[Gayo Daejun 2012] Part 2: The Consolation Prizes

Like I said yesterday, Gayo Daejuns allow for a wide variety of performances. With the sheer number of acts, the most relevant of which show up on all three shows, there are bound to be performances of all kinds. Like any year, there were performances that were boring, there were those that were really bad and painful, there were those that completely blew everyone else out of the water, but there were also performances that were somewhere in between. Performances that could have been good, performances that had good ideas, execution, or staging, but which didn't have everything. They were good, but not good enough.

Which is why this year, aside from picking my over-all favorites, I'm handing out two kinds of "consolation prizes" so to say, to the performances that had their moments, but were outshone by better ones. First, with so many special arrangements done over the course of three shows, there were bound to be those which really brought something new to the table. And second, I'll be listing the five performances that I saw so much potential in, but which didn't really completely pull through.

Shall we?

The Best Arrangements

KARA - "Pandora" (SBS)
I really liked "Pandora" to start with, so I really liked how they kept this re-arrangement simple, adding some more oomph to the song, but retaining the elements that are both familiar and likable. It's probably the most simple rearrangement on the list, but the thing with this is that you know the simplicity wasn't because of laziness or lack of time. It makes sense, and it gives the song something as opposed to just adding to the chaos. I also really like the dance break -- there's substance to it, but it's also very graceful. If they had delivered this better, it would've been a stand-out performance of the night, really.

Super Junior - "Sexy, Free and Single" (SBS)
After their KBS performance, honestly I was put-off Super Junior's Gayo appearances this year. Every year we get some sort of retrospective of everything they put out since "Sorry Sorry". I know "Sorry Sorry" was a really good song, because it was and it opened so many doors, and I'd take it over "Sexy, Free and Single" any day, but it's not 2009 anymore, plus they've incorporated it in later performances already -- can we move on? This is a 2012 Gayo Daejun, not a 2009 or 2010 or 2011 one. Which is why I liked their SBS arrangement much more. It was pretty sloppily sung, but I liked the arrangement because it gave the song a different kind of dimension, and it's fitting for a group of Super Junior's seniority/stature. You can tell they prepared for this, and you can tell that people made an effort to make this arrangement work. It also made the hook a lot less annoying that it is, for which I'm forever grateful.

Ga-In - "Bloom" (MBC)
This was a nice change from the original performance, which is really perky in a kind of innocent way (but still really good), but I wouldn't really say it's unexpected. The arrangement matches Ga-In and her personality as a performer really well because it gives the song this more mature kind of sexy that you didn't see in the original arrangement. What I really liked about this though was the fact that even if the nature of the elements they chose mass it easy for the song to just stay in one place and not go anywhere else, this performance still has dynamics to it -- verses are ever so slightly urgent, and the chorus has a very graceful, but confident explosion. This is the kind of lie-low arrangement that wouldn't have worked if one, the arranger was lazy, and two, Ga-In couldn't sing. And thankfully, neither happened.

Potentially Good Performances

Teen Top - "Be My Girl" + "Going Crazy" (KBS)
This could have been a good performance, because the song choice was really good -- perky enough to liven up the atmosphere -- and I kind of liked the remix of "Going Crazy", but the delivery fell short. I was reading through my notes from when I first watched this performance, and after watching it a few more times, I still think the same:

The vocals were going back and forth between sloppy and painful, the only reason why the belting was successful was because it was more of screaming than singing. And underneath all the jumping and movement, their presence was pretty mediocre and more manic than energetic.

I'm all for graceful performances, and being too stiff on stage is bad too, but when you perform you need to put some guts into it as well, no matter how fluid the movements. I get the feeling that they were going for that effortless fun vibe, but all I got from the choreographed parts were limbs flailing around with little purpose, and sub-par vocals. Which is really a pity.

SM The Performance - "Spectrum" (SBS)
To tell you the truth, I was actually pretty bored throughout the SBS Gayo, more than I was during the KBS. There was so much going on, but hardly anyone actually delivered, so I ended up just "leafing through" majority of the show at first. But then SM The Performance showed up and they literally made me peel my eyes away from my computer and on to the TV. Which is surprising considering the fact that this is supposed to be more of a dance group and I'm more of a music person. However, two things made me notice this performance (aside from Yunho, of course) -- the song, and the delivery.

"Spectrum" is an amazing, glorious song to start with -- you have all these beautiful elements that really make the song soar, and then you have this melody that lies low during the verses but does the soaring at the chorus. Beautiful. It's the kind of song that you really can't not dance to. Believe me, the only reason why I can stay still is because I'm too busy concentrating on the performance. And then, you have these SM dancers, most of which you hardly notice in their respective groups because they're too busy trying to make up for the weaknesses of their bandmates. Of course some of the people in this project group are significantly weaker than others, but the ratio of useful to less useful/useless is much, much better. These are people who know how to carry themselves on stage, and people who know how to carry even more people than they do here, so naturally they'd do a good job performing. As far as the vocal distribution goes, SM hit the nail on the head for the third time -- people like Taemin and Yunho, people with actual voices, got the solos, and everyone else was multi-tracked. If this had been sung live, and done just as well as it was, this would be on my list of best Gayo performances, but since it wasn't it'll have to settle for potentially one of the best.

Mystic White - "Mermaid Princess" (SBS)
Like I said yesterday, the only project group song I liked was the Mystic White one, because it was fresher than the others, and the production was really good. It had substance as a recording, but it fell short as a performance. It was okay, but the vocals were weak, and the chorus, which I really liked, was delivered sloppily. The entire performance was boring and frail, which is the complete opposite of the characteristics that made me like the song in the first place. The substance was gone, and it's like the entire performance was watered down. In a bad way. Which is really a pity because it was a really good song.

KARA - "Pandora" (MBC)
When I first saw this performance I was still high off the amazing SISTAR one, and even then I thought this had a fighting chance against that gorgeous rock version of "Alone". The remix was confident and I really liked it, and the staging was great (despite the dancing guy) with the crowd of backup dancers that they really made use of. It was a fun way to present a song as good as "Pandora", so obviously I was on board. But then they started singing and they weren't singing live. I guess my ears are partially thankful that I didn't have to hear their sub-par vocals, but honestly, I hate that they didn't even get the chance to try and do it well. What if they had done it well? Even if I doubt it'll happen, KARA is bound to hit it right some time. There were so many good elements, and they were all disregarded by the fact that this ended up only half a performance.

*Note: So apparently, KARA were not lip-synching, but to me that just means that this was even worse than I initially thought it was. Usually, when vocals are too perfect to be humanly possible, at least without studio tricks, or when less obvious auto tune becomes obvious, or when the shape of their mouths don't correspond to the note they're hitting, the performance is lip-synched. Which kind of makes this "live singing" even worse because the only reason I found out that they were singing live was one, someone commented below, and two, I heard them breathing. Yeah sure the backing track makes everything nice and even, but both KARA and the sound guys are at fault -- the sound guys for turning the backing track too high, and KARA for not making an effort to sing over it when it's pretty clear that the backing track is ridiculously loud.

DBSK - "Catch Me" (MBC)
I was really disappointed that DBSK didn't get anything new for this year's Gayo Daejuns, because this is the first year they spent closing all three shows and yet all they had with them was some random intro and the same backing track they've been using since September. Their performances this year were a total waste, not only of their talent, but of "Catch Me" and everything that could've happened. Here you have two performers who literally jump through hoops and fire for a living, and do it well, with a song that's elaborate enough to spruce up even more, and nothing was done. I mean they sang and performed really well, with presence and conviction, but they did that on smaller music shows too -- Gayo Daejuns are supposed to be special. I chose their MBC appearance because it started out really, really good, and when I heard the opening bars of "O - Jung. Ban. Hap." play, my jaw dropped in surprise and awe. That's the kind of reaction I wanted to have for the entirety of the all three performances, but then "Catch Me" came on and things were normal again. This could've been so much better because if anyone can carry a challenging arrangement, it's these two.

And I'm two days late, but that's it for 2012! Again, thank you so much for sticking around despite the rocky start last December. Time to concentrate on 2013!

[#16] SHINee - "Alarm Clock"

From: "Sherlock"
Format: EP
Released: March
Territory: South Korea
Previous Best of Appearances: #2 - "Lucifer" (2010)

Honestly, while I think "Sherlock" is a pretty good song, catchy with fantastic production, I really wasn't all over the idea of the split songs (or that it's a hybrid, whichever way it's supposed to be) on the album. However, I still got a gem out of the EP, which is good enough.

The first time I heard "Alarm Clock", it was really the melody that struck me. It's gorgeous -- gentle at the verses and intense at the choruses, but always graceful. And those bridges, those gorgeous (but very short) bridges really do act as bridges between the very light verses and the very heavy choruses by kind of skipping along. There's force to it, but at the same time there's like a spring to the step of the melody. And you see that springiness in the chorus, it's just that it's tempered by the weight of SHINee's vocals -- which I like too.

But it's not just the melody that makes this song good, even if it does steal a lot of the spotlight. The arrangement brings out all these very whimsical-sounding instruments -- everything from the synths to all the little bells and whistles that go on behind the melody. They give the song some character, which at this point is really important because of the intensity of the melody, coupled with the weight of the vocal treatment.

What I like the most about "Alarm Clock" though is that it's very SHINee, very young and trendy, but at the same time it's a slightly more mature than the stuff on "SHINee World". There's a part of me that really can't separate SHINee from their former role as SM's youngest boy band, even with EXO around now, but this song is slowly moving them away from that. Slowly.

[April 21, 2012] MBC Music Core Highlights + Commentary

Today's show featured comebacks from Girls' Day and Supernova, and goodbye stages from CN Blue, who I'm not recapping today, and SHINee.

And before we start, I just really want to thank you all for the support you've put in to the return of these recaps, all your comments and the discussions you engage in because of my posts somewhat drive me to keep writing these recaps. To know that people still actually take time to read my work means a lot to me. But enough of the mush.

EXO-K - "MAMA"

I've half-figured out and made sure of why EXO look so stiff on stage -- it's because they've overdoing it, to the point where, again, they don't enjoy it. While I understand that it's natural to over think performances, and it's actually for that reason that I stopped performing, EXO are supposed to be in it for the long run. Or at least that's what I assume. If they themselves cannot start genuinely enjoying their performances, then their audience won't either.

BTOB - "Insane"

Now the problem with BTOB has something to do with dynamics again. There are seven of them on stage, but it seems like there are more, like the stage is crowded, because they're not moving as a group. Their vocals are fine, their song is so-so but fits them, but they have to work on their group dynamic.

Spica - "Painkiller"

Their vocals were ever so slightly slipping today, but nothing majorly bad and/or painful happened, and the song is still as bland as it was yesterday, despite the girls' efforts.

Girls' Day - "Oh My God"

I'd love to say that their vocals were actually consistent and that I just really hate them, but then... what vocals? They sound like three year-olds begging you to buy them something. All of them.

SISTAR - "Alone"

In fairness to SISTAR, Soyu (is that her name?) sounds a lot better, and thus that much more relevant today. At least Hyorin's not the only one properly carrying the melody during live performances anymore. Other than that though, I practically fell asleep during today's performance. The song itself is a song that needs to be carried with both grace and attitude, and while SISTAR do have attitude, it's not coupled with grace, so it just becomes boring.

Supernova - "Stupid Love"

When Supernova were promoting "On The Days I Missed You", I adored them. They were a b-list group with lots of potential, and above all, brilliant material. It was a shame that they weren't more famous in Korea. However, this time around, it seems like they've degraded, and now they're just another b-list band with sub-par, generic material. "Stupid Love" sounds a BEAST reject, rejected because it was too cheap, even for Cube. And it's obvious that this song doesn't fit them, because they can't sing it live. It's not that they're completely untalented, because they're actually all pretty okay, and Sungje reminds me of a cross between a young Hyesung and a young Jaejoong, who are both gods in their own right, it's that they need good material or else they'll just disappear in the sea of b-list acts.

4Minute - "Volume Up"

So I see we're still turning the backing track way too high during the parts that matter, huh, Music Core? The performance itself was consistently okay today, and if there's one thing 4Minute knows how to do, it's carry a song with the right kind of attitude.

SHINee - "Sherlock"

I liked the camera effects they put in today's performance, a lot more than the spinning cameras everyone used to use. It's subtle and tasteful, it wasn't over-the-top and that sense of "live" still remained. Vocals were consistent today -- again, not as powerful as I'd like them to be, but good enough for me not to be in any pain.

Shinhwa - "Venus"

In all honesty, for the songs that Shinhwa are doing now, Minwoo should take over lead vocals. While Hyesung's voice is godly and we should all worship it, it's very picky, and rather shaky live. They need a lead singer who can not only sing well, but who is versatile and stable enough to carry the band, regardless of what kind of material they get. But that's just me. On the performance side, again, they are so good at performing that it looks effortless, it feels effortless, and they have total control over the audience.

[April 20, 2012] KBS Music Bank Highlights + Commentary

Significantly less major comebacks this week, and actually the only idol comebacks were from 5tion, who I'm not going to cover on today's recap, and Girls' Day, who are all lower-profile idol groups. But, it was still a pretty good show, what with 4Minute and SISTAR getting used to stage again, Shinhwa being around, and SHINee and CN Blue leaving with a bang, CN Blue in particular.

Credit for the videos goes to shu35151224@YouTube. (Other videos to follow)

EXO-K - "MAMA"
The good thing is, at least their vocals are that much more bearable this week -- I'm glad they're showing signs of improving, at least in terms of vocals. However, as I was watching the performance today, they're not only stiff and ungraceful, they're also still very all over the place. You can argue that the choreography itself is very edgy, but the way they present themselves and move on stage has no grace whatsoever. They're not yet at the point where they look like they're enjoying the stage.

NU'EST - "FACE"
I like NU'EST, I'm confident enough to admit it. They have emotion, they have grace, and again, they can pull off their material. Heavily choreographed, yes, but this early on, they know how to show that they genuinely enjoy being on stage. Another consistently strong performance today, and an absolute pleasure to watch, for rookie standards.

Spica - "Painkiller"
Strong vocals, good stage presence and delivery, but really, these girls need a much, much more interesting and powerful single to match what they already have in the bag.

Girls' Day - "Oh My God"
It's been a year since they last had something new out, and I still feel like strangling all of them, AND their song. Looks like my "well talk when you get decent" line will never get done, because I doubt they're gonna get decent within the next few years. They don't even sound like they're singing, it's more like they're talking.

SISTAR - "Alone"
And I see we're back to tacky gold dresses to match the cheap choreography this week. Really, the dresses are so distracting because not only is there a huge slit in front, it's also a really awkward length and bad, stiff material, so when the girls dance it makes them look fatter than the sticks they most probably are. That said, considering that Hyomin has been sick for ages now, the vocals were pretty okay, and at least the other girls are singing too.

4Minute - "Volume Up"
Is it just me or was today's performance flat? I mean in terms of vocals everyone, Hyun A maybe a bit, was consistent, and Jiyoon's high notes were pretty much spot-on, but as a whole they lacked intensity, and the leader's middle 8 was of no help to break the lack of intensity. They carried themselves well, but it just lacked that spark.

SHINee - "Sherlock"
Honestly? Today's performance wasn't their best, but it's a lot better than when I first saw them perform this. All-around strong vocals, and the stage presence is just overflowing. It was an enjoyable performance.

Shinhwa - "Venus"
The purple outfits are... interesting, to say the least, but distracting, especially the unlucky members who got purple pants to match. Not as distracting as SISTAR's outfits though. The way they carry themselves on stage is really something else, the song is as choreographed as everyone else, and even without prancing around stage, they hold the audience in the palm of their hands -- the fan chants are so, so loud, and everyone revels in the performance. It's such a joy to watch a Shinhwa performance, it really is.

CN Blue - "In My Head" + "Hey You"(WINNER)
No big breakthroughs in today's performance, just the same old complaints. First off, I know they're not really playing, and that itself is a problem, but really, couldn't you give off some semblance of them being a band like say I don't know, putting them near each other so they can mock-hear each other? In other news, Jonghyun sounds more and more amazing each time I hear him.

[April 15, 2012] SBS Inkigayo Highlights + Commentary

Is this real life? Have I actually finished an entire weekend's worth of music show recaps for the first time since last year? Yes! Comeback week for SISTAR and 4Minute come to and end, and EXO are on to regular promotions (as in one song only) today.

Before we start though, there's something I'd like to clarify. I, personally and "professionally", do not believe in the concept of "MR Removed" videos as a basis for vocal talent and outstanding live performance. The reason why live performances can be used as a measure of ability is because anything can happen in those five minutes, and everything does happen. Compared to a studio where almost everything can be controlled, live performances are unpredictable, and it's an act's ability to perform along with, and over, those unpredictable events, that I critique on my music show recaps. The minute you tamper with any part of that performance, or any music or video file for that matter, so much can happen, and you lose a part of the original performance. And besides, I also judge performances based on the amount of variables in a given time frame. Take them away, and no considerations, and less complaints, will be made.

Now, if you watch them and personally see merit in them, I have no problem with that -- you are entitled to a choice, and you should take it. I respect you and your decision, however, when you comment on these recaps, please also take my stand into consideration, the same way I take yours in writing my recaps.

EXO-K - "MAMA"
And I see we're back to lip-syncing, EXO. Before you all crawl out and correct me again, I know that this was pre-recorded last week. And yes, I have yet another complaint. EXO are a new group. We're all at the edge of our seats trying to calculate how good they are, and more importantly, how fast and how much they improve. How are we supposed to do that when the people upstairs insist on one, hiding their real, live vocals, two, keeping them in controlled environments, and three, pre-recording performances weeks before airing? Yes, we've seen them sing live. Twice. But at this stage the most important thing is that we are able to track their progress. This performance is one week old. So much has happened between then and now -- they could have improved, or not. But, nevertheless, my general comments on their performances still stand. They look robotic, and they don't look enthusiastic.

BTOB - "Insane"
The best way to improve is to keep performing, and that's what I like about BTOB -- always singing live, always trying. Though they have so many things to iron out, and their group dynamic isn't that obvious, what's obvious though is that they're trying, and if you remember, it's that same effort that made BEAST into what they are today. We'll see.

NU'EST - "FACE"
NU'EST is another group who shows effort and has managed to impress me in the process. My standards have definitely dropped over time, but honestly, all these new groups have to show me is one, consistent, actual, live vocals, and they also have to show me that they want to be on stage, that standing there is a privilege they want. It's one thing to feel that way, and I understand that everyone probably feels that way, but it's another thing to actually show it on stage. A little crack there from the guy who sang before the bridge, which also gave away the fact that this is live, but other than that, another strong performance.

Spica - "Painkiller"
Strong vocals like this really need better material, because again, while they can carry the song perfectly fine, the song still does nothing for them in return.

SISTAR - "Lead Me" + "Alone"
Judging by today's performance of "Lead Me", which was actually pretty good, I get the impression that SISTAR not only need more classy choreography, but they should move less. The set was actually really quaint, and the entire performance is much better when they just walk here and there and occasionally dance. As usual, Hyorin sounded great on both songs, and actually, "Alone" sounds a lot better live than it does recorded -- it has just that much more character and punch. Not bad, SISTAR, not bad.

4Minute - "Dream Racer" + "Volume Up"
Compared to these 4Minute performances, SISTAR's are so boring, to be honest. "Dream Racer" may not be brilliant, but it's upbeat, and the girls carry it with conviction -- you know they're enjoying it, and the smiles are genuine. And I adored the set of "Volume Up" today. Classy with attitude, like the rest of the performance. And, this is one of the few performances today, and in a long time, that actually gave me actual goosebumps, despite Hyun A's sad attempts at singing. I know, I can't believe it either, but it did.

Big Bang - "Fantastic Baby" + "Bad Boy"
Very few groups can give me goosebumps by just walking, but Big Bang are one of them. They are the definition of holding the audience in the palm of your hand, and they do it with such grace, so little effort, but so much enthusiasm. I don't even particularly like "Bad Boy", but their performance managed to make me genuinely smile for the first time since I started watching Inki today. It's so obvious that they not only show they're happy to be on stage, but they really make it look like it's such a privilege, even if they've stood on much bigger stages before. A true performer should be able to connect with an audience, even through a computer screen. I'm reminded of why I have such immense respect for Big Bang, because they really are performers in the truest sense of the word.

SHINee - "Sherlock"(WINNER)
SHINee's wins have been well-deserved, despite my neutrality towards "Sherlock" as a song. Strong, consistent, vocals, a strong performance, and so much attitude. SHINee have come to that stage where the song doesn't carry them, they carry the song, and they do it well.

[April 14, 2012] MBC Music Core Highlights + Commentary

And we move on to today's episode of Music Core. Music shows are getting more and more enjoyable these days, which is really good! And, surprise, surprise, MBC's sound system seems to be getting better as well. Or, they put someone better behind the system. Today's show features EXO's debut, and comebacks from 4Minute and SISTAR.

Video credit goes to shu35151224@YouTube.

EXO-K - "History" + "MAMA"
Looks like someone took my comment on them singing together too seriously, because now it's 80 percent backing track, 10 percent random mumbling in the background, and another 10 percent belting out unnecessary notes. However, the parts which weren't drowned out by the backing track were much, much, better today. There are still so many major problems with their performance though. First off, the six of them are still singing and moving for themselves rather than for EXO as a whole, and so the performance is so robotic. I believe I said this before, but they don't look like they're happy to be on stage, like it's a privilege -- they look like they were pushed on stage against their will. You don't need to smile to show joy, or prance around not caring about anything to show effortlessness, but their performance has no emotion whatsoever. Which leads me to believe that these guys aren't in it for the music, but for the popularity. And I'm extremely disturbed by that. And secondly, I was telling Ree just a while ago that pretty much all of the SM bands have a very obvious "lead singer" figure from the very beginning. While that figure can change through time (like Junsu and Jaejoong in DBSK), it is always present, and very obvious, even to the untrained ear. I don't see that with EXO. In fact, listening to them now, if I didn't know any better I wouldn't think they were an SM group. They don't move like one, they don't act like one, and they don't even sing like one either. All of this is very strange.

BTOB - "Insane"
I never thought I'd say this, but honestly, BTOB sound much better than EXO, because for one thing, at least they, or some of them, can sing their own song. Yeah sure they murdered DBSK's Love In The Ice, but EXO murdered their own song.

NU'EST - "FACE"
NU'EST fulfill one of the most important traits in a new group -- if you don't have good material, if you don't have amazing voices, at least pull of what you have, so much that you keep people's attention on you until the day you do get good material and you do become brilliant singers. And really, they pull this song off so well, that I had to do a double-take to see if they were lip-synching, which they were not. I have my eyes on you, NU'EST, you better not disappoint.

Spica - "Painkiller"
Another strong performance, however, again, I'm more concerned with what they're going to release next than I am the song they're currently promoting. These girls need an explosion of a song to show off their vocals!

B1A4 - "BABY I'M SORRY"
Seriously, B1A4, after a disastrous singles last year, you're quickly turning into a band I'm keeping my eye on for quite a long time! They all look like they genuinely enjoy being on stage, on top of consistently pulling off a strong performance. The song matches their vocals, and they all know how to perform it as well. Pretty good, B1A4!

SISTAR - "Lead Me" + "Alone"
To answer the reactions to my comment on their performance yesterday, there are three other members in SISTAR, are there not? Hyorin is not the only member of SISTAR. But, I'm glad they didn't lip-sync Alone today. My problem with SISTAR has always been the combination of their performances and their material, and how they can never seem to pull them off with a sense of finesse. The same goes for today's performance.

4Minute - "Dream Racer" + "Volume Up"
So far, 4Minute are creaming SISTAR in terms of live performances -- from song selection to stage presence and the consistency of their vocals. The middle 8 of Dream Racer was really sloppily done, but the rest of it was pretty good. And for a second there I was really surprised at HyunA's not painful vocals, then I realized that this performance was overdubbed and double-tracked, very badly may I add. Which is suspicious because this could possibly mean that they can't pull this song off for three days straight, which will ultimately make them lose to SISTAR, who we know can pull their single off. Hmmm. We'll see.

SHINee - "Sherlock"
Strong, consistent performance today. Very effortless but accurate and snappy at the same time. Everyone sounds good, Taemin and Onew in particular. But then again, I expect nothing less from SHINee.

Shinhwa - "Venus"
A lot more stable than yesterday, but of course, performance-wise they're still consistently effortless, as individuals and as a group. They look not only like they belong on stage, but like they love being on it, they love performing. That's something new groups have to learn and take to heart, because it's one of the most important aspects of a live performance -- if you can't sell what you have, no matter how good you are people won't be convinced.

[April 13, 2012] KBS Music Bank Highlights + Commentary

Why hello there! (^_^) Music show recaps are now in full-swing after re-starting with Inkigayo last Sunday, and today's show was full of comebacks! If you haven't already, acquaint yourself with new offerings from EXO-K, 4Minute and SISTAR before we go on to the show itself.

Today's show was actually pretty good, and I was pleasantly surprised to hear very few extremely painful moments. However, we weren't completely free of them.

Video credit goes to shu35151224@YouTube.

EXO-K - "History" + "MAMA"
YES! They finally sing live! However, like everything else SME does, it's once again a huge disappointment. I thought you guys could sing? You're even worse than DBSK when everyone but Yoochun sounded painful. When they hit the chorus of History, I literally started laughing. What is this? A screaming contest? What are you, a bunch of starving 3 year-olds during lunch time? I admire you all for singing at the choruses, but that was just painful. That high note at the beginning of the second chorus is MAMA was painful beyond words. Whoever did that should be sent back to SME bootcamp. It was even more painful than Changmin's wail during their performance of Mideoyo back in 2004, because at least that had some semblance of a note. The problem is that by themselves they're not exactly brilliant live performers, so when you put them together, it's not enough that you put six new vocals together, they also have little group dynamic, and they don't have a concept of just standing back and letting someone else bask in the spotlight. They have to learn that they're now in a group with five other guys -- they can't go prancing around like the "star trainees" they used to be, because the most important thing now is not standing alone, but helping other guys stand. It's like a human pyramid, if the guys below are shaky, everything else becomes a total disaster.

NU'EST - "FACE"
If there's something Pledis has done right, it's giving NU'EST this song. From the performances you can tell that they're not the world's best singers, and if they sang something from more vocally capable bands they'd probably sound like dying chickens too (I'm looking at you BTOB), but they got the right song for their vocals, so they actually sound pretty good. A few slips here and there, but over-all they've gotten to a point where they can all pull this song off well. I'm keeping my eyes on you, NU'EST.

Spica - "Painkiller"
I should really get to listening to their album. After the show, I will. That said, it's another strong performance today, but I think I know why that's all I ever say about them. The song itself is not really made for performance, even if it's an okay song when you think about it. Therefore, although they do a really confident and consistent job at pulling it off, and they themselves have wow factors of their own, the song is pretty flat when performed in front of a live audience, and goes right through us.

B1A4 - "BABY I'M SORRY"
B1A4, you're slowly inching back into my good books. Today's performance was strong, and even if I was in the middle of writing my EXO comment when they came on, I stopped to watch and I definitely wasn't disappointed. The vocals were consistently strong, and they're beginning to show that attitude of holding the audience in their hands. Good job, B1A4, good job.

Nine Muses - "Ticket"
Everyone sounds pretty okay today, surprise surprise, and it's a solid performance over-all, they have presence and all that, but that's all this will every be -- just okay at best. And that's what bores me, because it's the same thing every week and they're not good enough to draw us in every single time.

Seo In Guk - "Tease Me"
I usually only recap idols, but I was really drawn in with Seo In Guk's performance today. I was aware that he does have a voice, but this song reminds me so much of the Hwanhee songs I adore. It has groove, and despite not hearing the recording before today's show, it drew me in amidst writing comments for Spica -- I had to stop and watch. Well-sung, well-performed, amazing song.

SISTAR - "Lead Me" + "Alone"
I, once, again, predicted the accompanying song. What can I say, it's a talent. Will this get me hired as an A&R person now? (;D) Lead Me was done pretty well, and I liked the cute set design, plus, it's a good thing they didn't make tutu girl (who I see is still wearing frilly skirts) sing live, because that would ruin everything. Let her hide behind her backing track, that would be less painful, thank you. Now, Alone. I love the set, but hate the outfits and the choreography. And, why, may I ask, are you girls lip-synching? You can try hiding it, but you're forgetting that I have ears. Someone turn on their mics or face death! NOW!

CN Blue - "Hey You"
Aaaaand they pushed the drummer back again. Just when we were beginning to get along about this matter, Korea! I'm disappointed. And also, while you're at it, please plug in their instruments. Thanks!

4Minute - "Dream Racer" + "Volume Up"
Guess who predicted their second song? Me! It's a performance song, and even if the verses are kind of meh, I genuinely like the melody of the chorus. Volume Up was how I expected it to be, and while Hyun A sounded whiny and the leader's voice was non-existent, the magnae did a pretty decent job, Gayoon was consistent as always, and Jiyoon hit those notes pretty well considering that they're pretty high to be doing more than one or two times. Not bad at all, 4Minute.

Shinhwa - "Venus"
Now I'm sure we've pretty much acknowledged that Shinhwa are not exactly the most amazing live vocalists, but what they do in spite of that fact is what makes them such amazing performers. No one's perfect, and there were slips with the vocals today, but as a whole it was really a show. And note, they're using the standard-issue KBS handsfree mics that everyone but DBSK seems to sound horrible with. The stage presence they have, the fact that when they all sing together they sound like a whole (take notes, EXO), and how they confidently carry their not really amazing live vocals -- that's what makes the performance a pleasure to watch.

SHINee - "Sherlock"(WINNER)
It's good to know that after last Sunday's meh performance, SHINee haven't entirely lost it. Everyone was much better today, and the intensity of their presence is back with a vengeance. Always a good thing, SHINee, always a good thing.

[April 8, 2012] SBS Inkigayo Highlights+Commentary

Guess who's back?! ME! It's officially summer over here, so I've been stuck at home doing nothing, which means I have all the time in the world to work on a truckload of posts, and the return of my music show recaps!

I meant to start recaps last Friday, but I decided to wait until the shows became just that much more interesting, courtesy of EXO-K and upcoming comebacks from 4Minute and SISTAR.

EXO-K - "MAMA"
Where to start, where to start. Oho, this is gonna be fun. :D I've expressed my dislike for EXO, and while I'm not going to defend myself for it, this "performance" just solidifies the fact that I don't like them. First of all, the purpose of a live performance as a measure of talent and skill is based around the concept that live performances are live. That you only have one chance to perform a song from start to finish, and regardless of whatever mistakes you make, what's done is done. Making mistakes doesn't make you untalented, it makes you human. But trying to hide those mistakes makes people suspicious. If I wanted to watch a perfect performance with studio vocals and no mistakes, I'd watch the music video. Better cinematography, better quality, no screaming fans so I can listen to the song in peace. This performance was pre-recorded, repeated more than five times, and lip-synched. Let's end it at that. Second, if they keep this up, this bad habit of lip-synching, it's yet another strike on their stage deportment. The SBS Gayo Daejun was a big, fat, strike one -- being disrespectful to their seniors, and the audience -- and this is another one. Okay, fine, DBSK, Super Junior, SNSD, SHINee and f(x) have all done it at certain points of their careers, and some of them continue to, but EXO have a lot to prove. Just for the record, DBSK did not lip-synch their debut performance, and anyone who thinks that way should go learn their history. They're also debuting in a time where technology is incredibly sophisticated and broadcast stations readily have the needed equipment to handle live performances. Although SBS isn't the best out of the three, the other acts on today show that they're perfectly capable of handling live performances. EXO have so much hype to live up to, and continuing to lip-synch and pre-record their way out of things will turn a lot of people off. Me included.

BTOB - "Insane"
I've heard a lot about BTOB, but like a few of the other acts on today, I've never seen them perform. Bad "Love In the Ice" cover aside (whichever of the members were singing it), BTOB are okay. They're not amazing or anything, but the song makes them sound like decent live singers, and it's catchy in certain parts. I'm not impressed, but I'm not turned off either.

NU'EST - "FACE"
I watched one of NU'EST's earlier performances a few weeks ago, and to say it was painful would be an understatement, so I stopped following them altogether. But I was genuinely and pleasantly surprised to see that they've greatly improved! I thought they were forever doomed as the male AS in every sense of the word, including live performances, but I see I was wrong. The vocals are still rough around the edges, but they sound, and look, much more comfortable on stage. I'll be keeping my eye on these guys.

Spica - "Painkiller"
I have actually never heard any Spica material, nor have I seen any performances, but this was pretty good! Strong vocals over-all, okay material, and actual stage presence! This is what I've been saying about being comfortable on stage -- it shows when you not only know what you're doing, but when you're sincere about it as well. That and pink hair and black pants girls can really sing!

B1A4 - "BABY I'M SORRY"
I wasn't really impressed with the recording of this, but I actually enjoyed today's performance! It's good to know that B1A4 have abandoned that horrid excuse for a song they were promoting last year, and have moved on to much better things. It's not the best song, or the best performance, but it's catchy, it works, and it's ever so slightly effortless. We're making progress, B1A4! Progress!

Nine Muses - "Ticket"
So I see we're still not very decent live singers, Nine Muses. The performance itself was okay, the song is on the bland side of being okay, and there's nothing really outstanding or interesting about anything.

CN Blue - "Hey You"
It was an okay performance, and the song is very CN Blue, but above all, it's good to know that someone finally put the drummer close to the rest of the band. Took you guys long enough!

Big Bang - "Bad Boy" + "Fantastic Baby"
Everyone had better be taking notes during Big Bang's performance, or else! They sounded a bit strained today, and as usual, someone turned their backing track way too high, but even if you're just watching the YouTube video you can really see and feel the performance. It's effortless but precise, it's fun when it's supposed to be, but it's not out of control.

SHINee - "Sherlock"(WINNER)
I don't know if it's just me, but something about this performance is off. Sure, everything was done almost perfectly, and there's no doubt that SHINee have become amazing performers, but it's as if the intensity of the vocals didn't match the intensity of the rest of the performance. It's not the technicals, because the notes were pretty much all there, it's not the emotion either because everyone sang with conviction, and it's obviously not in the volume because if that was the case I could've just turned it up. The levels didn't match this time around, I'm afraid.

The 2011 Pop Reviews Now Holiday Special Part 1: "2011 SMTOWN Winter: The Warmest Gift"

Just a quick explanation of how I'm doing this year's Christmas posts. So, obviously this SM TOWN Christmas album is part 1, and for part 2 I'll be reviewing some of my favorite K-Pop Christmas offerings, both old and new. Rules and stuff will be discussed in part 2. But now, on to more important business.

It's been a good three years since any sort of SM Town release, the last being the half-SM Town Summer 2009 EP with Super Junior, SHINee and DBSK. If you remember correctly, we were told that the other half of SM Town, namely the girls, would be featured on the Christmas album. Well, clearly that didn't happen. But FINALLY, SM has decided to put something out in time for Christmas. Is it any good? Well, that's a pretty long story.

When news of this album first broke, I was ecstatic. Of course, SM Town isn't SM Town without a fail Yoochun English rap, a Jaejoong/Lina or Jaejoong/BoA duet, or some goofing around courtesy of Shindong and Eunhyuk's rap part, but I could do without that if it meant getting one song with everyone thrown in, acting happy in a fake-snow wonderland. Right? That was until I found out that not only was there no group song this year (WHAT KIND OF BLASPHEMY IS THIS?!), but the album would be 100% English. Let's just say that if Yoochun, who actually spent more than a few days in the US, manages to epicly screw up all his English parts, what more the others. And let's face it, there are only a handful of SM Town artists who can actually speak good English. I'm still thinking of whether or not BoA is in that handful.

And once again, my psychic powers did not fail. The English is horrible. I'm an English major(well, comparative literature, but I'm still under the English department), I know. But the bad English isn't really the big problem, it's the fact that it's in English.

Let me put it simply, the album is too Americanized. It's hardly K-Pop anymore. Say all you want to say about how K-Pop is just a rip-off of Western music, but you know, even if majority of the songs probably are, you can tell the difference between K-Pop and American pop. You know why I'm into K-Pop? It's because I'm so sick of US Pop, and here we are, back to the very sound I want to avoid.

The problem with it sounding too American is that one, obviously they're not American, but two, really now, what good, distinctively Christmassy POP songs have the Americans contributed to the standard Christmas repertoire? "All I Want For Christmas Is You"? Seriously now. "Last Christmas"? You have got to be kidding me. They're merely pop songs with Christmas lyrics about gifts and snow. There’s so much more to a Christmas song than that. This SM Town album sounds like a confused Rat Pack-turned-makeshift Christmas album, to be completely honest.

This album is massively confused. Massively. So either the song itself isn't K-Pop enough, or when they finally get the song choice right, they screw up the execution. My prime example? Jang Ri In's version of "Oh Holy Night", which is actually one of my favorite Christmas songs. The girl has a gorgeous voice, she really does, and what does she do? She murders the song. All those runs and those strange sounds she makes with her voice. No, just no. There's a reason why the Christina Aguilera Christmas album was a complete failure.

Yes, I'm very picky with Christmas songs, but that's only because my childhood was filled with some of the most gorgeous Christmas songs anyone will ever hear. I grew up not only listening to them, but singing them as well. I know my Christmas repertoire - everything from the classic Handel's "Messiah" to Filipino novelty Christmas songs where you make sounds out of combs and pieces of wax paper, to the most tear-jerking, yet most distinctly Filipino Christmas song you will ever hear, I've sung them all. So imagine going from all those, to a bunch of pop songs that don't even sound like Christmas. They are inferior not because they are pop songs, there are some gorgeous pop Christmas songs (DBSK's "Winter Rose" for heaven's sake!), they are inferior because they don't sound like Christmas, they don't serve their purpose.


You want me to tell you what Christmas sounds like? Christmas sounds like a cup of hot chocolate, rich and creamy and sweet, it sounds like a thick blanket wrapped around you, keeping you warm. It sounds like bells ringing in the distance and lights all over, it sounds like you're being surrounded with your family and friends and you're all happy. Christmas songs literally wrap you around in a nice, warm, hug, and refuse to let go. Christmas is such a simple feeling, but it overpowers everything else. Now regardless of how that gets translated into music, that's the standard framework of a Christmas song, and the minute you deviate from that even a bit, you lose the Christmas. All of it.

I don't care if you want to add electric guitars (like Aly&AJ's "Greatest Time of the Year"), go all-out with synths and loops and the works (surprisingly, JYP Nation's "This Christmas"), make everything epic and waltz-y (a-la DBSK's "Winter Rose"), keep it to a bare minimum (Josh Groban's "Thankful), or even make it kinda reggae-ish (like the brilliant Nota a cappella version of "The Little Drummer Boy", complete with a RAP PART), bottom line is that it has to leave people warm and fuzzy.

With the SM Town album, I felt nothing. Nada. Zilch. The entire album sounded like a pop album released any time BUT the holidays, it sounds so clean, too clean almost, and Christmas is not a cleaning contest on who can use the most sanitized production, it’s a contest of who can make the most emotional, goosebump-inducing song. No feeling whatsoever, they all sound like robots. Don't get me wrong, there are gorgeous songs on this album, namely BoA's "Distance", that song is stunning, but they're just not Christmas. Let me put this nicely, even T-Ara's "O My God", which I'm not even sure if it's a Christmas song, sounds more like Christmas than this entire album put together.

Unlike your usual pop song which lasts for a few months before becoming completely irrelevant, when you release a Christmas song, the standard shelf life is forever. Yes, forever. For the good ones, at least. My Christmas playlist this year includes pop Christmas songs that were released as early as 1998. 98 Degrees, BSB, that staple *NSYNC "O Holy Night" 5-part a cappella arrangement, Blue's "Gift", Aly&AJ, and even the DBSK Christmas EP - they're all still relevant. That's because Christmas never grows old, and people will always have a need for a Christmas repertoire. Which is why no one should be surprised that the most familiar "classical" pieces are in fact the Christmas offerings.

In simpler terms, "2011 SMTOWN Winter: The Warmest Gift" is more novel than it is lasting. The arrangements are faddish, the over-all sound very current, but under those you have nothing that can transcend time and cement these songs as Christmas staples. In colloquial Filipino/Taglish, this album is a "one time big time", and does not have the lasting qualities of other, better, Christmas releases. And actually, some of the songs on this package sound more like they belong on the acts' respective albums, and not a CHRISTMAS-themed compilation.

Super Junior's "Santa U Are The One", excusing the horrid English on the chorus (Ear after ear? Seriously?), sounds like a pop song they just slapped some bells on, and some lyrics about happiness and Santa. That's it. It's SO Big Time Rush (but even BTR made a better Christmas song than SuJu)/One Direction ala-"What Makes You Beautiful". I mean it's an okay song, nice and happy and upbeat, and I'd probebly listen to it a lot if it were not for the "ear after ear", but that's all it will ever be, and that's not it's purpose. When I first heard this, I thought it sounded nothing like Christmas, as in nothing at all, but actually, after listening to the rest of the album, this is probably the song that's closest to getting what Christmas songs should be. But still not enough.

I hate the covers on this thing. I hate them. DBSK's "Sleigh Ride" is the biggest disappointment. Because seriously, we went from "Winter Rose" to this monstrosity. This is one of the rare instances that I will consent to a version in another language, because seriously, DBSK should've just done an English version of "Winter Rose". Now THAT is a song that can be milked for all it's worth, because it’s shelf life is literally forever. But no, they had to give DBSK a cheesy cover of "Sleigh Ride", that actually makes them sound sleazy, to be honest.

And really now, SHINee's "Last Christmas" has got to be one of the worst covers of one of the most cheesy, cheap Christmas songs ever released.

It was bad enough when Wham! did it, for heaven's sake. Then they SM-ify everything? Oh dear. The production is okay, and I kinda like the outer space-like synths, but you mix those with some of the most uninterested, boring and lazy vocals I've ever heard from SHINee and you have a disaster. I'm serious, they all sound bored out of their wits, which they probably were, and for once, I would've liked Jonghyun to go wild, because seriously, I fell asleep listening to this song, and not in the good way.

J-Min's cover of the John Lennon song "Happy X-Mas (War Is Over)" is okay, nothing special, and the girl has a nice voice, but once again, it sounds so uninspired. And boring.

As far as "The First Noel" covers go, DBSK win by light years. So I thought that since SM was behind their cover, the Jang Ri In verson would be really good too. Boy was I wrong. I like some parts of the arrangement, like the simple piano part, those gorgeous strings, and the drums, but you know what it sounds like as a whole, including that oriental-sounding instrument? It sounds like an American's attempt to make something "oriental", like "Ninja Assassin" or whatever. And that really disturbs me, because Jang Ri In is CHINESE, and SME is a KOREAN company. I don't get it, and don't think I ever will. To top it all off, like I said earlier, the vocals totally ruined the song. Totally. Why do you have to put all those unnecessary runs and strange vocal techniques into a song that's supposed to be nice, and quiet and simple then it's supposed to explode, but in the really big and tasteful way. Then Ri In just does a Christina/Mariah on it.

BoA's "Distance" is gorgeous, it really is. I love it and I'll probably be looping this for the next few days, but it's still not Christmas enough. "Distance" actually reminds me a lot of a Stacie Orrico/Young CCM-type song, in terms of treatment. The harmonies, and even the instrumentation, sound like something straight off Stacie Orrico’s self-titled album. Which is very, very, VERY far from Christmas. And that bugs me. There's a difference between "gorgeous pop song" goosebumps and "Christmas song" goosebumps, and the goosebumps I got this time were the "gorgeous pop song" ones. Basically, the only part of the song that made it remotely Christmas is the lyrics, and that's a foul. Which is such a shame because BoA has had some really amazing, really Christmassy, releases over the years, and even if "Distance" does match up in terms of gorgeousness, it fails at being Christmas. When you talk of BoA Christmas songs, "On December 27th" is still, hands-down, the best of them all, not even "Meri Kuri" comes close.

SNSD’s “Diamond”, and I'm not sure if I've ever used this analogy, but it kinda sounds like something that would fit right in to the Christmas talent show set list on "Mean Girls", you know, when the slutty, popular girls trying to sing and dance at the same time in skimpy Santa outfits and high heels? Maybe not that drastic, but the chorus is EXACTLY like that. However, the middle 8, and that small bit before it (which I presume is Sunny's part) is gorgeous. Stunning, almost. And actually, it's probably the most Christmas I've heard on the entire album, but then we go back to the uninspired chorus. It's not as boring as the SHINee track, but even for SNSD they can do better.

f(x)'s “1,2,3” also sounds nothing like a Christmas song, bar those strings which were probably just thrown in last-minute. It actually sounds more like the theme song for a FRIENDS rip-off, like, really. It sounds like it belongs on a Disney chick-flick soundtrack (Kinda like that song that's on the "Confessions of a Teenage Drama Queen" soundtrack, which, conveniently, is also called "1,2,3"), not an SM Town Christmas album.

While we're on the topic of songs that sound like they belong elsewhere, CSJH (DANA&SUNDAY)'s "Amazing" sounds more like a charity single ala-Destiny Child's "Stand Up For Love". Pretty far from Christmas, if you ask me. Not that I oppose to Christmas ballads, but again, there's a way to do it without completely missing the point. And it's not that I don't like the song either, I do, it's gorgeous and Dana and Sunday's voices are stunning and the middle 8 kills me every single time, then by the time that stunning piano line comes in just before everything explodes with the chorus behind I die again, but yet again, THIS IS NOT CHRISTMAS. Same goes for Kangta's "For The First Time", Kangta's voice is stunning, but this sounds more like a Disney animated fairytale song that plays just when the prince is about to kiss the princess/girl. It actually sounds like something straight out of Aladdin. Again, pretty far from Christmas, if you ask me.

TRAX's "Like A Dream" sounds like what I kind of expected TRAX to do, but it's too clean, like they sucked all the emotion out of the song and left it to rot. In terms of "band"-ish K-Pop Christmas offerings, actually Infinite's "Lately" takes the prize. I'm sorry, TRAX, but this song sounds more like those tracks you put behind a montage of tour videos and screaming crowds and bands going wild on stage. All in back and white. And in reality, those tracks are usually the cheesiest, filler of filler tracks.



And, of course, a special Christmassy wrap-up:
The most Christmassy song: Thankfully, "Santa U Are The One"
The great, but not Christmassy songs: "Distance", "1,2,3", "Amazing"
The worst song: "Last Christmas"