Showing posts with label music video. Show all posts
Showing posts with label music video. Show all posts

Thursday, January 5, 2012

My First Album - The Rolling Stones - Tattoo You

 Tattoo You (Reis)

If I’m completely honest the actual accuracy of which album was the first I ever bought with my own money is pretty hazy…we’re talking 30 odd years here!!! It could well be something by the Police or maybe even Adam And The Ants. I can say with absolute conviction though that I definitely did buy Tattoo You by the Rolling Stones with my own dosh. I can even remember the sticker on the front that said £3.50. You try buying a brand new vinyl album for £3.50 nowadays…I tell you it can’t be done!!!

Let me just give you a little background as to why I chose this album to buy in my tender years (I would have been 11, maybe 12 when I got it). All credit must go to my dear old dad. You see, my dad has been a huge influence on my listening habits. As a child the house was full of music. In the early 70’s Sunday mornings would play host to my dad’s record collection and I remember a lot of old soul and funky stuff being played. In the car we would have some prime original ska like Prince Buster or the Skatalites that I would request on every journey. My dad, however, always had two abiding passions; the blues and The Rolling Stones and had done since he was a teenager. Even now in his 60’s if a new Stones album comes out he’s right there and he’s out most weeks to check out whichever obscure blues artist is passing through town. For a man known as the “white sheep of the family” by his wayward brothers due to his outward respectability he sure has a black man’s music taste!!!

So as a kid I was exposed to some of the best music ever created and when I entered the record department that day (it would have been Woolworths or W.H Smith) and saw a Rolling Stones album I suddenly had access myself to this treasure chest of awesomeness…plus I knew my dad would be proud as hell!!! I was immediately struck by the cover…Jagger on the front and Keef on the back both covered in tribal artwork. My young mind couldn’t grasp that they hadn’t actually had their faces tattooed for the cover, my knowledge of graphic design would come later. Either way this looked like a badass album!!! At this point I wasn’t aware that bands may have purple patches and wasn’t aware that the previous album was, by all accounts a sack of shit!!! Nor was I aware that “Tattoo You” was a bit of a stop gap album cobbled together from various unreleased bits and bobs dating back nearly 10 years at that point. All I was aware of was that it rocked and was righteous!!!

The album kicked off with “Start Me Up”. Come on people, you have to admit this is one the all time classic Stones riffs!!! As soon as it kicks in the spine starts to tingle and those erogenous zones go all a quiver!! Even as a young boy I knew that when Jagger sings “you’d make a dead man cum”…it had to be some pretty hot shit he was singing about…I didn’t even know what it meant but to make a dead guy do anything is pretty incredible right? “Hang Fire”, “Little T & A” and “Neighbours” all rocked hard and fast. “Slave” was a down and dirty funky fuck of a song and “Black Limousine” brought the blues. Flip this sucker over and the Stones give us their mellow side. Now we already knew from tracks like “Angie”, “Fool To Cry” and “Wild Horses” that they could tug at the heart strings like no-one else and they proved that here. “Waiting On A Friend” even proved to be a big hit with Jagger and Richards making out like they’re best buds in the video!!!

It doesn’t matter whether this album is rated as one of the Stones best albums or not…maybe it is, maybe it isn’t. In the cold light of day it sure as hell ain’t no “Exile On Mainstream” but it was my first and like your first fuck it stays memorable and special. In fact I may go and put it on now and get my groove on to that riff…you know…”Start Me Up”!!!


--Ollie


Tuesday, June 14, 2011

Fountains of Wayne - Welcome Interstate Managers

I bet you already know one song from Fountains of Wayne’s 2003 album Welcome Interstate Managers. Here’s the first verse and part of the chorus:

Stacy can I come over after schoo-oo-oo-oo-ool,

(After school)

We can hang around by the poo-oo-oo-oo-ool,

(Hang by the pool)

Did your mom get back from her business trip,

(Business trip)

Is she there, or is she tryin' to give me the sli-i-i-i-ip,

(Give me the slip)

You know I'm not the little boy that I used to be,

I'm all grown up now,

Baby can't you see.

[Chorus]

Stacy's Mom has got it goin' on,

She's all I want,

And I've waited for so long,

Stacy can't you see,

You're just not the girl for me,

I know it might be wrong,

But I'm in love with Stacy's Mom. 

The reason you know “Stacy’s Mom” is MTV President Judy McGrath.  In 2003, she liked the obscure tune so much that she championed the making of a music video that starred Rachel Hunter as Stacy’s Mom and the single went gold.

Ahh, Rachel Hunter!  With a body like that who was listening to the music? Maybe it was due to the incessant airplay of the music video that we all learned “Stacy’s Mom.”  It might not have been on purpose.  It was background music so we could stare at Rachel Hunter.

As catchy and as popular as “Stacy’s Mom” is, it is far from the best song on Welcome Interstate Managers. You can even argue that it is not one of the top five of the fifteen (eighteen if you include the Japanese edition bonus track “Elevator Up” and the tongue in cheek "Adam's Mom (Stacy's Mom Remix)") tracks (do you really care or are you still looking at Rachel Hunter?  I thought so.))

Songwriters Adam Schlesinger and Chris Collingwood played together, went their separate ways and then reformed as Fountains of Wayne in 1996, disbanded after a couple of uneventful albums, and then reunited in 2001.  The band consists of members Collingwood, Schlesinger, Jody Porter and Brian Young.

In addition to “Stacy’s Mom” on Welcome Interstate Managers  “Mexican Wine” also garnered  significant airplay.  The music video for the song spawned controversy. It showed young children singing the lyrics "think I'll have another glass of Mexican wine" and guitarist Porter catching a drink on the bare stomach of a woman lying on a beach.  Due to the controversy Fountains Of Wayne’s record label, S-Curve Records, pulled the video from circulation.

Yet, even “Mexican Wine” may not make the album’s top ten songs.  If you really want to hear great pop rock with intelligent writing about timely topics ,and hear great harmonies and instrumentation, just listen to “Bright Future In Sales” about a young road warrior sales recruit trying to justify why he does it, or queue up “Little Red Light” about losing your girlfriend while working in New York and commuting to a dismal job.   You can truly drop the needle anywhere on this one and hear great music. 

Others agree.  The TV series “Scrubs” used “Hey Julie” and “All Kinds of Time” in episodes of its show.  The NFL also used “All Kinds of Time” (an amazing song about a football quarterback making a perfect play in slow-motion) in its 2004 league promotional video.  L.L. Bean used “Valley Winter Song” in a commercial and Kate Perry covered “Hackensack” on “MTV Unplugged.”

Hey, look!  Eyes down here! I’m still telling you about Welcome Interstate Managers.  I know you are still looking at Rachel Hunter and maybe that is Fountain of Wayne’s biggest problem.  They are so good at their craft that others quickly grab their music to take advantage of this band’s incredible talent.  They don’t need Rachel Hunter but, hey, if you got her you don’t give her away.

Okay, you can now return your eyes to the picture of Rachel Hunter or you can watch and listen to one of the band’s videos below.

- Old School

Buy here: Welcome Interstate Managers
Buy here mp3: Welcome Interstate Managers





Sunday, October 31, 2010

Ripple Theater - Johnny Winter - Live Through The '80s DVD


You’d be forgiven for thinking that a DVD titled Johnny Winter Live Through The ‘80s wouldn’t be all that great, but you’re wrong. Johnny Winter went through a bit of a rebirth in the 1980’s thanks to the popularity of Stevie Ray Vaughan and a new contract with Chicago blues label Alligator Records. Both of these helped introduce Johnny to a new audience and got some youngsters showing up at his concerts. I should know, since I was one of them. Even during the peak of my snotty thrash metal high school powers, I still loved blues and classic rock. A friend and I went to see Johnny at the Beacon Theater in NYC, early 1985 and were blown away by the frail, shirtless Texan’s incredible energy and fiery playing. (His brother Edgar opened the show and did a great set that included a truly bizarre hip hop version of “Frankenstein.”)

This DVD really brought me back to that great night at the Beacon 25 years ago. Starting off in Toronto, 1983 there’s a kick ass version of “Unseen Eye” and 3 other smokers. Johnny’s leading a powerful trio with John Paris on bass & harmonica and drummer Bobby Torello. In 1984, Tom Compton takes over on drums and there’s footage from 3 different concerts – 1 from Europe and 1 in the US. The playing is tight but loose and production is primo. The band really rips it up on songs like “Mad Dog” and his frenzied take on Dylan’s “Highway 61.” After a semi-embarrassing music video for the song “Don’t Take Advantage Of Me” (it was the 80’s, all videos sucked) there’s an electronic press kit Alligator Records put together with a cool interview with Johnny. After that, it’s right back to the boogie with more footage from Europe in 1987 and 88.

Back in the 80’s Johnny stopped using his gorgeous Gibson Firebird guitars in exchange for butt-ugly Steinberger guitars. Despite their cosmetic unfortunateness, Johnny still makes them sound great. Proof that good guitar tone is all in the hands and not in the gear. If you’re a blues-rock lover you’ll definitely want to pick this up and give your TV speakers a work out.

--Woody

Buy here: Winter, Johnny - Live Through The 80's

and go back and explore more: Live Through the 70's

Monday, June 21, 2010

Guitar Legends JPT Scare Band Devastate BP with New Music Video, "Not My Fault"


After a hugely successful, 1 week debut on some of rock's finest websites, JPT Scare Band unleashes their darkly sarcastic attack on BP to the general public and the world.  Reports are that the biting, inflammatory video was picked up by over 40 news outlets and websites, as anger over BP's mishandling of the Louisiana Gulf Crisis bubbles over the boiling point.

Featuring the guitar wizardry of Terry Swopes, often hailed as "the most unheralded guitarist in rock" "Not My Fault" is a classic JPT Scare Band tune, written by drummer Jeff Littrell in the '70's but not recorded until 2004.  The ironic, almost cheery nature of the song plays in direct contrast to the destruction that BP has left in it's wake.

If you like the video, stay tuned to the very end, as the original 911 call BP made to the Louisiana Police demonstrates their epic downplaying of the situation.

And if you enjoy the video, please pass it on to your friends.  Link to it, embed it, twitter it, facebook it.  BP has paid millions of dollars to buy up all the sensitive search terms on the gulf crisis and is spending hundreds of millions of dollars white-washing it's role in the disaster and cleansing it's reputation. 

This is just one small way we can all fight back!

"Not My Fault" appears on the new JPT Scare Band album, Acid Blues is the White Man's Burden released by Ripple Music