[#22] BTOB - "Stand Up"

From: "Press Play"
Format: EP
Released: September
Territory: South Korea
Previous Best of Appearances: First Appearance

Unlike the Infinite bandwagon, I was pretty late to the BTOB one, but if their first release was anything to go by, I wasn't really expecting to like them. "Press Play" defied those expectations though, because it's really one of the strongest rookie releases of the year.

"Stand Up" is such a Swedish song -- everything from the choice of synths, the arrangement, and even the melody, this is something that would have no problem fitting into an Agnes or Ola album. (if they're even still around, that is) And you guys know how much I adore my epic Swedish songs.

The highlight of the EP for me was really "Stand Up". It's a beautiful song, with a beautiful melody and this gorgeous piano line running around behind, but at the same time the arrangement makes the song epic, but a kind of raw epic. How the vocals deliver the melody is really the focus of the song, but what the arrangement does is that it heightens the experience -- those bridges are proof. They're simple, but urgent and overflowing with brevity. Stunning.

It's very ambitious, actually -- the belting starts at the first chorus, and the melody requires a lot of shifts in technique. I'm not so sure how they'd do this live, but the production on the recording did a good job of smoothing everything out and making the belting sound slightly more natural.

"Stand Up" is such an effortless song, but instead of just stopping at being effortless, it pushes even further and adds in brevity and beauty. If that's not a good song, I don't know what is.

BTOB - "Press Play"

I didn't really have a good first impression of BTOB, and I know a few other people felt the same way, so I wasn't really following this comeback. That also explains the fact that this review is a month late. I had the album sitting in iTunes and my phone since it was released, but I was so busy finishing up the first semester that I never got around to listening to it until tonight.

And boy was I in for a major surprise.

Cube has never really been that high-up in my books because they're not very consistent with the quality of their releases, usually focusing only on BEAST and Hyun A who are the "more popular" ones in the agency. The problem with that approach is that the reason why BEAST (and maybe Hyun A, but just a maybe) became popular in the first place is because they got good material. If the rookies or the lesser acts never put something strong out, they'll never be successful. So you can see why BTOB, and Cube, surprised me so much with this EP.

The stylistic direction they've taken really hits a sore spot. I mean, how can it not when it's overflowing with elements of Swedish production and Backstreet Boys in the late 90's/early 2000's? But what's especially noteworthy with their direction is the fact that the material takes influence from very strong sounds, but still manages to still sound like K-Pop.

To say this in the simplest way possible, "Press Play" is a very, very strong EP from start to finish. There really isn't a single weak song on it. The songs aren't only all on the same level of proficiency, they also work extremely well with each other -- the songs stand firmly on their own, but when you hear them all one after the other they take on a life of their own. Really, it's crazy how good this EP is.

"Press Play" sounds so much like a cross between Craig David and S Club (7) (Who happen to be two of my favorite British acts.), especially with some of the vocal treatments and instruments they used. It's a breeze to listen to and it's a lot of fun, but I'd think twice about wanting to break out in dance and song to this. It's not overflowing with groove, and I would've liked it even more if it had gone all-out, but at the same time it's that slight hesitance and stiffness in the delivery that puts the K-Pop into the song and separates it from the influence. Otherwise it would be just another boring Craig David imitation.

If "WOW" isn't a homage BSB, I don't know what is. This sounds so much like the music of my childhood (because I'm not a child anymore!), it's scary. And I guess I'm also freaked out because it's such a good interpretation of the BSB sound. It's also melodic in the chorus/near-shouting kind of way, It's an intense song with all these very full, rounded instruments and those heavily padded vocals, but the guitar line that reminds me a bit of and those screams in the background give it that sense of playfulness and make it a bit tongue-in-cheek, actually. The treatment of the guitar line reminds me a lot of a more mischievous version of MBLAQ's "Mona Lisa". The vocals are spot on -- some near-shouting at the choruses, those groan/whisper verses, and countless layers of voices, even for solos.

After two very Western-sounding tracks, "I Know Nothing But Love" sounds very K-Pop at first glance, like something BEAST would do, or maybe even Teen Top. I love how they took it a step further, not with the elements on the surface like the vocals or the melody or the production, but with what's happening under that. That drum line, though most of the time drowned out, is gorgeous. The use of that snare in particular at the verses makes me want to curl up and cry because it gives the song so much class. But what I like more is how the drum line and the piano line work with each other. Usually (if the songwriter is uninspired or lazy) the drums give a song kick because most people assume that they're loud, and the piano gives the song grace and sophistication because piano lines are graceful. It's the other way around on this song, and it's done so well that you don't notice it until the two actually come in together and work their magic.

"U & I" just makes me melt into a puddle of goo. With a smile on my face. While the previous songs have been very dependent on style and things other than the melody and the basic chords, "U & I" literally puts that beautiful melody on a pedestal. With the instrumental that does exactly what it has to do as a pedestal, nothing more, nothing less, the goosebumps just keep coming. And surprisingly, it fits their vocals like a glove. That slight nasal quality pulls the melody together because otherwise it would just be a puddle of goo (much like me!). This is kind of like meringue -- sugar is sugar, it's sweet which is great and all since we all love sweets, but when you add in the egg whites they hold the sugar together and make it into this heavenly creation.

Honestly, the generic and slightly cheap beginning of "Stand Up" made me think that maybe this was where this album would fall. I mean, after such strong songs, they're bound to have a moment of weakness, right? But then that stunning bridge popped out of nowhere with all that epic and my jaw literally dropped. The melody reminds me of a sped-up version of this stunning song, with the elements of this masterpiece, but with so much more intensity. Which are both examples of brilliant Swedish pop.

The instrumental sounds so effortless even if there are a million things happening all at once -- because the elements work together instead of fighting for dominance. The piano line that runs around the chorus along with the synths is beautiful, and basically everything during that epic verse too. The instrumental and the arrangement are very ambitious and they take that ambition one step further with the confidence, which is then driven home by the brevity of the vocals. As if all that wasn't good enough, the middle 8 is probably the most beautiful middle 8 I've heard this year -- you have all the qualities of the rest of the song, with that much more grandiose to it. It's an overwhelming song, but it's the good kind of overwhelming because it makes you want to listen over and over again because you hear something new every time.

"My Girl" rounds up the EP, and it's a good cool-down from "Stand Up". But that doesn't mean it's inferior. While the other songs put up very strong fronts in whatever qualities they put across, "My Girl" takes a step back and lets you bask in everything. It's a simple song, yes but it's packed with enough moments to sustain your attention, but at the same time it does shove things into your face one after the other. The elements themselves are actually pretty generic and standard to pop songs, but like a lot of the other songs, the success lies in the execution. The arrangement is very bare for majority of the song, like part of the verses where the elements that stand out are basically just vocals, a guitar and percussion, or how it's extremely easy to make that electric guitar at the chorus stand out like a sore thumb, instead it lays low. The build-ups and transitions are very natural and follow them melody, but the song also becomes urgent where it needs to be, like during the stunning middle 8. I'll have this on repeat for the next few weeks. At least.

As you can see, I'm still overwhelmed at how strong this EP is, all things considered. But what's clear though is that if BTOB keep this up, they'll go a very long way -- a far cry from how I thought they'd end up earlier this year.

5/5

[April 21, 2012] MBC Music Core Highlights + Commentary

Today's show featured comebacks from Girls' Day and Supernova, and goodbye stages from CN Blue, who I'm not recapping today, and SHINee.

And before we start, I just really want to thank you all for the support you've put in to the return of these recaps, all your comments and the discussions you engage in because of my posts somewhat drive me to keep writing these recaps. To know that people still actually take time to read my work means a lot to me. But enough of the mush.

EXO-K - "MAMA"

I've half-figured out and made sure of why EXO look so stiff on stage -- it's because they've overdoing it, to the point where, again, they don't enjoy it. While I understand that it's natural to over think performances, and it's actually for that reason that I stopped performing, EXO are supposed to be in it for the long run. Or at least that's what I assume. If they themselves cannot start genuinely enjoying their performances, then their audience won't either.

BTOB - "Insane"

Now the problem with BTOB has something to do with dynamics again. There are seven of them on stage, but it seems like there are more, like the stage is crowded, because they're not moving as a group. Their vocals are fine, their song is so-so but fits them, but they have to work on their group dynamic.

Spica - "Painkiller"

Their vocals were ever so slightly slipping today, but nothing majorly bad and/or painful happened, and the song is still as bland as it was yesterday, despite the girls' efforts.

Girls' Day - "Oh My God"

I'd love to say that their vocals were actually consistent and that I just really hate them, but then... what vocals? They sound like three year-olds begging you to buy them something. All of them.

SISTAR - "Alone"

In fairness to SISTAR, Soyu (is that her name?) sounds a lot better, and thus that much more relevant today. At least Hyorin's not the only one properly carrying the melody during live performances anymore. Other than that though, I practically fell asleep during today's performance. The song itself is a song that needs to be carried with both grace and attitude, and while SISTAR do have attitude, it's not coupled with grace, so it just becomes boring.

Supernova - "Stupid Love"

When Supernova were promoting "On The Days I Missed You", I adored them. They were a b-list group with lots of potential, and above all, brilliant material. It was a shame that they weren't more famous in Korea. However, this time around, it seems like they've degraded, and now they're just another b-list band with sub-par, generic material. "Stupid Love" sounds a BEAST reject, rejected because it was too cheap, even for Cube. And it's obvious that this song doesn't fit them, because they can't sing it live. It's not that they're completely untalented, because they're actually all pretty okay, and Sungje reminds me of a cross between a young Hyesung and a young Jaejoong, who are both gods in their own right, it's that they need good material or else they'll just disappear in the sea of b-list acts.

4Minute - "Volume Up"

So I see we're still turning the backing track way too high during the parts that matter, huh, Music Core? The performance itself was consistently okay today, and if there's one thing 4Minute knows how to do, it's carry a song with the right kind of attitude.

SHINee - "Sherlock"

I liked the camera effects they put in today's performance, a lot more than the spinning cameras everyone used to use. It's subtle and tasteful, it wasn't over-the-top and that sense of "live" still remained. Vocals were consistent today -- again, not as powerful as I'd like them to be, but good enough for me not to be in any pain.

Shinhwa - "Venus"

In all honesty, for the songs that Shinhwa are doing now, Minwoo should take over lead vocals. While Hyesung's voice is godly and we should all worship it, it's very picky, and rather shaky live. They need a lead singer who can not only sing well, but who is versatile and stable enough to carry the band, regardless of what kind of material they get. But that's just me. On the performance side, again, they are so good at performing that it looks effortless, it feels effortless, and they have total control over the audience.

[April 15, 2012] SBS Inkigayo Highlights + Commentary

Is this real life? Have I actually finished an entire weekend's worth of music show recaps for the first time since last year? Yes! Comeback week for SISTAR and 4Minute come to and end, and EXO are on to regular promotions (as in one song only) today.

Before we start though, there's something I'd like to clarify. I, personally and "professionally", do not believe in the concept of "MR Removed" videos as a basis for vocal talent and outstanding live performance. The reason why live performances can be used as a measure of ability is because anything can happen in those five minutes, and everything does happen. Compared to a studio where almost everything can be controlled, live performances are unpredictable, and it's an act's ability to perform along with, and over, those unpredictable events, that I critique on my music show recaps. The minute you tamper with any part of that performance, or any music or video file for that matter, so much can happen, and you lose a part of the original performance. And besides, I also judge performances based on the amount of variables in a given time frame. Take them away, and no considerations, and less complaints, will be made.

Now, if you watch them and personally see merit in them, I have no problem with that -- you are entitled to a choice, and you should take it. I respect you and your decision, however, when you comment on these recaps, please also take my stand into consideration, the same way I take yours in writing my recaps.

EXO-K - "MAMA"
And I see we're back to lip-syncing, EXO. Before you all crawl out and correct me again, I know that this was pre-recorded last week. And yes, I have yet another complaint. EXO are a new group. We're all at the edge of our seats trying to calculate how good they are, and more importantly, how fast and how much they improve. How are we supposed to do that when the people upstairs insist on one, hiding their real, live vocals, two, keeping them in controlled environments, and three, pre-recording performances weeks before airing? Yes, we've seen them sing live. Twice. But at this stage the most important thing is that we are able to track their progress. This performance is one week old. So much has happened between then and now -- they could have improved, or not. But, nevertheless, my general comments on their performances still stand. They look robotic, and they don't look enthusiastic.

BTOB - "Insane"
The best way to improve is to keep performing, and that's what I like about BTOB -- always singing live, always trying. Though they have so many things to iron out, and their group dynamic isn't that obvious, what's obvious though is that they're trying, and if you remember, it's that same effort that made BEAST into what they are today. We'll see.

NU'EST - "FACE"
NU'EST is another group who shows effort and has managed to impress me in the process. My standards have definitely dropped over time, but honestly, all these new groups have to show me is one, consistent, actual, live vocals, and they also have to show me that they want to be on stage, that standing there is a privilege they want. It's one thing to feel that way, and I understand that everyone probably feels that way, but it's another thing to actually show it on stage. A little crack there from the guy who sang before the bridge, which also gave away the fact that this is live, but other than that, another strong performance.

Spica - "Painkiller"
Strong vocals like this really need better material, because again, while they can carry the song perfectly fine, the song still does nothing for them in return.

SISTAR - "Lead Me" + "Alone"
Judging by today's performance of "Lead Me", which was actually pretty good, I get the impression that SISTAR not only need more classy choreography, but they should move less. The set was actually really quaint, and the entire performance is much better when they just walk here and there and occasionally dance. As usual, Hyorin sounded great on both songs, and actually, "Alone" sounds a lot better live than it does recorded -- it has just that much more character and punch. Not bad, SISTAR, not bad.

4Minute - "Dream Racer" + "Volume Up"
Compared to these 4Minute performances, SISTAR's are so boring, to be honest. "Dream Racer" may not be brilliant, but it's upbeat, and the girls carry it with conviction -- you know they're enjoying it, and the smiles are genuine. And I adored the set of "Volume Up" today. Classy with attitude, like the rest of the performance. And, this is one of the few performances today, and in a long time, that actually gave me actual goosebumps, despite Hyun A's sad attempts at singing. I know, I can't believe it either, but it did.

Big Bang - "Fantastic Baby" + "Bad Boy"
Very few groups can give me goosebumps by just walking, but Big Bang are one of them. They are the definition of holding the audience in the palm of your hand, and they do it with such grace, so little effort, but so much enthusiasm. I don't even particularly like "Bad Boy", but their performance managed to make me genuinely smile for the first time since I started watching Inki today. It's so obvious that they not only show they're happy to be on stage, but they really make it look like it's such a privilege, even if they've stood on much bigger stages before. A true performer should be able to connect with an audience, even through a computer screen. I'm reminded of why I have such immense respect for Big Bang, because they really are performers in the truest sense of the word.

SHINee - "Sherlock"(WINNER)
SHINee's wins have been well-deserved, despite my neutrality towards "Sherlock" as a song. Strong, consistent, vocals, a strong performance, and so much attitude. SHINee have come to that stage where the song doesn't carry them, they carry the song, and they do it well.

[April 14, 2012] MBC Music Core Highlights + Commentary

And we move on to today's episode of Music Core. Music shows are getting more and more enjoyable these days, which is really good! And, surprise, surprise, MBC's sound system seems to be getting better as well. Or, they put someone better behind the system. Today's show features EXO's debut, and comebacks from 4Minute and SISTAR.

Video credit goes to shu35151224@YouTube.

EXO-K - "History" + "MAMA"
Looks like someone took my comment on them singing together too seriously, because now it's 80 percent backing track, 10 percent random mumbling in the background, and another 10 percent belting out unnecessary notes. However, the parts which weren't drowned out by the backing track were much, much, better today. There are still so many major problems with their performance though. First off, the six of them are still singing and moving for themselves rather than for EXO as a whole, and so the performance is so robotic. I believe I said this before, but they don't look like they're happy to be on stage, like it's a privilege -- they look like they were pushed on stage against their will. You don't need to smile to show joy, or prance around not caring about anything to show effortlessness, but their performance has no emotion whatsoever. Which leads me to believe that these guys aren't in it for the music, but for the popularity. And I'm extremely disturbed by that. And secondly, I was telling Ree just a while ago that pretty much all of the SM bands have a very obvious "lead singer" figure from the very beginning. While that figure can change through time (like Junsu and Jaejoong in DBSK), it is always present, and very obvious, even to the untrained ear. I don't see that with EXO. In fact, listening to them now, if I didn't know any better I wouldn't think they were an SM group. They don't move like one, they don't act like one, and they don't even sing like one either. All of this is very strange.

BTOB - "Insane"
I never thought I'd say this, but honestly, BTOB sound much better than EXO, because for one thing, at least they, or some of them, can sing their own song. Yeah sure they murdered DBSK's Love In The Ice, but EXO murdered their own song.

NU'EST - "FACE"
NU'EST fulfill one of the most important traits in a new group -- if you don't have good material, if you don't have amazing voices, at least pull of what you have, so much that you keep people's attention on you until the day you do get good material and you do become brilliant singers. And really, they pull this song off so well, that I had to do a double-take to see if they were lip-synching, which they were not. I have my eyes on you, NU'EST, you better not disappoint.

Spica - "Painkiller"
Another strong performance, however, again, I'm more concerned with what they're going to release next than I am the song they're currently promoting. These girls need an explosion of a song to show off their vocals!

B1A4 - "BABY I'M SORRY"
Seriously, B1A4, after a disastrous singles last year, you're quickly turning into a band I'm keeping my eye on for quite a long time! They all look like they genuinely enjoy being on stage, on top of consistently pulling off a strong performance. The song matches their vocals, and they all know how to perform it as well. Pretty good, B1A4!

SISTAR - "Lead Me" + "Alone"
To answer the reactions to my comment on their performance yesterday, there are three other members in SISTAR, are there not? Hyorin is not the only member of SISTAR. But, I'm glad they didn't lip-sync Alone today. My problem with SISTAR has always been the combination of their performances and their material, and how they can never seem to pull them off with a sense of finesse. The same goes for today's performance.

4Minute - "Dream Racer" + "Volume Up"
So far, 4Minute are creaming SISTAR in terms of live performances -- from song selection to stage presence and the consistency of their vocals. The middle 8 of Dream Racer was really sloppily done, but the rest of it was pretty good. And for a second there I was really surprised at HyunA's not painful vocals, then I realized that this performance was overdubbed and double-tracked, very badly may I add. Which is suspicious because this could possibly mean that they can't pull this song off for three days straight, which will ultimately make them lose to SISTAR, who we know can pull their single off. Hmmm. We'll see.

SHINee - "Sherlock"
Strong, consistent performance today. Very effortless but accurate and snappy at the same time. Everyone sounds good, Taemin and Onew in particular. But then again, I expect nothing less from SHINee.

Shinhwa - "Venus"
A lot more stable than yesterday, but of course, performance-wise they're still consistently effortless, as individuals and as a group. They look not only like they belong on stage, but like they love being on it, they love performing. That's something new groups have to learn and take to heart, because it's one of the most important aspects of a live performance -- if you can't sell what you have, no matter how good you are people won't be convinced.

[April 8, 2012] SBS Inkigayo Highlights+Commentary

Guess who's back?! ME! It's officially summer over here, so I've been stuck at home doing nothing, which means I have all the time in the world to work on a truckload of posts, and the return of my music show recaps!

I meant to start recaps last Friday, but I decided to wait until the shows became just that much more interesting, courtesy of EXO-K and upcoming comebacks from 4Minute and SISTAR.

EXO-K - "MAMA"
Where to start, where to start. Oho, this is gonna be fun. :D I've expressed my dislike for EXO, and while I'm not going to defend myself for it, this "performance" just solidifies the fact that I don't like them. First of all, the purpose of a live performance as a measure of talent and skill is based around the concept that live performances are live. That you only have one chance to perform a song from start to finish, and regardless of whatever mistakes you make, what's done is done. Making mistakes doesn't make you untalented, it makes you human. But trying to hide those mistakes makes people suspicious. If I wanted to watch a perfect performance with studio vocals and no mistakes, I'd watch the music video. Better cinematography, better quality, no screaming fans so I can listen to the song in peace. This performance was pre-recorded, repeated more than five times, and lip-synched. Let's end it at that. Second, if they keep this up, this bad habit of lip-synching, it's yet another strike on their stage deportment. The SBS Gayo Daejun was a big, fat, strike one -- being disrespectful to their seniors, and the audience -- and this is another one. Okay, fine, DBSK, Super Junior, SNSD, SHINee and f(x) have all done it at certain points of their careers, and some of them continue to, but EXO have a lot to prove. Just for the record, DBSK did not lip-synch their debut performance, and anyone who thinks that way should go learn their history. They're also debuting in a time where technology is incredibly sophisticated and broadcast stations readily have the needed equipment to handle live performances. Although SBS isn't the best out of the three, the other acts on today show that they're perfectly capable of handling live performances. EXO have so much hype to live up to, and continuing to lip-synch and pre-record their way out of things will turn a lot of people off. Me included.

BTOB - "Insane"
I've heard a lot about BTOB, but like a few of the other acts on today, I've never seen them perform. Bad "Love In the Ice" cover aside (whichever of the members were singing it), BTOB are okay. They're not amazing or anything, but the song makes them sound like decent live singers, and it's catchy in certain parts. I'm not impressed, but I'm not turned off either.

NU'EST - "FACE"
I watched one of NU'EST's earlier performances a few weeks ago, and to say it was painful would be an understatement, so I stopped following them altogether. But I was genuinely and pleasantly surprised to see that they've greatly improved! I thought they were forever doomed as the male AS in every sense of the word, including live performances, but I see I was wrong. The vocals are still rough around the edges, but they sound, and look, much more comfortable on stage. I'll be keeping my eye on these guys.

Spica - "Painkiller"
I have actually never heard any Spica material, nor have I seen any performances, but this was pretty good! Strong vocals over-all, okay material, and actual stage presence! This is what I've been saying about being comfortable on stage -- it shows when you not only know what you're doing, but when you're sincere about it as well. That and pink hair and black pants girls can really sing!

B1A4 - "BABY I'M SORRY"
I wasn't really impressed with the recording of this, but I actually enjoyed today's performance! It's good to know that B1A4 have abandoned that horrid excuse for a song they were promoting last year, and have moved on to much better things. It's not the best song, or the best performance, but it's catchy, it works, and it's ever so slightly effortless. We're making progress, B1A4! Progress!

Nine Muses - "Ticket"
So I see we're still not very decent live singers, Nine Muses. The performance itself was okay, the song is on the bland side of being okay, and there's nothing really outstanding or interesting about anything.

CN Blue - "Hey You"
It was an okay performance, and the song is very CN Blue, but above all, it's good to know that someone finally put the drummer close to the rest of the band. Took you guys long enough!

Big Bang - "Bad Boy" + "Fantastic Baby"
Everyone had better be taking notes during Big Bang's performance, or else! They sounded a bit strained today, and as usual, someone turned their backing track way too high, but even if you're just watching the YouTube video you can really see and feel the performance. It's effortless but precise, it's fun when it's supposed to be, but it's not out of control.

SHINee - "Sherlock"(WINNER)
I don't know if it's just me, but something about this performance is off. Sure, everything was done almost perfectly, and there's no doubt that SHINee have become amazing performers, but it's as if the intensity of the vocals didn't match the intensity of the rest of the performance. It's not the technicals, because the notes were pretty much all there, it's not the emotion either because everyone sang with conviction, and it's obviously not in the volume because if that was the case I could've just turned it up. The levels didn't match this time around, I'm afraid.