Showing posts with label lost album. Show all posts
Showing posts with label lost album. Show all posts

Wednesday, November 16, 2011

Sly And The Family Stone - A Whole New Thing


Scene:  It is mid-afternoon.  Penfold is sitting in his office.  He is listening to music.  His friend enters the room. (Conversation intended to be read quickly)

“Hey Penfold.”
“What’s going on my friend?”
“Nothing much.  Same old, same old if you know what I mean.  Say…what is that?”
“What is what?”
“That thing.”
“What thing?”
“That thing,” says my friend as he points his finger.
“The stereo?”
“No, not the stereo.  What is that thing that you are listening to?”
“Oh, that thing.”
“Yes, that thing.  Is it new?”
“Yes it is.”
“When did you get the thing?”
“The thing came in the mail today.”
“Do you like the thing?”
“Oh yes.  This thing is special.”
“Because it’s new?”
“Not exactly.”
“Then what’s so special about the thing?”
“Everything.  It’s a whole new thing!”
“A whole new thing?”
“Yes indeed.”
“Are you pulling my leg about this thing Penfold?”
“Would I joke around about a thing like this?”
“You joke around about things all the time.”
“But this thing is different.”
“Because it’s new?”
“Wholly new!”
“Can I believe you about a thing like this?”
“Can you afford not to believe me about a thing like this?”
“The thing is you do seem to know a little bit about these things.”
“Yes.  These things are things I like to know about.”
“They’re kind of your thing.”
“Precisely!”
“So I should get my own copy of the thing?”
“That seems to me like the thing to do!”
“Do you really think I’ll like the new thing?”
“Absolutely.  You’ll like the new thing a lot better than that old thing you’re into.”
“Fine.  You talked me into it.  I’ll pick up a copy of the thing.”
“Great!  I promise it’ll be just the thing!”

There is no point in beating around the bush waveriders.  I’m confident that nearly every human being on this planet has heard a Sly And The Family Stone song.  It is certainly possible that some individual out there is operating under the assumption they have not yet been exposed to this group, but let’s face it…they’re wrong.  Maybe “Everyday People”.  Perhaps “I Want To Take You Higher”.  Almost certainly “Dance To The Music”.  Some folk might not have known the name of the band, but I guarantee an overwhelming majority would hear the beginning of one of those aforementioned songs and say to themselves, “Oh man.  I love this song!”

Sly And The Family Stone’s second, third, fourth, and fifth albums are considered all-time classics.  This is a statement that I wholeheartedly agree with, but I am going to talk about something else today.  I am going to talk about my personal favorite Sly Stone album; his debut, A Whole New Thing.  From the first moment I began listening to this album my ears knew that they had found a new soul mate.  Waveriders, I’m sure you have all experienced one of these musical connections yourselves, but if you have not had the pleasure let me explain further.  To say that the music clicked with me immediately is an enormous understatement.  It was magical!

Admittedly, I’m a sucker for bands that combine musical elements I already like in a new and interesting way.  I like rock n’ roll.  I like funk.  I like classic r&b/soul.  I like the blues, and I like pop.  SATFS manages to combine elements from all of those genres into an immensely listenable sonic gumbo.  The main reason I like the music on A Whole New Thing more than later Sly Stone releases is that the songs are less refined than what followed.  What does that mean?  Well, the energy level of every song is off the charts and the compositions are often quite complicated.  Most songs utilize multiple singers, have horns blasting intricate note patterns, and layer truly funky guitar/bass/organ instrumentation on top of some wicked rock n’ roll drumming.  In short, it’s a dream come true for folks like me!

Those in need of proof concerning what I’ve reported need look no further than album opener “Underdog”.  Horns build up listener anticipation before the full band kicks in around the twenty second mark.  From there we have highly motivated start/stop drumming, rock solid basslines, tasteful guitar and organ playing, and positively massive sounding waves of unified instruments and voices following irresistible sing-along choruses.  Oh, and the lyrical content is nothing to laugh at either.  And that is only the first song!  It gets even better!  The energy level is lowered slightly for the next two tracks, “If This Room Could Talk” and “Run, Run, Run”.  Then the throttle is stomped to the floor for the barn-burning “Turn Me Loose”.  Knowing that the listener needs a breather, the band delivers the stunning blues/soul number “Let Me Hear It From You”.  Waveriders I apologize.  This writeup is getting out of control, and I didn’t even talk about other favorites like “I Cannot Make It”, the psychedelic “Trip To Your Heart”, or the bonus track “What Would I Do” from the 2007 remaster.  Alas, you’ll have to discover these delectable sonic morsels for yourselves.

On several occasions I’ve read that A Whole New Thing is a ‘lost album’.  Due to the success of later Sly And The Family Stone albums, the debut release is largely forgotten.  This is a travesty of the highest order!  But fear not waveriders, for we can rectify this grave injustice.  All you have to do is pick up a copy of this magnificent album, let the music it contains fill your days with happiness and good cheer, and then spread the word to anyone who will listen.  We can do this!

--Penfold



Monday, May 30, 2011

Ripple News - Lost Rory Gallagher Studio Album from 1978 Finally Released


Rory Gallagher - Notes From San Francisco 2CD




~Two-Disc Set, Notes From San Francisco, Via Eagle Rock Entertainment ~

~Lavish Package Includes Never-Before-Released 1979 Concert!~
The story goes that Jimi Hendrix was once asked what it was like to be the greatest guitarist in the world, to which he replied, “I don’t know, go ask Rory Gallagher!”

Rory Gallagher (1948-1995) is simply one of the all-time guitar greats. Slash, The Edge, Brian May, Johnny Marr, Janick Gers, Ritchie Blackmore, Glenn Tipton and Vivian Campbell have all said it. Since practically inventing the Power Trio format in Taste (both Cream and Taste debuted in 1966), Gallagher’s music has stood the test of time and he’s as popular now as he ever was, his influence gargantuan.

The story of Rory’s lost San Francisco album actually starts in Japan. In November 1977, after a grueling six-month world tour, the band flew straight from their last show in Japan to San Francisco to begin working on a new album with famed American producer Elliot Mazer (who worked on Neil Young’s Harvest, Big Brother & The Holding Company’s Cheap Thrills and The Band’s The Last Waltz). Mazer recalls the sessions grew “tense,” as Gallagher thought the mixing process “too complicated.” By the end of January 1978, he had shelved the whole record and broke up his band of the past five years.

Fast forward to 2011 when Rory’s brother/manager Donal allowed his son Daniel to recover the album from the Gallagher archive and begin the process of mixing it with his engineer. Rory said in 1992 he hoped the album would surface one day but only if it were remixed. Bingo. Hearing this historic never-before-issued studio album from a key period of Gallagher’s career (the album that would have been released between Calling Card and Photo Finish) is the Holy Grail for Rory’s fans.

CD #2 is another fabulous discovery: a blistering live album taken from four December nights in 1979 at San Francisco’s The Old Waldorf. In the audience Van Morrison, on stage Rory Gallagher (guitar/vocals), Gerry McAvoy (bass) and Ted McKenna (drums). Daniel Gallagher chose to add the live side to highlight why Rory chose to shelve the studio album and reduce his band back down to a three-piece. Rory, after seeing The Sex Pistols at Winterland during final mixes for his own album, was struck by the stark drama and blunt primitivism of pure punk. “It was as close to Eddie Cochran as you’re going to get,'' he enthused. He had been saying that he wanted to get back to what he called “meat’n’potato rock’n’roll,” a stripped-back primal raw immediacy hearkening back to his Taste days.

A street has been named after him in Paris; a corner in Dublin; a statue in his Ballyshannon birthplace, where The International Rory Gallagher Tribute Festival is held. There’s a Rory Gallagher Place and Rory Gallagher Music Library in Cork. Annual tributes are held in Germany and Japan. The man has sold in excess of 20 million albums. Notes From San Francisco [MSRP $17.98] will be a worthy addition to his canon.

Track Listing:

CD1
1. Rue The Day
2. Persuasion
3. B Girl
4. Mississippi Sheiks
5. Wheels Within Wheels
6. Overnight Bag
7. Cruise On Out
8. Brute Force & Ignorance
9. Fuel To The Fire

BONUS TRACKS
10. Wheels Within Wheels (Alt version)
11. Cut A Dash
12. Out On The Tiles

CD2
1. Follow Me
2. Shinkicker
3. Off The Handle
4. Bought And Sold
5. I’m Leavin’
6. Tattoo’d Lady
7. Do You Read Me
8. Country Mile
9. Calling Card
10. Shadow Play
11. Bullfrog Blues
12. Sea Cruise