IU is K-Pop's best example of a compromise as far as industry demands go. She's young, she's cute, therefore the obvious assumption would be to put her in a tutu and let her prance around stage, right? She looks the part, sure, and her songs don't ooze sex appeal, but considering her "Marshmallow" and "Boo" days, her repertoire now is a big enough compromise. At least now she sounds like she actually has a voice.
What I like most about IU's "The Day's End" is the fact that even if the song is similar to her previous singles, it's ever so slightly more mature -- she's ever so slightly older.
The instrumental still has that playful, whimsical, "I'm going to twirl around on stage" sound, mainly because of the string section that's prominent in all the right places, as well as the the piano that's under it, but contrasted also by those epic drums in the background. I keep thinking that it's one step away from being a Christmas song, especially at the beginning. It kind of does sound like a Christmas song, but at the same time the elements that make a song Christmassy aren't as prominent or as strong.
The melody complements the playfulness of the instrumental with all these swoops (I like calling them swoops, it's sort of onomatopoetic at the same time) at the chorus, but it's those same elements that bring out the maturity in IU's voice. I guess you can say that there's a point of comparison, since we've heard her sing these sorts of things before but they didn't sound like that -- it makes the subtle changes more obvious.
But I also really like the fact that both the song itself and the way it was mixed makes you notice IU's voice more than the rest of the song. "Good Day" and "You and I" were mixed similarly to this, but their instrumentals were a lot more flowery and elaborate, so IU had to wrestle with everything else to stay audible. On "The Day's End" though, IU isn't fighting for dominance, and there's also a lot of conviction in her vocals, especially in the verses, heightened by the actual melody. You're really made to focus on her vocals.
I think the title alone is a big giveaway of how the KBS Gayo Daejun was. Sometimes sleep-incuding, most of the time boring, and occasionally okay. Yup, that's about right. It was a smaller venue than the SBS and KBS ones, which means that KBS should've had an easier time handling the sound quality and such, but I'm afraid that was not the case, because vocals during the latter parts of the show were horrid. Plus the fact that the people in the audience were practically zombies, and the acts looked bored out of their wits, as if they were forced to appear on the show. Which they probably were.
I wanted the acts jumping through hoops and fire, KBS, HOOPS AND FIRE. I got none of that. At all. Even from my beloved DBSK. How dare you.
Two things before we start. This recap focuses only on idols, so the other acts who appeared on the show, rappers and the like, will not be included in the selection. And also, I wanted to get this out as fast as possible before everyone forgets about the Gayo Daejuns. So due to the fact that today is a school night and I have a mountain of readings to tackle (ALREADY!! *sobs*), plus I'm about to collapse from fatigue and stress and general exhaustion, the videos and other formatting details will have to wait until tomorrow when I'm a bit more alive. Please don't ask me for the videos, because writing this up took a so much effort, and a lot of strong coffee.
Before we get to the three main categories of this recap, there is one performance that deserves a special mention. Not because it's amazingly good, but because it was horribly blasphemous.
Kim Hyun Joong - "Rainism" If Rain saw this, he'd bawl his eyes out because it's so bad. It's even too bad to be a parody, because parodies are deliberately made bad, so they can be funny (did anyone see that Kim Shin Young parody where the lyrics were about food?), but Kim Hyun Joong was as serious as serious can be. And really now, even if Rain wasn't exactly K-Pop's best singer, at least he could sing his own songs! This performance was LIP-SYNCHED, and it was STILL bad. The dancing wasn't that hot, the vocals were pathetic and painful, especially towards the end when he tried to do those runs, and this was a useless performance. Absolutely useless.
THE BORING
Davichi - "Don't Say Goobye" It's a gorgeous song, and a gorgeous arrangement, with those epic drums and the stunning and flawless harmonies, but it was soooooooooo boring. The only thing keeping me awake was the thought that their voices were really gorgeous, and the harmonies kinda gave me little slaps on the face to keep me from drifting to sleep. And it didn't help that they were the only ones on stage and they were just standing there. I don't talk about it much, but I've always believed that the visual aspect of a performance is important too. Always second to the music, yes, but without the visuals you get performances like this.
4Minute - "Mirror Mirror" It was interesting enough until they started singing, with all the back-up dancers behind them and the white coats against the dark backdrop, but it just got boring once they started singing. The dance break was okay, and Gayoon standing alone on stage kinda woke me up a bit, but once the singing started again there were nothing special, even with the remix and all the flashing lights.
U-Kiss - "Neverland" I understand that they were trying to do the "epic" sound with this re-arrangement, but it completely sucked all the life out of the song. That's not just because their vocals were muffled, but because the instrumental was so one-dimensional. They tried to put some kick in it, but failed miserably. The entire performance sounded like U-Kiss were submerged in a tub of jello, and all you hear are muffled screams.
f(x) - "Danger" Everything about this performance looked, and sounded, so robotic. Except Luna's line, but everything was so stiff, and Amber looked bored. There's a difference between orchestrated down to the last detail and robotic, and this performance was robotic.
Secret - "Shy Boy"+"Love is MOVE" I adore the re-arrangement of "Shy Boy", it had spunk to it, but what ultimately bored me to death was the fact that "Shy Boy" was lip-synched. Their vocals were too clean for the performance, too smooth for something that should be really high-energy and lively, because of the nature of the processing. But on the other hand, their live vocals on "Love is MOVE" were weak, and that bored me too, because it sounded just like a regular weekly music show. I'm better off watching an episode of MuBank, the sound might even be better.
SNSD - "The Boys" This was just like any other performance of "The Boys", and it wasn't even done extraordinarily well, in fact, they sounded even more strangled than they usually do, and that was the only thing that kept me awake, to be honest with you.
2PM - "Electricity"+"Hands Up" "Electricity" was okay, but when you slow "Hands Up" down, it sounds even worse. It's repetitive, it's monotonous, and the instrument is very one-dimensional, so it literally sounds like you just slowed the song down at home and played it at a New Year's Eve party with your family and friends. It just goes on and on and on and on. If not for their stage presence, this would've put me to sleep from the very beginning.
THE SLEEP INDUCING
f(x), 4Minute, Infinite, IU, Super Junior, - K-Pop Shuffle Dance Special/K-Pop To The World Oh dear. The lights gave me a headache, and the dubstep overload just put me to sleep. Gee, thanks KBS. You clearly didn't want me to watch the rest of your show. Seriously, even with the hooks under the heavy looping, the thing just went on and on and on and oooooooooooon. And they were essentially just doing a bunch of dance steps over and over and over and overrrrrrr. Although, the one thing that amused me was the fact that "Mr. Simple", without the heavy remixing, fit right in to the medley. That just goes to show how shallow that song is.
BEAST - "Fiction" You know, when the performers themselves look like they're bored out of their wits and scream half-hearted "let's go!"'s, it affects their entire performance. Everything. And BEAST performed - sang, danced - like zombies. It's not even funny or incredibly bad, it's so pitiful that I just wanted to sleep through it to not see it. And it doesn't help that Hyunseung completely destroyed his high note. Even when they changed the arrangement towards the end, they still looked half-asleep, and the guy singing looked like he was about to cry. There was absolutely no kick to this performance, and it's such a shame because I expect a lot from BEAST.
Kim Hyun Joong - "Lucky Guy" This is definitely a better choice, over "Break Down", because it's just that much more lively and fits Hyun Joong's vocals, but it STILL put me to sleep. It didn't help that this came over that horrid shuffle dance medley, so I was still half asleep. Even if it's a lively song, Hyun Joong's vocals have absolutely no sense of dynamics, nor do they have any body, and so he effectively made this performance flat. The best part was the end.
IU - "Good Day"+"You and I" Strong, consistent, vocals, but the remix was so boring and generic that, once again, it sucked out all the life out of the song. And even if IU's vocals are nice, they're pretty thin around the edges, and so she needs kick to her arrangements. This was just flat, so her vocals turned too cute and too weak, albeit okay. And it put me off for the rest of the performance, so when "You and I" came on I was already knocked out and asleep. And no amount of bouncy, IU could've erased the boring arrangement she just did beforehand.
The Okay
Infinite - "Paradise"+"Be Mine" The lights on the suits, although not exactly original, were a nice touch and an okay way to open the show. Nothing especially spectacular happened on this performance, but their vocals were pretty solid for Infinite standards, the dance intro was well-prepared and practiced (no one forgot anything), and the transitions, from the dance to the remix of "Paradise", to another dance break and finally to "Be Mine", were clean. The fact that this is one of the best performances of the night should not only be a compliment to Infinite, but an insult to KBS.
SISTAR - "SO COOL" I never thought I'd see the day where I'd put a SISTAR performance among the best, but really, after the boring performances that came before, this was a welcome relief. And it's not like SISTAR are completely talentless, only 3/4 of them! Hyorin's vocals were incredibly strong as usual, and for the first time I didn't notice their lack of grace that much. I see improvement!
Miss A - "Goodbye Baby" Brilliant re-arrangement. I loved the drums during the intro, even if they were pretty useless for the rest of the song, but I also adore the arrangement of the song itself, with just that hint of rock elements, including real drums (!!), but also enough of the original, familiar, arrangement! And they pulled this off much, much better than the SBS re-arrangement! Strong vocals, good concept, fitting re-arrangement. Best performance of the night? Best performance of the night.
Wonder Girls - "Be My Baby" The beginning was messy, I don't know if it was on purpose or what, but their choreography was all over the place. Their vocals were strong, and up until the dance break it was actually really boring. All I could think of was that if I wanted to see a performance like this, I could've watched a weekly music show. Even their comeback was more flashy than that. But the end kind of resurrected them, and it was so amusing to hear Ye Eun and Sun Ye actually singing what should've been autotuned. I'd say, as a whole, this is okay verging on boring.
DBSK/HoMin - "Before U Go"+"Why? (Keep Your Head Down)" This was not their best. It wasn't, and I'm disappointed, but their heavily overdubbed vocals could've been because this was pre-recorded and SME couldn't help but show off their flashy studios. HOWEVER, if you listen well enough (like I know many of you did!), it's rather clear that they're actually singing and not just relying on the overdub because their vocals were actually consistent. And that's something these new acts have to learn. Like what I said about their SBS performance, DBSK are, first and foremost, singers, and so even with the overdub, it's courtesy to the audience to sing live for a live performance. And that's what separates them from their back-up dancers, that's why they're the featured artist on their albums. Not because they look good, go on variety shows, and dance on stage, but because they sing.
From: "Dream High Soundtrack" (OST), South Korea Released: January 2011 Rating: 3.85
"Someday" was actually the very first song I put into this year's list, and no, this is not on the list just because IU's releases have always managed to miss the cut-off date by a few days/weeks, because really, "Someday" is a stunning yet simple song. Scrap all the fancy studio effects, the vocal gymnastics and whatever other frilly things people add to songs these days, and you're left with a gorgeous melody accompanied by a simple, yet timeless arrangement and good vocals.
One of the things I value the most in a song is simplicity. You have a point to put across, I understand, but there are many times when less is indeed more. The simpler it is, the more people can imitate it, and the more people imitate it, the closer it is to becoming a classic. I always raise this point, but it's true -- even if arrangement and technology and effects are very important, the melody is the part that will ultimately transcend time. In pop, when you remix a song, you take the melody and slap it on top of another arrangement. Again, the melody.
"Someday" shows off IU's vocals, not in the screaming, "I can hit notes this high" way, but in how she delivers something simple. The true measure of a singer is not how high he/she can go, but how he/she makes use of his/her vocals and technique to deliver the simplest melody. A good singer doesn't show off, but doesn't shy away either. And that's exactly what IU did with "Somebody".
In case you haven't noticed (and I'm sure you have), I've been gone for pretty much the entire first quarter of 2011 and that's a long time in k-pop land. A LOT of things have happened and even with the short lul in releases a few weeks back, there's just so much stuff to catch up on! Believe me, it took a LOT of will power to control myself from opening up Blogger and typing up truckloads of reviews. But it has paid off, because I GRADUATED FROM HIGH SCHOOL! And I'm entering what is most probably the top Comparative Literature program in the country at the top university in the country - I know, I still can't believe it.
But anyway. My point is, I can't exactly write full length reviews on every single release that has come out since I went on hiatus - that's crazy. Or at least you can't expect me to get them done by this time! Gimme a break - I went from graduation, to graduates' ball, to choir camp (I've also formally "graduated" from the choir - even if I'm being asked to stick around in college) and I'm only getting the chance to sit down and contemplate on my life!
I keep on getting distracted - sorry, too many things racing through my mind right now. Writing this should take them all out, for a while at least.
I promised a "big comeback", I deliver a "big comeback"! Beware, this post is ginormous. It literally took me almost a month to put it together - from choosing the songs, to writing the reviews themselves, and to formatting the damn thing. Can you believe that this new layout doesn't support italics and bolds? It pissed me off big time lol.
Read on for more of my ramblings, and the post proper. Go go gooooo!
Originally I planned to come back with a rage rant about the "new generation" of k-pop fans and how some of them (NOT ALL OF THEM) piss me off beyond belief that would eventually lead to a new special, but then I thought coming back with anger after almost 3 months away isn't such a good idea.
So this first quarter report will basically give you everything that happened from January to March - the amazing, the good, the bad, the okay, and the horrific. All the fangirling, hatred and whatever else I do when I review songs, will be present - I promise you that my writing is just as good as it was before I went on hiatus. As if it was any good to start with LOL.
I've put the songs into 3 categories - stunning, okay, and blegh.
Stunning - These are the songs that have literally taken my breath away over the past three months - the songs that I'd play for weeks at a time, the songs that I'd listen to during late-night thesis writing marathons, and the songs that would bring me to tears. It's these songs that truly defined the first quarter of 2011 for me.
Okay - I may like certain parts of the song, but there's something holding me back from falling at it's feet. These are the types of songs I won't refuse to listen to, but won't really seek out every single day.
Blegh - In simple terms, they're the songs I don't really like, and the songs that aren't really any good to begin with.
Let's get right to it - I'm excited to say the least!
IU - "Someday" From the "Dream High OST" Released: January Stunning
Gorgeous in every single tiny little way possible. It may not hit you over the head with elaborate orchestrations and whatnot, but the gorgeous melody is enough to make you melt. Throw in IU's now-mature, yet still smooth and young, voice and you have magic. The chorus sticks to your head, and you're left humming it for ages - but it's not annoying. Because it's a beautiful melody. The arrangement to match was spot-on - not too little, not too much, enough dynamics while still retaining the natural dynamics of IU's vocals.
According to iTunes, I've played this over a hundred times now - this was the song I was listening to during hell week #1. If you follow me on Twitter, that was the week in January when I had this super long novel analysis to submit, dozens of survey questionnaires to give out, and exams left and right. So technically this was the song that got me through that horrid, horrid week.
Seungri (BIG BANG) - "어쩌라고" From "VVIP" Released: January Stunning
See, even in k-pop I'm the master of predicting post-album singles, or at least the songs they perform either with the lead single, or after the lead single. And I adored this before Seungri performed it anywhere, mind you. I haven't lost it - yay!
This is the right range for Seungri's voice - it's high enough that he doesn't sound like he's talking, but it's also low enough that he doesn't sound like a chipmunk. And this is one of the few occasions where I won't condemn autotune because one, it's tasteful, and two, when he goes up it's necessary so he doesn't sound strange.
The song itself is very YG, very Big Bang in 2011, but with that little hint of sophistication that they're pushing Seungri to have. Clearly, they're doing everything right. The melody's catchy, the verses are there, they're strong, but they don't overpower the hook, and the entire song builds up. That and strangely, the synths don't sound cheap for once. Hurrah? Yay!
JYJ - "Pierrot" From "Music Essay: Their Rooms" Released: January Stunning
I always have a hard time writing about my favorite band, because one, I either get told off for "not being a fan" or being "too much of a fan", and two, it's extremely hard to write about songs I adore, from my favorite band, without spazzing about Jaejoong and his gorgeous voice every 2 seconds. But what the heck, I'll try anyway.
Who wrote "Pierrot"? JAEJOONG! To be honest with you when he and Yoochun were starting all this songwriting and stuff, I didn't think they'd become this good. I mean they're no Yoo Young Jin or Teddy, but considering that they're idols, or that they were originally marketed as idols, this is a major breakthrough. Although I do attribute their interest in songwriting to the Japanese influence. Either way, we're making progress, Korea!
The chorus is catchy, but with the melodic-ness that makes you want to melt into a puddle of goo. But what really did it for me were the verses, my god the verses, they fit everyone's vocals like a glove, and everything just takes off from there, to be honest.
Park Jung Min - "Not Alone" From "Not Alone" Released: January VERY Okay
I like strings in pop songs. I like it when orchestras (or parts of it at least) are added to pop songs. So it's only natural that I like this, right? Because I do.
Basically the only thing I'm really following, and maybe dying for, on this song is that gorgeous string section throughout the song, and the percussion at the breakdown of the chorus right after the middle 8. There are times when the song gets a little cheap, like certain points at the chorus, mainly because of all the added pop elements, the actual string line, and sometimes the melody, but it doesn't always happen. I love the verses though, well apart from the 'stop stop stop'-ish parts, because you can really hear all the instruments but at the same time it sounds really full.
Like I said, that breakdown after the middle 8 is stunning. Like, if that's all I listen to for the next week I'd have no problem. It's like there's so much happening during that breakdown - strings all over the place, percussion, drum rolls and trumpets (I think), but sure sounds like one heck of a breakdown. And the segueway from that to the last chorus was brilliant.
To be honest with you, I said that parts of the chorus sound cheap, but then again this is a pop song - it's supposed to be catchy. So, mission accomplished. I guess.
MBLAQ - "Cry" From "BLAQ Style" Released: January Okay
My problem with this song is basically my problem with everything MBLAQ puts out, only this time the song itself is actually pretty good. The production, albeit not stunning or anything, is competent, the melody stunning, and the arrangement spot-on. The piano parts, the tambourine, which was a nice touch if I may say so, and those water bubble thingies really gave the song character. It's a strong song, with the right mix of intensity and calmness throughout the entire thing so you don't fall asleep at one point.
Point is, it's a gorgeous song as a whole. Maybe even stunning. My problem? I cannot stand their vocals. Like, they sound fine during the chorus, most likely because their vocals have already been processed and mixed and all, but the verses just piss me off.
The thing with MBLAQ is that they're trying way too hard to do something that doesn't have to be hard - and it shows. Always has, always will. It's mainly for that reason that I chose BEAST over them back when they debuted in 2009 - because they can never seem to get the fact that things aren't always hard.
There's a word in Filipino, or slang rather - "palumpalo". It comes from the word "palo", which literally means hit or slap or something to that effect, and the slang means that you really put your all into things, and come up with this epic masterpiece. I know that's what MBLAQ are trying to do - like how their "mentor" Rain does things - but they fail to understand that yes, you have to work hard, and yes, you really have to sell yourself, but not to the point where you're making life hard for yourself when it really shouldn't be.
There are talented people in MBLAQ, Joon isn't such a bad singer and GO could probably go head-on with some guys from ZE:A or Infinite and win, but they're pushing it too much, at all the wrong times. Yes, Rain worked hard and yes, he may not be the most amazing singer around, but things look so effortless for him - for MBLAQ they look contrived and robotic.
Piggy Dolls - "Trend" From "Piggy Style" Released: January Okay
First off, yes, they're not thin, but for heaven's sake need you rub it in their faces? So what if they don't have "s lines" or tiny waists - do you really have to insinuate that they're "piggy"? God. It just pisses me off, because they're talented and they're being treated differently, just because they don't look like everyone else. For an industry that's built around respect and whatnot, I find it appalling.
But on to the music. The verses are perfectly fine - those vocals just blow everything out of the water. I don't usually like big, scream-y voices, but I don't know, they're doing something right and it's turning out strong. I'm pissed that whoever produced this had the gall to autotune vocals like that - they don't need it, and I highly doubt they ever will.
Now, let's all take time to worship the middle 8 of this masterpiece. Perfection. When the keyboards lace with whatever beats those are - my mind is blown. But then some bastard decided it was a good idea to autotune almost everything after that. NO.
This is one of those songs that are okay verging on stunning. Wah.
G.NA - "Black & White" From "Black & White" Released: January Okay
The song has both bad points, and redeeming qualities, so they kinda cancel themselves out to be neither an amazing song, nor a horrid one. Which is kinda a letdown for me, because I really wanted G.NA to get prime material and Cube is one to not really do well on the first release but make up for it on the second. Oh well.
On one hand, the song itself is really cheesy/cheap. Don't deny it, because it's true - it's the type you'd hear blasting out at full volume when there's a restaurant opening along a busy road or something. Everything about it actually - from the instrumentation to the melody to the hook - lacks finesse. It is catchy though, I'll give her that.
The redeeming quality? G.NA's vocals have sophistication, and that's one of the reasons why I liked her at the beginning - she can sing, yes, and although sometimes her voice can get squeaky, it has grace and effortlessness. Which ultimately saves the song from further horror.
Secret - "Shy Boy" From "Shy Boy" Released: January Okay
If my memory serves me right, Secret started the whole "60's"/"Grease"/"American Bandstand" (emphasis on the "") themed song craze that spread over the past few months, with similar-sounding songs from Jewelry and Dal Shabet (although not as strong) among others. And to be honest with you they sold the entire package the best, in my opinion - so it was only right that they won those awards.
However, I did like that song on their teaser/the "intro" better. But I'm talking about "Shy Boy" so let's move on lol.
There are points in the song that they get too cute, and it does annoy me to a certain extent, mainly because you and I know they can do more than act cute to sell. The arrangement is.. how should I say.. pretty "authentic", but not "authentic" enough. I never really saw the point in trying to emulate the 60's all over again. I mean it was a glorious time for music, and I grew up listening to Motown, but if you're gonna try and do it, at least do it well. I'm not saying that Secret aren't talented because they are, I'm saying that even if the arrangement is decent and the melody catchy, there's a spark missing from everything - and it's that spark that makes such a big difference.
Jewelry - "Back It Up" From "Back It Up" Released: January Okay
For the record, I'd take "Back It Up" over "Supa Dupa Diva" any day.
"Back It Up" isn't amazing or stunning, but it's a strong song, I'll give them that. Here we go again with building more than half of the chorus with one English phrase, but unlike Teen Top, it works for them, and the song. The new girls are competent singers, and although I miss Jung Ah's gorgeous vocals, the song fits them all nicely - which is probably the most important thing at this point. It doesn't show any mad ranges or amazing vocals off, but it proves that they CAN sing.
I have a difficult time talking about songs like this mainly because even though I did grow up listening to 60's stuff and this sound is supposedly "60's inspired" or whatever, I don't know the terms. I do like the trumpet line throughout, if that's a trumpet at all - it's got character. I said that Secret's "Shy Boy" is Grease-ish with a hint of American Bandstand - this sounds more like something that would end up on Hairspary the movie or something. It's old-ish, but updated at the same time.
Teen Top - "Supa Luv" From "Transform" Released: January Blegh
This is one of those "blegh"-borderline-"okay" songs, because really, it's not that bad. OK maybe it is, but it has good points too! A few. I think.
First thing's first. I CANNOT, for the life of me, unhear "I GOT THAT SOUP LOVE". And what makes it worse is that that line is practically the entire chorus - THEY SAY IT FIVE TIMES DURING THE CHORUS FOR HEAVEN'S SAKE.
Which brings me to my first point - why do they have to say that damn line so many times? OK fine, you can argue that "Sorry Sorry" was just as bad, if not worse, but would you really want to prance around singing "I GOT THAT SOUP LOVE"? I think not.
Speaking of "Sorry Sorry", to be honest with you this is like a Teen Top-ified version of it. Which basically means it's got near decent but not decent vocals autotuned beyond belief, average production, and their vocals sound like all the other boybands of their "generation". The "trying to be husky but not really succeeding so they end up sounding like they have a sore throat" sound? Yup. And why does it seem like only one guy is singing majority of the song (still)?
It is catchy though, I'll give them that. And it has a melody, no matter how processed and distorted it may be - THE MELODY EXISTS. Ordinary people can't sing it though.
Big Bang - "Somebody To Love" From "The 4th Mini Album" Released: February Stunning
My general observation on the Big Bang mini-album, though I really like the material, is that it doesn't sound like a Big Bang album anymore. To my ears, and to some of my friends' ears, it sounds like an album by GD, TOP, Daesung, Taeyang and Seungri - and not one by Big Bang. It's like YG has spent too much time promoting the five as solo artists and in the process they've lost that thing that makes them a group. Watching the performances, which are amazing, it's like I'm watching 5 YG artists coming together, and not 1 YG act. Whatever that's a good thing or a bad thing, I'll leave it to you.
Even so, I have got to say that "Somebody To Love" is amazing in every way possible. It's upbeat and extremely infectious, but without losing a melody, and of course Daesung's gorgeous vocals. When I heard the recording I loved it, but seeing them perform the thing live was just mind-blowing, to be honest. Everything's so sharp, so orchestrated, but it seems so natural for them - like there are no pretentions.
And that is why Big Bang deserve the success, in my opinion - because they are so good at what they do to the point where they make it look like child's play.
Gahee - "Come Back You Bad Person" From "Come Back You Bad Person" Released: February Okay
Gahee, oh Gahee. Apart from being Yoochun's infamous ex-girlfriend and BoA's ex-backup dancer, she's probably the very reason why After School are the competent group that they are. They have their moments, and they've had their fair share of amazing songs over the past few years, but to be honest with you there are some members who are useless in terms of music - Gahee, Jung Ah and maybe even Lizzy carry the band now in terms of vocals.
Pledis should hurry up and "graduate" some members already for heaven's sake - since their debut they've brought in 5 girls, and only graduated 1. Jooyeon and UEE should go. Seriously. If Jung Ah goes then she better get a solo career or I'm gonna have to cut a bitch. But let's save that for my vocal commentary. YES, you're not seeing double or anything - I'm resurrecting my vocal commentaries just in time for their comeback.
OK ANYWAY. This is becoming an AS rant and not a Gahee review. Like I said, Gahee carries After School, so it's only natural that she be a pro at this solo thing. And to a certain extent, she is. From what I've heard, and seen, she's like a slightly better Son Dambi, which figures since she was Dambi's "mentor" or whatever. But remember, Dambi isn't exactly the best singer in the world. (DON'T even bring up her "MR removed" videos or whatever - because those are for people who don't know how to listen) Gahee's better, but her live vocals just don't cut it, I'm afraid.
The song is very melodic, and it requires technique, to be honest. I mean it's gorgeous, and her vocals on the recording are pretty good, but she just doesn't have the technique. I'm wondering why Pledis chose this for her, considering that they've gotten their past few singles right. (Even if she can't sing, "Queen" fit Dambi pretty well.)
Actually, the chorus reminds me a lot of a more serious, more melodic version of "Queen". Judging by the fact that they were from the same composer/producer/whatever he calls himself, well, I think you get the point. It's a very serious song, actually - minor chords thrown around all over the place, these really dark, heavy, synths throughout, and this club-like loop. And I like it. A lot? Maybe a bit, but enough for it to be in the "okay" zone lol.
5 Dolls - "Lip Stains" From "Lip Stain" Released: February Okay
You know a month is low on new releases when I deem a song like this "okay". But to be honest with you, it's not THAT bad. Although it's one of those okay borderline bad songs.
It has a melody, for one, and you can actually hum it. It's not the best melody in the world, and it has a tendency to sound cheap (especially paired with that horrid choreography), but it's there, and it's perfectly "functional". The hook is rather cheap too, and the instrumentation is like you threw a few random percussion parts together and put some sprinkles on top.
However it kind of became a guilty pleasure for me last February, mainly because this was one of the few songs that came out that month and do you really expect me to still be listening to stuff from January majority of the time? I wanted to throw up hearing some of those songs because I'd already overplayed them lol. And don't start with "there's always Big Bang", because no matter how good the songs are, I can't listen to that for an entire month!
This is what I always say about Core Contents, they only know how to make 2 kinds of songs - cheap uptempos (most often autotuned beyond belief), or stunning ballads, which only a few of their acts can pull off. Yes, this applies to everyone under the agency.
That is all. For today. Can you believe I planned on putting everything from January to March on one post? I'm not. I didn't. PART 2 IS COMING THIS WEEKEND - it's the truckload of March releases all rolled into 1 post. Epic.
Believe me when I say I nearly died several times putting these 2 posts together.
HAPPY NEW YEAR EVERYONE! I hope you all had enough partying to last the whole year, because it's back to business! This is another one of my "oh my god wouldn't it be great to write about this?" moments while watching videos. Ahhhh. But before we get to the post, may I direct you to my spankin' new About Page? ;D
Gayo Daejuns, or Song Festivals in English, are the highlight of a k-pop fan's, and singer's, year. They're held by MBC, SBS and KBS, Korea's "big 3" TV networks, for 3 consecutive days at the end of December - the 29th, 30th and 31st. Basically it's all of the year's biggest acts thrown together in one big show, performing some of the year's biggest hits. From what I've seen, these shows are by invitation.
I know I'm a few days late, but I honestly needed time to digest three consecutive hours-long shows! With special performances left and right as well as a lot of acts I've talked about on the blog last year (so not used to saying that!), it was rather overwhelming, even if this is my second year watching this. Gawd I remember that epic Davichi+2AM performance last year - epic. And who can forget SHINee doing Lady GaGa?
There were acts who only showed up for certain gayo daejuns, however the big acts showed up for all three. 2PM, SHINee, SNSD, KARA, Super Junior, After School, and a few others did all three shows.
Over the past few days there have been talks, both among bloggers and fans, of which show was the best this year - the consensus is that the SBS one was crap, and the MBC one was the best. But to be honest with you, all three gayo daejuns had their moments, and I'm slightly leaning towards the KBS one only because I watched it on an actual TV, and so I'm picking ten of the best performances, regardless of the network. Call it a very quick recap of the three shows.
I only watched the KBS one from start to finish on my TV, but I did watch majority of the other two shows. If I missed anything, it's probably because I didn't have time to digest it - just because it's good for you and it's not on the list doesn't mean I didn't see it. I watched the shows, thank you very much. And the list is in no particular order, just to clarify - no way I'm telling you my rankings for these. The fun starts under the cut! SNSD's Hoot and Oh! (MBC)
Their vocals were all over the place in true SNSD fashion and the sound system wasn't helping one bit, but I liked Hoot's re-arrangement. A lot. It has class. But that's about the only thing I enjoyed. However, it was enough to land them on the list.
SHINee's Lucifer, with a bit of f(x)'s NU ABO (SBS)
Screw Jonghyun being injured and the sound sucking a hell of a lot during Onew's parts (something's telling me the SBS sound guy does NOT like Onew), and during Key's solo, but I still think this is the best Lucifer performance out of the three. The being chained and caged part reminded me a little too much of DBSK, and the music that went along with that part had Hey! Don't Bring Me Down ringing in my head after - but then again this is SM, when something works they use it over and over again. Jonghyun's cage will never match the throne on top of everyone that Jaejoong got during Rising Sun year-end festivals, but it was pretty cool. I like that they used a "band" arrangement too, the drums sounded real and the entire arrangement was well-done. When Luna literally came out of nowhere I was freaking out - it was the perfect time to come out, with the perfect addition to the song sung by the perfect person to sing it. I like the dance break too and how they sneaked NU ABO in. Clever.
BoA's Game (SBS)
I like all these nice re-arrangements, yes, but BoA doesn't need any of them - this performance of Game was spot-on. I like the concept, but what I like more is the fact that she's one of the few who can pull it off. I don't have to talk about crap vocals whenever BoA's concerned, because you can always hear her, regardless of the sound system. And, I believe that's one thing Japan teaches idol groups - it won't guarantee to make you better musicians or anything, but you will come back with strong vocals. You'll have the same voice, obviously, but the rigorous promotions in Japan demand that you develop consistently strong vocals - BoA, along with DBSK, is the prime example of that.
Basically anything with Onew, Luna and IU on the same stage is bound to show up on a list like this - I mean really, they're three of my favorite young voices. Throw in two bands in the form of CN Blue and FT Island then Junsu 2PM, who sucked but I'd rather it be him than anyone else in 2PM, and you're bound to have something close to brilliance. The song choices were spot-on - Onew showed off his vocals, Luna sounded fantastic and IU's starting to sound like a cross between Hwayobi and Younha, I can't even begin to imagine what she's gonna sound like in a few years. Junsu, uh yeah he was OK too. The last song with everyone together was rather sloppily done and you could tell that Yonghwa didn't know the lyrics, but the voices and the song choices made up for it somehow. If there's something MBC did spot-on this year, it's choosing the repertoire.
After School's Bang! (MBC)
I like the arrangement they used for the SBS show a hell of a lot better, to be honest, but this is more notable because the new girl shows up! And it's one of their strongest performances, both vocals and presence-wise. Yes, even the useless ones were somewhat decent, although I have no idea why Jung Ah's backing track was turned up higher. I like their costumes too - navy blue and gold always look good together. New girl has sparked my interest, and her entrance was rather.. different, but when I watch the 8 of them (I MISS BEKAH!) it's like she's not on the same wavelength as the rest of them. I don't know if she's trying too hard or she isn't trying hard enough, whatever it is she doesn't look like she belongs - I get the feeling that she doesn't have a sense of finesse when she performs. Yet. Pledis better do something about that before they make their comeback this year. Speaking of which, any word yet on a new single? I'M DYING HERE.
BEAST's Breath + Dance Break with 4Minute (KBS)
Call them "big 3 rejects", but I do think that Cube artists have become quite good at what they do. They lack in quite a few aspects, but they constantly try, really hard, and that shows, but more importantly they really do get better. I know nothing about dance, but the dance break was pretty decent, and the BEAST performance was spot-on. Thank you for giving some of them hand mics, BUT YOU SHOULD'VE GIVEN THEM ALL HAND MICS. BEAST may not be good at doing other people's songs and they're sloppy vocalists when they do so, but what they do, they do it well. And I'd take that over a band who can't do anything at all.
Secret's Madonna+Magic (KBS)
I'm surprised to see that Sunhwa (or whatever her name is), actually has a voice now! She was one of the weakest earlier this year, and now she sounds decent. So that leaves one useless girl in secret - the girl who sings second on the performance. Lead singer girl and Sunhwa can carry the band vocally, and rapper girl has the performing side in check. I love the subtle yet very noticeable re-arrangements to both songs, and the transitions were rather clever. Secret are proving to be one of the most promising bands I've seen in quite a while - they have my attention now, they just need to convince me, and I don't think that'll be hard for them, judging by how much they've improved this year. I'd have absolutely no problem watching this again.
CN Blue's I'm A Loner and LOVE (KBS)
Brilliance, that's all I have to say. Except for the part with Yonghwa's mic giving up on him, duh - I'm sorry KBS, that was just stupid. The beginning was cool, the performances were well-executed, Jonghyun sounded fantastic AND THE DRUMMER WAS WITH THEM FOR ONCE! YAYYYYY!! And the transition between songs was so good, I didn't even noticed they changed songs! Although that could mean that all their songs sound the same. But either way, it was a fantastic performance, and the four of them literally had the audience in the palm of their hands.
GD&TOP with 2NE1 doing OH YEAH (MBC)
Now THAT is what I call a show. Minzy and CL did the parts brilliantly, Sandara, although rather wild, put a smile to my face partially because she wasn't singing that much, and Bom just did her thing. I stand by the fact that YG songs are at their best live - they're tailor-made for performing. And I like how CL and Minzy didn't just sing Bom's parts how they were originally sung - it could be because they couldn't sing that many high parts, but even so they managed to make it sound new, in a good way. You see how much fun they have on stage and you really wanna go up and join them, but there's grace, sophistication and thought to the way they move - it's not like they just randomly got up on stage together.
Super Junior's Sorry Sorry+Bonamana (MBC)
I have a soft spot for Sorry Sorry, mainly because I still think it's the song that started it all - it practically led the generation, and it really fits SuJu. Bonamana was blegh, but seeing them perform Sorry Sorry again reminded me of why I even took a bit of interest in them and spent 2 months putting all their names to their faces - when you give Super Junior a song that really fits them and that song happens to be very good, brilliance happens. It had enough of a melody to be humanely sung well, but it had that infectious hook - the song is an institution in itself. Considering that it's practically impossible to sing Bonamana live without a backing track and sound like you're singing, they did a pretty good job.
I think today is "songs that hold memories" day on the countdown, because this is probably the song that makes me the most nostalgic. Once again, it's story time.
In June of this year, we found out that my grandmom was in the late stages of cancer. It greatly affected me, for a gazillion reasons I have no time to enumerate. I was (literally) fainting in class, walking around like I was dead, and running around the city doing errands. I skipped class for days because I was having a hard time coping, and everything was just happening too quickly that I needed a break, even if I knew I couldn't get one. The important thing to take note of is that like in any situation, I ran to music for support, and writing when I had the time.
(side note: I almost cried writing that, since I'm listening to the song too)
So anyway. This was the song I was listening to throughout all that, and throughout my grandmom's wake, so whenever this comes up on shuffle mode again or I accidentally play it, all those feelings start rushing back, and my chest feels exactly how it felt right after I fainted that day. I'm saying this because this is what music is - it holds memories and brings them back when needed.
Without the memories this song is drop-dead gorgeous - the melody is strong, the arrangement clear and the instruments strung together effortlessly. The whistles at the beginning set a nice, happy mood (even if they make me sad), and IU's bright yet strong vocals pull everything together nicely.
This was also the song that signaled the start of her growth vocally - there are points in which there's more power and a deeper timbre to the vocals, but the youth in her voice is still clearly there. And that's why this song is on the list, aside from the fact that it's gorgeous and that it can make me cry any second now. That and songs off her new EP are not eligible (we'll get to them later).
I'm back! Why wouldn't I be - it was the Inki year-end special today and although not as packed as the MuBank one, it was fun revisiting my weekly Sunday routine of loading a truckload of YT videos then watching them all in one go.
If there's one thing that's changed with Inkigayo since I last recapped it, it's that they're letting bands use hand mics now! That's basically it though - the sound still sucks and for Christmas, I would like the sound engineer fired, before he screws up this year's Gayo Daejun as well. He actually kinda reminds me of the sound guy in my school - he once "accidentally" stopped the backing music of one of our big music presentations. It was graded, mind you. I literally wanted to scream at him and have him fired when that happened.
YT credits go to Jackhklee5.
SM The Ballad - Hot Times (note: This song is on my 50 best songs of 2010 list, so the full version of my fangirling is available when I publish that post. In a few days.) SM picked the right combination of the right people for this new sub-group/project - they could've picked Yesung SuJu or Onew or Key SHINee but they chose Jonghyun SHINee, Kyuhyun Super Junior, that guy from TRAX who has A GORGEOUS VOICE and Jino, who isn't too shabby himself. They're actually kinda like DBSK - they're not only lead singers of their respective bands, they're 4 (or today 3) vocalists who work extremely well together. Today's performance was half-mimed, and I'm not exactly happy with that, but at least the Inkigayo sound guy/girl had less chances to ruin their gorgeous vocals. For the live parts, it's a YESSSSSS.
VNT - Sound Just when I thought there was nothing more pathetic than SISTAR, VNT show up. The entire facade is crap - the crappy choreography (and that's already coming from someone who knows nothing about dancing), the cheaper-than-SISTAR costumes and the pathetic song that makes them sound like nothing but wannabes. However, that girl with the black hair has a gorgeous voice, and that other girl who sings, albeit sloppy and given the worthless song, would sound pretty not-bad in say, KARA. There are times when I forget rapping-girl-in-yellow-jacket exists, until she comes in and tries to sound like Hyun A, who isn't exactly my favorite in 4Minute. Lesson learned - GET A GOOD SONG AND SIGN TO A TALENT AGENCY WITH MONEY. As much as I hate that everything revolves around money, in pop you need money to get a decent song.
SISTAR - How Dare You After VNT, SISTAR actually sound pretty decent. Maybe after SISTAR, KARA will sound good. Wild guess. Their progress has basically halted, if there was any to start with. That 1 girl still carries and entire band, and she's doing a pretty good job considering who else is in that band, but as a group they still have no grace. I understand that you're supposed to just dance and sing like crazy when you're on stage, but you also have to do it with some grace.
BEAST - Breath + Beautiful If there's one band I want to see sweep music shows and become legends in the near future, it's BEAST. They've gotten a heck of a lot better this year, and they still have the potential to get a hell of a lot better. They work well as a group, individually they all have decent vocals, some fantastic, and they're not afraid to try new things, without straying from who they've shown they are. That and they're an absolute pleasure to watch on stage, especially when they themselves are having fun, and even if the song's a little on the cheesy side *ahemBEAUTIFULahem*.
2NE1 - Can't Nobody Performers in the truest sense of the word. They have the right balance of everything in the right amounts - the dance-like-crazy attitude, a sense of grace, strong live vocals and audience impact. (LOL that sounded like the criteria of some school presentation) Yes, even Sandara, even if she's weak compared to the other 3. At the end of the day, these girls know how to put on a show, they know how to make a mediocre and generic song sound great and they can show that their performances really had a lot of thought put into them.
2AM - Even If I Die, I Can't Let You Go + You Wouldn't Answer My Calls Gorgeous. There's no other way to describe it, and I wouldn't want to say anything else. Gorgeous.
After School - LOVE LOVE LOVE Ahhh yes, the RainaNanaandabitofUEE-fest. Raina now annoys me and she should be never let near this song ever again so Jung Ah can take all her parts and cream Raina at her own song. Nana is lightyears better than she was last year when she had just joined the band and she actually has a pretty decent voice, but if she so much as gets more lines than Gahee on their next single I am going to have to go and whack Pledis in the head. In a perfect world, After School is made up of Gahee, Bekah, Jung Ah and maybe Nana so there's someone for the fanboys.
SHINee - Hello (remixed) + Lucifer They truly are the leaders of their generation of boybands, in my opinion. At least, not when the Inkigayo sound guy/girl is out to get them. HE TOTALLY RUINED ONEW'S BRILLIANT MIDDLE 8! And they even mimed part of it. OF ALL PARTS TO RUIN, IT HAD TO BE ONEW'S I WILL NEVER FOGIVE HIM FOR IT. Oh, and the slightly remixed version of Hello was a nice variation to a pretty song, and it's good to see everyone dancing again, even for a simple routine.
KARA - Jumping So where's the singing? As if their vocals can get any worse, the sound guy strikes again. Has he no pity for these girls? No one can hear them on Music Bank and he chooses to literally drown them in the backing track, ruining the entire performance. The only actual vocals I can clearly hear are Nicole's squeaky high notes and short parts of Gyuri's solos. That's it. Everyone else is a blur.
GD&TOP - Oh Yeah (with Bom) I won't be talking about High High because it's practically all rapping and if it weren't for Bom, I wouldn't be talking about this either. The song is all YG - the arrangement, the hook, the English, the rapping, GD and TOP. However, the melody fits Bom like a glove - something tells me that only she can sing it and have it sound like that. In a sense, you need a voice that wild but with that much body for it to make sense, because of the range of the melody. I say time and time again - YG acts are performers, and these three are no exception. I'm actually starting to like the song because of this! This doesn't always happen, but I'm all praises for them today.
Super Junior - No Other + Bonamana It's been a while since I've heard, and seen, both songs performed live, but I gotta say, they really have gotten better vocally, under the crap Inkigayo sound. Ryeowook is starting to sound better, actually, which is GOOD. I mean, how can someone STILL sound bad using hand mics? If I had the money, I would willingly give SBS a new sound system for Christmas. But I don't, so they'll keep sucking. Aaaaand the dance break is still there.
IU - Good Day (WINNER) May I just say that justice has been served because IU HAS FINALLY WON A MUSIC SHOW! I'm actually glad that she didn't win for Marshmallow or that other song because they simply did not do justice to her talent - this song, however, does. So I can sleep peacefully tonight knowing that the voting and buying public still know what talent mixed with a good song is like. She didn't hit the high note today, and like a lot of people, I'm quite pleased that she's changed things up a bit. For someone else that would be a sign of vocal inability, but for heaven's sake we've heard that note several times already, live mind you, so we know she can sing it. Apart from the fact that the theatrics can get boring at times, the performance was spot-on. But then again this is IU we're talking about - the girl is beginning to sound like Hwayobi for christ's sake!
Out of the blue, after writing up all the posts I have to for tomorrow, I stumbled upon Music Bank's year-end special, with everyone performing hits from earlier this year. Then I got the brilliant idea of writing up a recap - this is as much a year-end thing for me as it is for them as I'll be able to trace the improvements, or deteriorations, of the idol groups who were on today.
Needless to say, I'm over my writer's block, and I'm so making the most out of this break.
Today was truly an extravaganza, I couldn't even count the number of performances because there were so many! This recap does not include those specials like the boyband guys doing that Orange Caramel songs, the dance-offs and so on and so forth. ALSO, because of the large number of performances, I'm only recapping selected performances from idol groups + idols only. No FT Island, I'm afraid - bands are just not my turf, except for that CN Blue song that I just have to recap.
YT credits to whoever uploaded the videos. I'm sorry - too many videos, too little time, and my head's starting to ache. Stupid cold.
SISTAR - Push Push + How Dare You And I see SISTAR still haven't learned a thing about performing with the least bit of grace. It's been what, more than half a year already and 3 rounds of promo? Half of the group have shown me raw talent, but I'm afraid that's not enough for a band of their calibre. I know it's pretty much discrimination, but the truth of it is that unless you have the backing of a major agency with enough money to pour into your road to success, you need to stand out and really be better than every single band out there. SISTAR do not, and are not. On top of not being either, there are times when they're just plain pathetic - How Dare You has got to be one of the cheapest sounding, grace-less songs ever, and their stage presence doesn't help one bit.
Miss A - Bad Girl Good Girl + Breathe I will say that Miss A neither deserve nor not deserve the truckloads of MAMAs they won a few weeks back - they got them, fine fantastic, DEAL WITH IT. At least they didn't go to SISTAR or Nine Muses for heaven's sake - would you rather those go to them? I think not. I will say that Miss A have the talent and the potential to succeed in the future - will someone just give them a decent song, please? They perform it well, no doubt, but with a good song they will simply soar.
Rainbow - A + Mach A is still not a song, but the kinda pulled it off decently now. I've always liked Mach, just never admitted it, and to be honest with you all Rainbow have to do is stop trying to sound like KARA and better what they've done with Mach - once they've done that I'm all good. They have the group dynamic and maybe even the presence, so a word of wise to DSP - GET THEM GOOD SONGS!
CN Blue - I'm A Loner Ahhh yes, CN Blue. I remember writing about them a lot earlier this year, but I will admit that I still don't own a copy of any of their albums or singles, whether virtual or physical. After I write this up I'll scramble for one. Anyway. There's nothing to complain about with these guys, really - they're a band who work together well. I still think Jonghyun has a much better voice than Yonghwa and that their drummer should be given more credit AND PUT CLOSER TO THE REST OF THE BAND GODDAMNIT, but other than that there was nothing they had to work with in the first place. I'm pleased that drummer dude isn't a whole building away from the rhythm section, but I'm still not completely happy - he should be closer for heaven's sake! May I please whack KBS in the head now?
T-Ara - Ya Ya Ya + I Go Crazy Because Of You What. Was. That. It reminds me of that American-indian inspired thing MC Mong had out sometime ago. I didn't like that. And MC Mong had a bit of talent. T-Ara have the equivalent of none, or at least that's what they're showing on this song. They're decent performers, but they can't sing, and the song is a lost cause. Therefore, we move on. Thankfully.
Secret - Madonna + Magic I like Secret. Have I said that I like Secret? I like Secret - they have talent, they have stage presence, they have sophistication (even if Madonna got a little too cheap-ish) and they work extremely well as a group. They've improved since the last time I actually seriously watched a performance of theirs, and I'm honestly really excited about their future, albeit a but scared since HoMin are set for a comeback at around the same time and I don't want them overshadowed like every time they release a single because they really do deserve praise. They performed Magic better than Madonna though, if I may say so. And I like Magic better, I can now conclude.
BEAST - Breath I like BEAST too. But to be honest with you, Breath was the BEAST single I watched over the least this year. I kinda regret it now. Everyone's really improved vocally this year - their live vocals are much more stable and they've starting to all develop their own quirks. Add that to their already-brilliant stage presence and group dynamics and you have genius. Yoseob's high part was shaky at times and he was relying on the backing track for a while, but he pulled it off, and for a band like them, that's a big thing. I now have even more respect and excitement for BEAST. And I had a lot already, mind you.
4Minute - HuH Wow. Everyone's vocals were spot-on today, and the performance was eye-catching, to say the least - they're one of the proofs that going to Japan will really help Korean idol groups. The girl with the bob-ish hair (don't know her name, sorry) could very well be my favorite voice in 4Minute, and the leader if she shapes up even more than she already has. Definitely one of this year's biggest improvements performance-wise - I like. And the dance at the end was a nice addition, even if I know nothing about dance.
2AM - Even If I Die, I Can't Let You Go Live + You Wouldn't Answer My Calls Gorgeous voices are great, but gorgeous voices with years of training and practice that gel together perfectly are what happens to every band in a perfect world. Sadly, this is not a perfect world, and so that holds true for only a handful of bands. 2AM is one of them. They may not dance their legs off or prance around stage, but they know that they can get your attention with their vocals, and they do. Extremely well. With songs worthy of their magnificence. I have no words for how well they do it, so just watch the performances and revel in the brilliance. *sits back for a while and watches with you*
2PM - Without U + I'll Be Back I like the re-arrangement of Without U, but that's about it. Their vocals have gotten a tad bit better and I still like Wooyoung the best, but again, that's about it. They're synchronized and all, yeah, and I'll Be Back is a decent song, but they honestly bore me. I don't know if it's because they're trying too hard or they really are boring - they kinda remind me of an older version of MBLAQ with more money spent on them and more talent. And you know what I think about MBLAQ.
IU - Good Day I like this song! I also have a lot to say about IU, so I'm saving it for a full-length review, after all the chaos that is my end-of-year extravaganza. Anyway. IU has grown a lot vocally, and it's not really obvious, but I hear faint traces of her voice beginning to sound like a young Hwayobi. WHAT DID I TELL YOU GUYS ABOUT THAT VOICE? She may have started out young and squeaky, but she was what, 15? 15 year-olds singing pop songs are supposed to sound like that. I know, I was once 15. Voices grow for heaven's sake, so just because she sounds her age doesn't mean she isn't a good singer - look at her now, and watch her in the future. As she grows older, her voice will deepen and I know that it will turn out gorgeous. I may not be able to predict hits, but I know if a young singers's voice will turn our fantastic. IU will be more than fine.
SHINee - Lucifer Oooooooohhh yessss. I would've wanted to see all 5 of them dancing, performing the song how it should be, but the near-perfect vocals clearly make up for that. Jonghyun sounds like himself, reckless at times but when kept in check is nearly brilliant, Key sounds like a deteriorated version of himself last year, and he's probably my biggest regret of them all, he was once my favorite ballad singer in the band. Minho is still not singing and I'm fine with that, Taemin is slowly turning into Jaejoong and I hate to say this but I TOLD YOU SO. AGAIN. Told you guys I know how to spot a good voice when I see it - Taemin is just a year older than me, his voice was still growing when I acknowledged his brilliance and look at him now. Now, Onew. *takes a deep breath* ONEW I STILL WANT TO MARRY YOUR VOICE, LET'S SET A DATE RIGHT NOW - I'M READY. Starring in a musical, no matter how bad his hair was, paid off big time - his already-gorgeous voice learned the value of control, and he executes his lines with a lot more body and conviction. I am convinced. Now, you throw these 4 voices and 5th rapper together, and you get magic. It's a different kind of magic from DBSK's, but special all the same. For all of SME's mistakes and disrespect this year, I won't deny that they know how to put a band together, market them and make them into stars, sometimes, if they like them enough, they even manage to give them the right songs. This year's biggest k-pop yes, I am giving to SHINee. Willingly.
KARA - Jumping + Lupin I think I've said it enough, but KARA really do have crap live vocals. They've gotten better, I will say, but they're far from good. It's a shame really, they have these fantastic songs with some of the best production I've heard this year and what could be some of the best performances from a girl group as well, and they go ruin everything with their pathetic vocals. Gyuri's gotten decent, Nicole and Seunghyun consistent, but there are 5 girls in KARA, and 3 girls being just near-decent is clearly not enough. KARA could very well be my biggest frustration of 2010. I mean look, they have fantastic songs, you know that already, they can perform well as a group and they have the backing of an almost-big 3 agency, what more could you ask for? Right, BETTER VOCALS.
Son Dambi - Queen + DP Rider I don't know why, but watching her perform Queen is nostalgic - it reminds me of the time I was doing my music show recaps, maybe because this was one of the songs whose promo I really followed. Her vocals have gotten stable, and that's all she really had to do back then, so I'm pleased. I like the chorus, to be honest with you, and so hearing her do it a lot better than earlier this year is a relief. So she can do it decently. DP Rider is a little odd - it hardly has a solid melody during the verses, then she suddenly can't sing again. It's all style and no substance, but I guess her performance makes up for it, one way or another. If there's one thing to praise Son Dambi on this year, it's that she can command the stage like it's second nature.
Super Junior - Bonamana This is one of the biggest improvements this year. I don't know if it's because this is the first time I've heard the song again in ages or because they really have improved a hell of a lot. I can actually hear Heechul now, and Yesung sounds epic. I was actually wondering why Yesung wasn't put in SM The Ballad, to be honest with you, but I'm glad SM didn't put Ryeowook in. Anyway. Even with just 10 of them, their group dynamic still overflows. Even if there are times when they're not 100% synchronized, you know they work together well and they're really all performers - I call it the SME touch. Everyone sounds fantastic, if I may say so. And I see they've resurrected the dance break we all know and love. Gosh, this is all really nostalgic for me now - has it really been that long?
SNSD - Oh! + Hoot (WINNER) I don't know what to say, really. On one hand, Oh! was almost completely mimed and that sucks, but on the other hand, Hoot was pretty decent, for SNSD standards. Taeyeon was great, Seohyun was consistent, and Tiffany was non-existed due to her injury, so I have no one else to compliment tonight. Yuri did a sloppy version of Tiffany's line, Sunny still sounds horrid, and you can hardly hear Yoona, is the girl even singing? Jessica still annoys the hell out of me and it's not funny anymore because you can hardly hear her, and Sooyoung's getting better while Hyoyeon's getting better at sounding like the Yunho of SNSD. Hurrah. There were good points to the performance, namely times when Seohyun and Taeyeon sang, but that's 2 girls and there are 6 others. I will now refrain from saying anything else.
