so do check it out.
  • So Kristinia DeBarge has covered Varsity Fanclub's Future Love. I was surprised, to say the least but I do love the version now - it's so, her. The girl is continuing to impress me as I hear more of her stuff - I just hope she gets some attention at the very least.
  • Since yesterday Leona Lewis songs have been leaking like crazy - three full songs and one clip but I haven't heard the first Ryan Tedder song that leaked (mainly because Mediafire is being a pain..). Perfect Stranger's not my type, Brave's nothing special but I Got U has the potential to blow me away. It hasn't done the job yet but I think once we get the whole song I'll start going crazy. The melody reminds me something songwriters here would give a band, surprisingly - let's see where the song will go.
  • OLA! I adore the guy - reminds me so much of a male Agnes Carlsson. Sky's The Limit is armed with lyrics that can make your cringe but don't because the song is just so pop-y that you don't mind. That's what I call pop music.
  • There's a new Brown Eyed Girls teaser out and even if they made a song with the most brilliant bridge ever, I'm not impressed. Will have to wait for the whole song, then.
  • Daughtry has covered Poker Face. Haven't heard it and I don't have any intentions to - unless someone tells me it's any good.
  • Whitney Houston has a new song out? Haven't heard it either but I think I'll give it a shot later - it's bound to be decent at the very least.
What to expect in the near future:
  • I've set up a few interviews with some indie artists so that should come through most probably in the next month or so. YAY!
  • Apparently it's new single season in Korea and US and UK artists are slowly leaking new stuff so that should keep me preoccupied.

Thursday, July 2, 2009

SNSD - Genie + Natalie Bassingthwaighte - Not For You (video)

The song is slowly gaining momentum as a single and is poised to be a gigantic hit over the next few weeks. When I first heard the song I wasn't impressed - it didn't make me tick but after a few more listens it suddenly seemed like the most brilliant thing since anything(which it's obviously not but close enough!).

A few days ago I said a few more listens and I'd get sick of it - that's partially true. The only reason why I bothered to even listen to the song again was because of alleged plagiarism. Everyone started freaking out when they found out that Genie sounds exactly the same as a Uzbekistani popstar's single a few months ago. Everything was cleared when SM Entertainment(the girls' talent company) said that they bought the exclusive rights to use the song however they wanted to and somehow the demo leaked and the popstar got it. So everything's fine in K-pop land. Here's the SNSD song and below that is the 'rip-off'.
4.7/5

So I got informed via Twitter that Natalie Bassingthwaighte - Australian pop queen (am I right to call her that?) has a new video out. For a song I absolutely adored the first time I heard it. Here's what I said back in February when I first reviewed the album:

Not For You sounds like something Everlife or Superchic[k] would sing for a Disney live-action movie soundtrack. I love every part of the song, these kinds of songs are usually the ones that I'll listen to a lot when I first get them, get sick of them and I'll forget about it for two months then when I'm so bored, I'll remember the song, listen to it and just smile at brilliance.

Did it happen? Hell yeah.

I came back from a miserable and painful doctor's appointment(Which is probably too graphic to describe.) to find what? THE EFFIN' VIDEO PREMIERE. I'm like - FREAKING OUTTTTT! I honestly predicted both of the girls' post-album singles. YAY.