Showing posts with label Nebula. Show all posts
Showing posts with label Nebula. Show all posts
Tuesday, October 11, 2011
Jupiter Zeus - Green Mosquito
You know I'm always on the hunt for fresh, original new rock awesomeness. Well you should also know that honesty is my policy and here's the truth: it's been a long time since a band struck a chord this deep in me. Considering Jupiter Zeus did it with just 4 songs from their new ep, Green Mosquito, I think that's saying a lot.
When I read the name Jupiter Zeus in Racer's email I expected something huge and this 4-piece group from Perth, Australia, didn't disappoint me at all. Their music is "psychedelic space rock", according to the band, but I"ll just call it great tunes with some massive riffs, celestial vocals and impressive melodies. Or some of the best songs I've heard in a while.
"Our musical influences are vast, but we especially love the 60s/70s pop rock period. The Beatles, Pink Floyd, David Bowie, Simon & Garfunkle and Black Sabbath to name a few. We're also influenced by more modern bands such as Monster Magnet and Kyuss," primary songwriter Simon Staltari (vocals, guitar) says.
Bassist Jeremy Graham must be the comedian of the group. Here's how he described the band: "Jupiter Zeus is an electric traveling sound." I guess that's one way of putting it cause Green Mosquito sure took me on a cosmic trip.
But let's get one thing straight. Jupiter Zeus mates Staltari, Graham, Aidrian Vudrag (drums) and Michael Lawson (guitar), aren't rock newbies at all and I can sure tell by listening to Green Mosquito. This band knows exactly who they are and where they want to go. They know the sound they want and they've found it, by hell. The founding members have been playing together for decades, Lawson told me.
"I've been friends with the other guys in the band since the early 90s when I was in a ridiculously fast and heavy thrash/punk band called Moth and we were always doing gigs with Nebula - as they where called back then. They all became good friends of mine and Aidrian had been bugging me for years to come and jam with them and I never really got around to it," the veteran guitarist said.
Years later, Australia's Nebula ended due to the American band with the same name and its record contract. "But Simon, Adrian and Jeremy continued songwriting - not really worrying about playing live very much. After a while they had written some really good tunes - which were in a vastly different direction to what they were doing as Nebula - and started doing gigs around Perth as a 3-piece," Lawson said. "Simon sent me some free tickets to one of their shows along with a burnt CD of their new songs they had a demo of. When I listened to the demo it blew me away. I thought it was awesome new music - really Black Sabbath-type heavy, but with lots of colour and shade and really original and unique. I thought Simon's lyric writing was awesome as well. So I went along to their show, checked them out and saw that they stood out from all the other bands that night and were really original. I thought that if I was playing guitar with them as well I could make it a lot fatter and add a lot more muscle to their sound. So I learned all the songs and lined up a jam with them, and have been doing it ever since.."
Green Mosquito was released Sept. 11 and sounds friggin' majestic. It was recorded in Fremantle, a suburb of Perth, known for being where Bon Scott grew up and is buried, Lawson added. "The AC/DC song 'Highway to Hell' was supposedly written about Canning Highway - the road the studio is on where we recorded Green Mosquito. The studio is called 'Poons Head' and has one of the largest collections of vintage valve equipment in the world. They have compressors which where used by Led Zeppelin, The Beatles and Jimi Hendrix, so it's a very nostalgic place. The producer and studio owner is a complete eccentric - Rob Grant. For some reason he's befriended patients of a local mental institution who always dropped in when we where recording, which added to the already crazy atmosphere. We basically told Rob what we where looking for with the sound and he did what he thought would suit. He was a complete slave-driver and we still joke about having to play the song "Green Mosquito" 50 times in a row to get it right."
Way to go Rob. You pushed Jupiter Zeus and produced excellence with Green Mosquito. All the songs are about 3 minutes long and I could hear any of them playing on my local rock radio station. The first track, "From Womb", emerges with a raucous swagger and let's me know I'm in for a psychedelic rock treat.
"I...wanna sing the perfect tune," Staltari declares on the title track and ya know what? I believe he just did. I included a link for it 'cause I couldn't find a video anywhere for my favorite Green Mosquito song, "Forbidden Planet". Trust me when I say that it's SO unbelievably heavy. And "Whirlwind" is exactly like the title suggests - it's a fun, thrilling ride.
The band has plans for a full-length album - possibly early next year, Lawson said, and they're practicing in a unique place. "Simon has a lemon and mandarin orchard which has a huge shed we rehearse in. I personally think the fact that the songs are written in a big shed have influenced the sound we have at the moment due to having to blast the amps to ridiculous volumes to get a good sound."
That's one full-length release I'm anticipating with excitement, but I'm good with Green Mosquito for now and I'm sure I'll be listening to Jupiter Zeus for years to come.
--Heddbuzz
http://www.reverbnation.com/artist/artist_songs/443290
http://www.jupiterzeus.com/
http://www.facebook.com/profile.php?id=100001988918020#!/jupiterzeusrock?sk=info
Thursday, March 25, 2010
California Crossover - featuring Virulence, Fu Manchu, and Nebula
Virulence – If This Isn’t A Dream…1985-1989 (Southern Lord)
Fu Manchu - Signs Of Infinite Power (Century Media)
Nebula – Heavy Psych (Tee Pee)
Fu Manchu and Nebula play mid-temp heavy rock that owes a huge debt to the 1970’s but their roots come from the aggressive hardcore punk scene that exploded in California at the end of that decade and bled deep into the 1980’s. Virulence
is a hardcore band that existed from 1985 to 1989 that included future Fu Manchu and Nebula members Scott Hill and Ruben Romano. The hardcore scene went through big changes during this period in time. Most of the pioneers like Minor Threat, Black Flag, The Misfits and Dead Kennedys were either gone or about to expire and hardcore began mixing freely with metal to create crossover styles that became huge.
Virulence played in a style that owed a huge debt to the intensity and aggression of Black Flag, Circle Jerks and Suicidal Tendencies but combined it with the heavy, slower punk style of the Melvins and Flipper. BL’AST! is another obvious influence and probably the closest musically to their style. This is the kind of punk that could only come from California. It’s pissed off suburban rage played as loud as possible. The lyrics are full of confusion and alienation and vocalist Ken Pucci delivers them with a lot of force. Scott Hill’s guitar playing is full of Greg Ginn style twists and turns. He even played the same clear acrylic Dan Armstrong guitar that Ginn used during most of Black Flag’s existence, and Hill still uses one today in Fu Manchu (look for the SSD sticker next to the pickup). This CD collects the complete studio recordings that were issued on their 1987 album, EP’s plus live recordings, including a killer version of Void’s “My Rules.” The earlier material is mainly short blasts of punk fury and the later recordings are slower dirges that make Black Flag’s “Nothing Left Inside” sound like Huey Lewis.

When Virulence called it quits in 1989, singer Pucci went to college and the rest of the band formed Fu Manchu and changed their musical direction. Signs Of Infinite Power is their 10th studio album. Very little has changed since their debut album No One Rides For Free in 1994. Fu Manchu continue to crank out loud, distorted kick ass rock that combines the heavy 70’s groove of The James Gang, Black Sabbath and Grand Funk Railroad with the California punk of Bad Religion, The Germs and The Adolescents. If you liked the other Fu Manchu albums then you will like this one, too. The overall sound recalls some of their earlier albums. The guitars are very fuzzy and the drums pack a powerful thud. Fu Manchu’s music is perfect for highway star driving and fast ones like “Bionic Astronauts” and “One Step Too Far” will get you a speeding ticket for sure. Slow pounders like “Gargantuan March,” “Webfoot Witch Hat” and the title track are great for banging on your steering wheel when the jerk in front of you won’t get out of the way.

Nebula came into existence when guitarist Eddie Glass and drummer Ruben Romano left Fu Manchu in 1997. Heavy Psych originally came out as an EP in Europe but has been issued in the US by Tee Pee with some extra tracks. Nebula’s current line up consists of Glass on guitar and vocals, bassist Tom Davies and drummer Jimmy Sweet. While having a lot in common musically with Fu Manchu, Nebula has always had a more pronounced Hawkwind influence and this album continues in that direction while also adding in elements of Roky Erickson, Jimi Hedrix, The Groundhogs, Electric Sun and UFO (Mick Bolton era).
Here in NYC, it’s absolutely freezing and the ground is covered in ice but listening to these 3 records really puts me in a California state of mind. I’m just not sure if I should go spray paint the walls, joyride the highway or take some shrooms in the desert.
--Woody
Buy here:If This Isn't a Dream... 1985-1989
Buy here: Signs of Infinite Power
Buy here: Heavy Psych
Fu Manchu - Signs Of Infinite Power (Century Media)
Nebula – Heavy Psych (Tee Pee)
Virulence played in a style that owed a huge debt to the intensity and aggression of Black Flag, Circle Jerks and Suicidal Tendencies but combined it with the heavy, slower punk style of the Melvins and Flipper. BL’AST! is another obvious influence and probably the closest musically to their style. This is the kind of punk that could only come from California. It’s pissed off suburban rage played as loud as possible. The lyrics are full of confusion and alienation and vocalist Ken Pucci delivers them with a lot of force. Scott Hill’s guitar playing is full of Greg Ginn style twists and turns. He even played the same clear acrylic Dan Armstrong guitar that Ginn used during most of Black Flag’s existence, and Hill still uses one today in Fu Manchu (look for the SSD sticker next to the pickup). This CD collects the complete studio recordings that were issued on their 1987 album, EP’s plus live recordings, including a killer version of Void’s “My Rules.” The earlier material is mainly short blasts of punk fury and the later recordings are slower dirges that make Black Flag’s “Nothing Left Inside” sound like Huey Lewis.
Here in NYC, it’s absolutely freezing and the ground is covered in ice but listening to these 3 records really puts me in a California state of mind. I’m just not sure if I should go spray paint the walls, joyride the highway or take some shrooms in the desert.
--Woody
Buy here:If This Isn't a Dream... 1985-1989
Buy here: Signs of Infinite Power
Buy here: Heavy Psych
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