[Gayo Daejun 2012] Part 2: The Consolation Prizes

Like I said yesterday, Gayo Daejuns allow for a wide variety of performances. With the sheer number of acts, the most relevant of which show up on all three shows, there are bound to be performances of all kinds. Like any year, there were performances that were boring, there were those that were really bad and painful, there were those that completely blew everyone else out of the water, but there were also performances that were somewhere in between. Performances that could have been good, performances that had good ideas, execution, or staging, but which didn't have everything. They were good, but not good enough.

Which is why this year, aside from picking my over-all favorites, I'm handing out two kinds of "consolation prizes" so to say, to the performances that had their moments, but were outshone by better ones. First, with so many special arrangements done over the course of three shows, there were bound to be those which really brought something new to the table. And second, I'll be listing the five performances that I saw so much potential in, but which didn't really completely pull through.

Shall we?

The Best Arrangements

KARA - "Pandora" (SBS)
I really liked "Pandora" to start with, so I really liked how they kept this re-arrangement simple, adding some more oomph to the song, but retaining the elements that are both familiar and likable. It's probably the most simple rearrangement on the list, but the thing with this is that you know the simplicity wasn't because of laziness or lack of time. It makes sense, and it gives the song something as opposed to just adding to the chaos. I also really like the dance break -- there's substance to it, but it's also very graceful. If they had delivered this better, it would've been a stand-out performance of the night, really.

Super Junior - "Sexy, Free and Single" (SBS)
After their KBS performance, honestly I was put-off Super Junior's Gayo appearances this year. Every year we get some sort of retrospective of everything they put out since "Sorry Sorry". I know "Sorry Sorry" was a really good song, because it was and it opened so many doors, and I'd take it over "Sexy, Free and Single" any day, but it's not 2009 anymore, plus they've incorporated it in later performances already -- can we move on? This is a 2012 Gayo Daejun, not a 2009 or 2010 or 2011 one. Which is why I liked their SBS arrangement much more. It was pretty sloppily sung, but I liked the arrangement because it gave the song a different kind of dimension, and it's fitting for a group of Super Junior's seniority/stature. You can tell they prepared for this, and you can tell that people made an effort to make this arrangement work. It also made the hook a lot less annoying that it is, for which I'm forever grateful.

Ga-In - "Bloom" (MBC)
This was a nice change from the original performance, which is really perky in a kind of innocent way (but still really good), but I wouldn't really say it's unexpected. The arrangement matches Ga-In and her personality as a performer really well because it gives the song this more mature kind of sexy that you didn't see in the original arrangement. What I really liked about this though was the fact that even if the nature of the elements they chose mass it easy for the song to just stay in one place and not go anywhere else, this performance still has dynamics to it -- verses are ever so slightly urgent, and the chorus has a very graceful, but confident explosion. This is the kind of lie-low arrangement that wouldn't have worked if one, the arranger was lazy, and two, Ga-In couldn't sing. And thankfully, neither happened.

Potentially Good Performances

Teen Top - "Be My Girl" + "Going Crazy" (KBS)
This could have been a good performance, because the song choice was really good -- perky enough to liven up the atmosphere -- and I kind of liked the remix of "Going Crazy", but the delivery fell short. I was reading through my notes from when I first watched this performance, and after watching it a few more times, I still think the same:

The vocals were going back and forth between sloppy and painful, the only reason why the belting was successful was because it was more of screaming than singing. And underneath all the jumping and movement, their presence was pretty mediocre and more manic than energetic.

I'm all for graceful performances, and being too stiff on stage is bad too, but when you perform you need to put some guts into it as well, no matter how fluid the movements. I get the feeling that they were going for that effortless fun vibe, but all I got from the choreographed parts were limbs flailing around with little purpose, and sub-par vocals. Which is really a pity.

SM The Performance - "Spectrum" (SBS)
To tell you the truth, I was actually pretty bored throughout the SBS Gayo, more than I was during the KBS. There was so much going on, but hardly anyone actually delivered, so I ended up just "leafing through" majority of the show at first. But then SM The Performance showed up and they literally made me peel my eyes away from my computer and on to the TV. Which is surprising considering the fact that this is supposed to be more of a dance group and I'm more of a music person. However, two things made me notice this performance (aside from Yunho, of course) -- the song, and the delivery.

"Spectrum" is an amazing, glorious song to start with -- you have all these beautiful elements that really make the song soar, and then you have this melody that lies low during the verses but does the soaring at the chorus. Beautiful. It's the kind of song that you really can't not dance to. Believe me, the only reason why I can stay still is because I'm too busy concentrating on the performance. And then, you have these SM dancers, most of which you hardly notice in their respective groups because they're too busy trying to make up for the weaknesses of their bandmates. Of course some of the people in this project group are significantly weaker than others, but the ratio of useful to less useful/useless is much, much better. These are people who know how to carry themselves on stage, and people who know how to carry even more people than they do here, so naturally they'd do a good job performing. As far as the vocal distribution goes, SM hit the nail on the head for the third time -- people like Taemin and Yunho, people with actual voices, got the solos, and everyone else was multi-tracked. If this had been sung live, and done just as well as it was, this would be on my list of best Gayo performances, but since it wasn't it'll have to settle for potentially one of the best.

Mystic White - "Mermaid Princess" (SBS)
Like I said yesterday, the only project group song I liked was the Mystic White one, because it was fresher than the others, and the production was really good. It had substance as a recording, but it fell short as a performance. It was okay, but the vocals were weak, and the chorus, which I really liked, was delivered sloppily. The entire performance was boring and frail, which is the complete opposite of the characteristics that made me like the song in the first place. The substance was gone, and it's like the entire performance was watered down. In a bad way. Which is really a pity because it was a really good song.

KARA - "Pandora" (MBC)
When I first saw this performance I was still high off the amazing SISTAR one, and even then I thought this had a fighting chance against that gorgeous rock version of "Alone". The remix was confident and I really liked it, and the staging was great (despite the dancing guy) with the crowd of backup dancers that they really made use of. It was a fun way to present a song as good as "Pandora", so obviously I was on board. But then they started singing and they weren't singing live. I guess my ears are partially thankful that I didn't have to hear their sub-par vocals, but honestly, I hate that they didn't even get the chance to try and do it well. What if they had done it well? Even if I doubt it'll happen, KARA is bound to hit it right some time. There were so many good elements, and they were all disregarded by the fact that this ended up only half a performance.

*Note: So apparently, KARA were not lip-synching, but to me that just means that this was even worse than I initially thought it was. Usually, when vocals are too perfect to be humanly possible, at least without studio tricks, or when less obvious auto tune becomes obvious, or when the shape of their mouths don't correspond to the note they're hitting, the performance is lip-synched. Which kind of makes this "live singing" even worse because the only reason I found out that they were singing live was one, someone commented below, and two, I heard them breathing. Yeah sure the backing track makes everything nice and even, but both KARA and the sound guys are at fault -- the sound guys for turning the backing track too high, and KARA for not making an effort to sing over it when it's pretty clear that the backing track is ridiculously loud.

DBSK - "Catch Me" (MBC)
I was really disappointed that DBSK didn't get anything new for this year's Gayo Daejuns, because this is the first year they spent closing all three shows and yet all they had with them was some random intro and the same backing track they've been using since September. Their performances this year were a total waste, not only of their talent, but of "Catch Me" and everything that could've happened. Here you have two performers who literally jump through hoops and fire for a living, and do it well, with a song that's elaborate enough to spruce up even more, and nothing was done. I mean they sang and performed really well, with presence and conviction, but they did that on smaller music shows too -- Gayo Daejuns are supposed to be special. I chose their MBC appearance because it started out really, really good, and when I heard the opening bars of "O - Jung. Ban. Hap." play, my jaw dropped in surprise and awe. That's the kind of reaction I wanted to have for the entirety of the all three performances, but then "Catch Me" came on and things were normal again. This could've been so much better because if anyone can carry a challenging arrangement, it's these two.

And I'm two days late, but that's it for 2012! Again, thank you so much for sticking around despite the rocky start last December. Time to concentrate on 2013!

[#18] Ga In - "Bloom"

From: "Talk About S."
Format: EP
Released: October
Territory: South Korea
Previous Best of Appearances: First Appearance

Ga-In’s “Bloom” was one of my favorite pick-me-up songs this year, mainly because there are so many dimensions to it, and the perkiness is just one of them. A lot of people compared “Bloom” to an IU-esque track, and I do get the comparisons, but I don’t know, IU songs are usually pretty one-dimensional -- they’re whimsical and cute and she delivers. But there’s something different about “Bloom”.

On the outside it does seem pretty girly and whimsical, with all these very perky instruments and Ga-In’s squeaky vocal technique on the verses. But then the more I listened to it, the more the other dimensions kind of made themselves heard.

There’s this maturity to the grace of the song that you don’t see in other songs, and that’s probably because Ga-In’s vocals are more mature (and therefore more practiced) than your average teenage pop princess. You see, voices have time stamps, so regardless of what’s being sung, an older voice will always sound different from a younger one. And I really like that “Bloom” took advantage of that.

But then at the same time, “Bloom” isn’t a fragile song -- it’s not all cutesy and rainbows and ponies. There’s spunk to it as well, made obvious by that gorgeous guitar line. It’s very prominent throughout the verses, and it really does give the song the kick it needs.

[October 12, 2012] KBS Music Bank Highlights + Commentary

Today's show was literally drowning in idol groups, though majority of them rookies/unknowns. Absent from the broadcast (at least who I'm aware of) were U-Kiss, BTOB, Stephanie (MY QUEEN) and 15&. Although big names like Secret, Ga In, T-Ara, Orange Caramel and DBSK were all in attendance. Like last week, DBSK's "Catch Me" failed to win today's show, losing to "Gangnam Style".

Video credit goes to shu35150510 and lokyan64 @ YT, other videos to follow.

84LY - "Girl Talk"
I have no idea who some of these acts on today are, 84LY included. From the performance alone, which was lip-synched (BOO KBS), they remind me of Rania's "POP POP POP" era without the intensity and slightly more obvious class that Rania have (even if "POP POP POP" was super cheap). It's okay for what it is, but too generic wit nothing

A.cian - "Stuck"
Another act I don't know, who have horrible vocals even if it's lip-synched. Yes, it's that bad. It's one thing to only sound good on a recording, but to sound painful on it? How that happened is beyond me. The instrumental is boring not because it's bare, but because the elements are generic when they need to cover up those horrible vocals more than anything. Horrid song, horrid vocals, sloppy performance. Who are these guys and why were they even let on stage?

BBde Girl - "Messing Around"
Well, at least they're singing live? This string of bad unknown group performances continues though, because these girls sound so tired, making their already non-existent vocals even more painful. You know they're trying at least a bit, but their movements don't translate well on stage, neither do they look convincing.

Mr. Mr. - "Who's That Girl"
This kind of rookie/unknown performance was more along the lines of what I was expecting from the previous acts. I mean it's not spectacular or anything and the song is pretty mediocre, but the vocals are stable where you'd expect them to be (slipping here and there, yeah) and they look convincing enough. It's just okay, but considering what came before, I'll take what I can get.

Be Bop - "offroad"
Well, they look promising. Their vocals could use serious work, especially that guy in the red plaid shirt, but for once they actually look like they enjoy being on stage, which is something that's a lot harder to learn than vocal technique. It's a mediocre song, and their vocals are painful for half the performance, but the melody matches them, and manages to mask a bit of the pain on their voices. Not bad, not bad at all. I'll keep my eye on them.

EXID - "Every Night"
Usually songs like "Every Night" tend to bore me, but surprisingly (even for me!), they managed to catch my attention with their performance. It's lip-synched and they aren't amazing performers, but they have presence. I'll be waiting for a real live performance.

Rania - "Style"
I think it helps that I actually kind of enjoy the song (no matter how YG-generic it is), but this performance was pretty good. The vocals were as on-point as they could get for majority of the song, and the attitude was there. My only complaint though is that this performance lacked emotions in their movements -- they were dancing all the right things and they look enthusiastic, but the emotion wasn't there.

AOA - "Get Out"
I still don't know how to feel about this song, whether I like it or not because it sounds like a DaVichi song-turned-drama OST sung by people from a gazillion other girl groups. And if they really did play the instruments in the recording, because you guys know how much I hate instruments being treated like props. (AND THE FAKE DRUMMER BEING SO FAR FROM EVERYONE AGAIN) It was a pretty boring performance, because no matter how the blonde girl emoted while lip-synching, they just don't have enough presence to just stand there while doing an uptempo and actually pull it off. Try again, AOA.

ChAOS - "Kiss Kiss"
Just because you're smiling/smirking on stage, doesn't mean you're enthusiastic about the performance. The song is extremely generic, and their movements mirror that. NEXT.

100% - "Bad Guy"
I remember listening to their debut release a few weeks ago, but the fact that it's a really vague memory should mean that it was't that good. The performance has put things into perspective for me though, and it's not half bad! They're clearly pretty okay performers, their group dynamic is great for a group this new, and are they singing live? I can't tell (!!). Because if they are, those are some pretty strong vocals.

SPICA - "I'll Be There"
After all the mediocre groups that came before, this is like a breath of fresh air, even if there's really only one girl who can actually sing it decently. The margin of painfulness between the most painful in SPICA and the least painful in at least half of the previous groups is huge, which in itself is a huge achievement. It's an amazing song, done with strong vocals and the right amount of attitude and enthusiasm.

Big Star - "Think of you"
Okay so maybe the dancing at the chorus was a little too enthusiastic -- it just looked like they were flailing their arms in random directions and didn't really look like an organized performance. They were pretty okay for the rest of the song though. Not brilliant, but if they work on their stage deportment, they have potential.

Jewelry - "Rhythm Ha + Look At Me"
Before anything, I'd just like to profess my love for the lead single. It has that funk that old-school Jewelry (as in original line-up) had, but upgraded - it's exactly what I would've imagined Jewelry the group (regardless of members) to do in 2012. And they pull it off. Not as strong as I would've wanted it to be, but strong enough, and ever so classy.

Orange Caramel - "Lipstick"
Words cannot describe how much I despise this song. I mean, it has three of the things I hate the most -- cheaper than cheap synth loops, cuteness, and non-existent vocals. I only started acknowledging the fact that Raina has a voice, but that all went down the drain with this song. I mean they're enthusiastic about this horrible song and all, but the ship has sunk too deep for enthusiasm to save it.

T-Ara - "Sexy Love"
Contrary to popular opinion, I don't entirely dislike "Sexy Love". Today's performance was standard T-Ara, which means they were okay performers but the song carried them so it makes everything seem better than it actually is. Which is okay, because that's what works for T-Ara, and really, the point of a performance is to make people look better than they actually are.

Ga-In - "Bloom"
IU comparisons aside, I love this song! And to make things better, I don't have to complain about bad vocals (even if the choruses are heavily overdubbed BOO) or sloppy performances because Ga-In is a demigoddess and she knows how to not only hold the audience in the palm of her hand, but control them at the same time. A strong performance of a brilliant song.

Secret - "Poison"
"Poison" is basically a rehash of "Madonna" and "Magic", which is a bore, but their live vocals for this are really good. Add that to their always-present grace and intensity, and you have a really strong performance.

DBSK/HoMin - "Catch Me"
This performance was basically a slap in the face to all the mortals who came before them. I mean really, flawless live high notes while lying down on your stomach and being raised up in the air, equally flawless vocals while break-dancing, and overpowering the already overpowering backing track? If that's not outstanding I don't know what is. Conviction, conviction, and more conviction, laced with truckloads of talent and years of experience give us a stunning performance. Best performance of "Catch Me" yet, although the only other live performance was last week's Music Bank. BUT STILL.

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Guess who's back? I've been officially free from school since Tuesday, but after I finished all my requirements I just collapsed and got sick again, which is why I haven't posted anything. A few small "announcements". First, I assume you've all noticed the sparkly new layout! yay! Second, I'm going to try and get as many posts out over the weekend, which means single of the week/weekly rundown, complete music show recaps, and maybe a few full single/album reviews. It's been so long, and I have so much catching up to do! That's all for now, I guess. See you guys tomorrow for Music Core!