Sometimes I don't get JYP -- "Wonder World" was easily one of the best albums out last year, but instead of taking what made it so good and making another album with it, he went and gave us "Wonder Party". I mean it's not a bad EP, just underwhelming. It wasn't cohesive enough to have chemistry, and the songs themselves, although some better than others, weren't exactly jaw-dropping or anything. Which is probably why the representative song is at #34 and not at #6 like last year.
"Girlfriend" was one of the songs on the EP that gave me hope that JYP could still whip up something decent -- it was between this and "Sorry", but I thought that this sounded more Wonder Girls.
The song itself is pretty flat, but that flatness is on purpose. It's like one big blob of smudged craypas -- it doesn't get that smudged unless you really want it to be. I like the effect though, because it matches their voices nicely and it's a different kind of intensity. It's not gauging your eyes out sad or throwing tables angry -- it's just there. There are still quite a few instruments in the background, but it's a lighter, nonchalant intensity.
What gives the song kick are, ultimately, the vocals. Ye Eun and Sunye do a fantastic job (as always), and the song manages to use Sohee's vocals to it's advantage by double-tracking and making the line deliberately breathy.
From: "Like Money" Format: Single Released: July Territory: USA Previous Best of Appearance: #6 -"Me In" (2011)
I'll admit that I hesitated a bit on whether or not to include this on the list, but then I figured, this is my list, and these are the songs I liked this year, so I don't think it would be right to exclude this.
"Like Money" was first played in the Wonder Girls movie earlier this year, and it was the one good thing to come out of that movie, even if they only played a third of it. I loved it the first time I heard it, and I still love it now. Probably not as much as others on this list, but I love it nevertheless.
What I like about it, or at least what I haven't already talked about in my review earlier this year, is that it's actually a perky song, but it's a light kind of perky if you listen to it casually. It's something to bop your head to, not something to head bang to. That's partially because of how the track was mixed -- if you noticed, the instrumental sounds limp in comparison to the vocals, or, the vocals pop more than the instrumental.
The melody is simple and hardly varies, sometimes even the melodies of the verses and the chorus sound similar, but even then they sound very catchy. Even if some lines are strung together, the actual lines are very short too, making it even catchier. This is why the melody can carry the song, because it's very pop. Look me in the eye and tell me you don't remember at least one or two lines after listening to it in its entirety. But I also think that the melody itself is really gorgeous -- it repeats a lot, but if you're not annoyed yet, it's pretty. Putting aside the fact that Sohee got so much (and gets to much in general), note also that Ye Eun and Sun Ye, the strongest vocals in the band, get the parts that matter the most, and the parts that people will remember.
But I guess what really makes this song for me is that it's confident. I mean it does have it's flaws, and Akon sometimes annoys me, but it's not afraid of that, because it is what it is, and it does have it's moments of glory.
Yes, my friends -- "Like Money" has finally arrived. And surprisingly, there's so much to talk about!
As you may have seen on Twitter a few days ago, I had extremely high hopes for this song, because I knew it would be something good when I heard it in the Wonder Girls' ill-fated movie, and once the teasers came out the bar was raised even higher. Now that the song's out, was I satisfied? Well, that's a pretty long story, and provides enough material for a full-length review.
To be completely honest, I first heard "Like Money" in full when I saw the video. It was in 1080p, but after that first time I was ready to completely dismiss the song -- I even thought of a food analogy for my disappointment. However, if there's something that this song has reminded me, it's that I should never, ever, judge a song solely on the video, no matter how HD it is.
That is also my first argument -- "Like Money" shows that the Wonder Girls are a group who need the support of their repertoire to make a good performance. I had to go listen to the single proper to appreciate it, because the track on the video was a let-down. While they carry their songs well and there is no contesting Ye Eun and Sun Ye's vocal abilities, that is only half of the equation -- the other half is the song itself. So when you listen to a Wonder Girls track, you should be focusing on the song, and its elements, more than the performance proper. Which, in my opinion, is both good and bad. On one hand, a focus on music is something very few bands have, but on the other hand, it also means that they haven't properly learned to match their strong material with a performance of equal proficiency.
As far as I've read, there have been mixed thoughts on Akon's appearance, and even I'm a bit confused over whether or not I like his part of the song. JYP is most probably using Akon more for promotion than actual musical contribution, and I understand that aspect -- this is possibly the Wonder Girls' last shot at successfully breaking the US. If they don't do it now, they may never be able to, so they have to pull all the stops for this.
However for similar reasons, Akon getting an entire verse+chorus cycle is a little too much for me (which is also why this review is titled Wonder Girls and Akon, not Wonder Girls featuring Akon). "Like Money" is not a single to launch both the Wonder Girls and Akon -- it's a song to propel the Wonder Girls, and the Wonder Girls alone, because Akon is already a big name. They still get majority of the song compared to Akon, but if you think about it, when people hear a song in a public place, on TV or on the radio, they usually only catch on to it at the tail end of the first chorus or the beginning of the second verse. If the first thing these listeners hear is Akon, and if they hear that for an entire cycle, they will tend to think this is a song Akon did with a random girl group, and not the other way around. They'll only discover that this is a predominantly Wonder Girls song once they look for it on iTunes or Google. Getting just one verse, or one chorus, for me, is enough for a featuring credit.
I may not be able to call myself an expert on American and British pop/dance like I could, and would have, three years ago, but the one thing I've noticed from the little I've heard recently is that (as expected from dance/pop) the bass line has become one of the most important parts of a song, if not the most, both to my disdain and delight. Extremely loud bass lines have never really been in my good books, because it's so easy to just turn up the volume and overpower the entire song with a boring bass line, defeating the purpose, but at the same time, so many songs have beautifully subtle but confident bass lines that are underneath all the other elements and yet in their subtlety manage to let their presence be felt, and felt well. Those are the ones I absolutely adore.
I'm glad that "Like Money" is not the former -- that the song isn't like a dumpling drenched in way too much salty soy sauce (-slash-bass line) -- but I'm also disappointed because the bass line isn't the latter either. I get the impression that they were really going for the latter, that subtle but confident (main) bass line, but whoever produced this didn't know how to do it. I mean it's an okay bass line, and it pretty much does its job, but it could've been so much better, so much richer. The difference between "Like Money"'s bass line and the one in something like Tohoshinki's "Android", or even Jessie J's "Domino" is like the difference between whole and skim milk. They're both still milk, they both do their jobs and have pretty much the same calcium and lactose content, but the big difference is that whole milk is much creamier and tastier because of the fat, while skim milk is more watered down and less tasty.
While the bass line is thinner than I would've liked it to be, hearing the better-quality audio track made the realize that the focus of the song isn't the bass line. It's still a very important part of the song, and like I said, that's the fad now, but I cannot call this a disappointment simply because of the bass line, because the song has merits that equal, maybe even outweigh, the sub-par bass line.
The first is the melody. The gorgeous, confident melody, that I'm pleasantly surprised to say, fits all of their vocals very well. Yes, even Lim, whose whiny vocals usually annoy me beyond belief. The auto tune is blatant but tasteful, and used in contrast to the chorus. There is no blatant processing on the chorus, which is the part that has the most belting, and needs the most power and spunk. Ye Eun and Sun Ye do the strength and confidence justice, giving the melody kick. As a whole, the melody is both versatile and cohesive, all while being extremely catchy. It serves its purpose well.
But what really made me shift focus away from the bass line is all the little bits and pieces going on underneath it, and this song's attention to detail, something we usually see in Japan, but which I also really adore. The synth loop during the intro is gorgeous, and that electronic percussion during the chorus gives the song the extra oomph with a dash of epic. The oomph and epic in the percussion was the same kind I was looking for in the bass line actually. Had it been like that, mixing the two together would've been sheer brilliance.
The build-up of the entire song, everything from the instruments to the dynamics, was done extremely well, not letting go even once it reaches the chorus -- even building up more halfway through. It's a very fluid song, and while the transitions are very pronounced and the dynamics playful, everything just makes sense together. Effortless and fearless -- I can't complain if I get those, can't I?
And a last note, something that I've also realized as a wrap up this review -- "Like Money" is the type of the song grows on you. At first it will probably be a complete let down, more so for the people who waited months for this (me included), but the thing is, this song has dimension. It's not just a melody slapped on top of a bass line with a few synth lines running around -- it's an actual song, with elements that both firmly stand apart and blend together effortlessly, with so many little details running around -- that every time you hear it, you hear something new.
This will be on my playlist for a pretty long time, that's for sure.
When I first heard that there was going to be a Wonder Girls movie, I was excited because I thought it would be something like the Spice Girls movie, or the S Club (7) TV show. And to a certain extent it was, what with the main storyline being the Wonder Girls trying to succeed in the US. It's unrealistic, yes, seeing as one, it's extremely hard to succeed in one try, and two, the Wonder Girls have been in the US for YEARS, but to a certain extent, that kind of mindless plot appeals to people like me. Lit majors who argue over the difference between an era and a period, and who generally think too much about "simple" things, because movies like this are mindless fun, eye-candy, and maybe have the occasional pretty song in between.
From the trailer, it seemed just that. Friendship, fun, girl groups facing off, lots of singing, dancing, and general "merrymaking". But trust me, don't judge the movie by the trailer, because the trailer's actually a lot better than the movie itself. (sorry, still hung over from medieval lit)
Their English is nothing to brag about, and from the very beginning I was prepared for the awkward pronunciation and the strange emotions, all while being contrasted to the rest of the cast, because they're not native English speakers. That's perfectly fine -- they have to start somewhere, and this is definitely a lot farther than where they were a few years ago. That's not the problem.
The problem is that the plot is completely non-existent. From a literary point of view, basically what the movie does is it raises a lot of points, the Wonder Girls' "feud"/rivalry with the School Gyrls, Ye Eun's love interest with the DJ, hence "The DJ Is Mine", and them trying to adjust to America. But by the end of the movie, it's like all of the points were haphazardly tied back together. They were all kind of resolved by the end, with WG going on tour with the School Gyrls AND the DJ, but the events leading up to that were so half-hearted and sloppily done. And again, it's not because of the English.
First, their rivalry with the School Gyrls. It was okay at the beginning, and the premise was pretty solid -- the School Gyrls saw WG as a threat, okay, cool, that happens all the time. As the movie progressed though, it's as if the feud just slipped away, with no emphasis on anything. The School Gyrls challenged the Wonder Girls to some kind of showdown at "the spot", fine fantastic, but WG didn't do any dancing. And basically all the two groups did was stare at each other, as if waiting for the DJ to come and drag WG out of the club. The final blow through was the end. I get that the Asian girl in the School Gyrls (I heard she's Filipina? Yeah.) was starting to be nice to them, but then suddenly, after the Wonder Girls sing, Yenny (was it Yenny?) forgives them for "what they've done"? I get her point, that they're already established and they're taking someone's dream away, but this is all happening too fast. Ideally, what should've happened was that the School Gyrls should've accepted the prize, but kinda hesitating, then once that's all done, apologize to the Wonder Girls. I mean it's cliche, but at least it's accurate and everything's clear.
You know the movie's bad when the best part of it is the random guy they threw in for comic relief - Mitchie! Honestly, he was the only reason why I watched the movie 'till the end, and his "comedic" antics probably contributed more to the plot than the WG feud. I mean look, be brought WG to the Apollo, he brought them to the club (it was Yoobin who got them in, but still), he drugged the guards with food, and he was the one who realized that the limo they were riding was going the wrong way.
Second, the DJ. Honestly, when I watched the movie, my first reaction to the DJ storyline was that it seemed like it was an afterthought. Like, so they got the song, "The DJ Is Mine", then someone thought it was a good idea to just slap it on the soundtrack, and make it somewhat a lead single, on the premise that the lyrics applied to the plot. Stupid decision, JYP, stupid decision. I actually liked the idea of Ye Eun/Yenny having a love interest, it adds a sense of rebellion I guess, what with the girls supposedly "concentrating" on their music. If they had developed this angle of the story more, honestly it would've been okay.
And lastly, the girls trying to adjust to America. Wait, what? This is standard in all the "foreign pop stars trying to make it" movies, but apart from Sohee always asking about shopping (...), and their cute misinterpretations of expressions, there really wasn't anything to it. Angie Stone was a nice addition, and her "fairy godmother" character was spot-on, plus the fact that she boosted the girls' morale and she was the one Yenny ran to when "things got tough". But the rest of the plot was too much of a disaster that even she couldn't salvage it.
I think the main problem is that they were trying to do so many things at the same time, but were only given a limited amount of time, and yet they still tried to cram everything in. It's okay to be ambitious, and majority of the time it actually fosters creativity, but it's also important to work within your means. I know JYP wants a lot from WG, and they want to do everything too, but it's better to show a well-done, solid, but short movie, as opposed to a messy mumbo jumbo of a gazillion different things.
But what bothers me even more is the lack of music in the movie. I expected this to be at least half of a High School Musical, but what, we get two (three if you count "The DJ Is Mine" at the end) songs? One of which we've heard before? I mean that new song is gorgeous and I'm one of the many people dying to hear it in full, but for a movie about pop stars there isn't that much singing, or even dancing/production numbers. I was expecting a Yenny heartbreak song, and even just Yenny and Sunye belting out something with Angie Stone/Betty, even just a chorus or something. You'd think they'd capitalize on the fact that they actually got a hold of Angie Stone by making her sing.
And that confuses me as to what JYP wants the Wonder Girls to be in the US. The industry is different from Korea. It's not "better", it's different. So when you approach the US industry, one, you have to be sure of what you are, and two, you have to stick to it.
So, JYP, what is it, music or movies? You have to decide, people don't like waiting.
I think the title alone is a big giveaway of how the KBS Gayo Daejun was. Sometimes sleep-incuding, most of the time boring, and occasionally okay. Yup, that's about right. It was a smaller venue than the SBS and KBS ones, which means that KBS should've had an easier time handling the sound quality and such, but I'm afraid that was not the case, because vocals during the latter parts of the show were horrid. Plus the fact that the people in the audience were practically zombies, and the acts looked bored out of their wits, as if they were forced to appear on the show. Which they probably were.
I wanted the acts jumping through hoops and fire, KBS, HOOPS AND FIRE. I got none of that. At all. Even from my beloved DBSK. How dare you.
Two things before we start. This recap focuses only on idols, so the other acts who appeared on the show, rappers and the like, will not be included in the selection. And also, I wanted to get this out as fast as possible before everyone forgets about the Gayo Daejuns. So due to the fact that today is a school night and I have a mountain of readings to tackle (ALREADY!! *sobs*), plus I'm about to collapse from fatigue and stress and general exhaustion, the videos and other formatting details will have to wait until tomorrow when I'm a bit more alive. Please don't ask me for the videos, because writing this up took a so much effort, and a lot of strong coffee.
Before we get to the three main categories of this recap, there is one performance that deserves a special mention. Not because it's amazingly good, but because it was horribly blasphemous.
Kim Hyun Joong - "Rainism" If Rain saw this, he'd bawl his eyes out because it's so bad. It's even too bad to be a parody, because parodies are deliberately made bad, so they can be funny (did anyone see that Kim Shin Young parody where the lyrics were about food?), but Kim Hyun Joong was as serious as serious can be. And really now, even if Rain wasn't exactly K-Pop's best singer, at least he could sing his own songs! This performance was LIP-SYNCHED, and it was STILL bad. The dancing wasn't that hot, the vocals were pathetic and painful, especially towards the end when he tried to do those runs, and this was a useless performance. Absolutely useless.
THE BORING
Davichi - "Don't Say Goobye" It's a gorgeous song, and a gorgeous arrangement, with those epic drums and the stunning and flawless harmonies, but it was soooooooooo boring. The only thing keeping me awake was the thought that their voices were really gorgeous, and the harmonies kinda gave me little slaps on the face to keep me from drifting to sleep. And it didn't help that they were the only ones on stage and they were just standing there. I don't talk about it much, but I've always believed that the visual aspect of a performance is important too. Always second to the music, yes, but without the visuals you get performances like this.
4Minute - "Mirror Mirror" It was interesting enough until they started singing, with all the back-up dancers behind them and the white coats against the dark backdrop, but it just got boring once they started singing. The dance break was okay, and Gayoon standing alone on stage kinda woke me up a bit, but once the singing started again there were nothing special, even with the remix and all the flashing lights.
U-Kiss - "Neverland" I understand that they were trying to do the "epic" sound with this re-arrangement, but it completely sucked all the life out of the song. That's not just because their vocals were muffled, but because the instrumental was so one-dimensional. They tried to put some kick in it, but failed miserably. The entire performance sounded like U-Kiss were submerged in a tub of jello, and all you hear are muffled screams.
f(x) - "Danger" Everything about this performance looked, and sounded, so robotic. Except Luna's line, but everything was so stiff, and Amber looked bored. There's a difference between orchestrated down to the last detail and robotic, and this performance was robotic.
Secret - "Shy Boy"+"Love is MOVE" I adore the re-arrangement of "Shy Boy", it had spunk to it, but what ultimately bored me to death was the fact that "Shy Boy" was lip-synched. Their vocals were too clean for the performance, too smooth for something that should be really high-energy and lively, because of the nature of the processing. But on the other hand, their live vocals on "Love is MOVE" were weak, and that bored me too, because it sounded just like a regular weekly music show. I'm better off watching an episode of MuBank, the sound might even be better.
SNSD - "The Boys" This was just like any other performance of "The Boys", and it wasn't even done extraordinarily well, in fact, they sounded even more strangled than they usually do, and that was the only thing that kept me awake, to be honest with you.
2PM - "Electricity"+"Hands Up" "Electricity" was okay, but when you slow "Hands Up" down, it sounds even worse. It's repetitive, it's monotonous, and the instrument is very one-dimensional, so it literally sounds like you just slowed the song down at home and played it at a New Year's Eve party with your family and friends. It just goes on and on and on and on. If not for their stage presence, this would've put me to sleep from the very beginning.
THE SLEEP INDUCING
f(x), 4Minute, Infinite, IU, Super Junior, - K-Pop Shuffle Dance Special/K-Pop To The World Oh dear. The lights gave me a headache, and the dubstep overload just put me to sleep. Gee, thanks KBS. You clearly didn't want me to watch the rest of your show. Seriously, even with the hooks under the heavy looping, the thing just went on and on and on and oooooooooooon. And they were essentially just doing a bunch of dance steps over and over and over and overrrrrrr. Although, the one thing that amused me was the fact that "Mr. Simple", without the heavy remixing, fit right in to the medley. That just goes to show how shallow that song is.
BEAST - "Fiction" You know, when the performers themselves look like they're bored out of their wits and scream half-hearted "let's go!"'s, it affects their entire performance. Everything. And BEAST performed - sang, danced - like zombies. It's not even funny or incredibly bad, it's so pitiful that I just wanted to sleep through it to not see it. And it doesn't help that Hyunseung completely destroyed his high note. Even when they changed the arrangement towards the end, they still looked half-asleep, and the guy singing looked like he was about to cry. There was absolutely no kick to this performance, and it's such a shame because I expect a lot from BEAST.
Kim Hyun Joong - "Lucky Guy" This is definitely a better choice, over "Break Down", because it's just that much more lively and fits Hyun Joong's vocals, but it STILL put me to sleep. It didn't help that this came over that horrid shuffle dance medley, so I was still half asleep. Even if it's a lively song, Hyun Joong's vocals have absolutely no sense of dynamics, nor do they have any body, and so he effectively made this performance flat. The best part was the end.
IU - "Good Day"+"You and I" Strong, consistent, vocals, but the remix was so boring and generic that, once again, it sucked out all the life out of the song. And even if IU's vocals are nice, they're pretty thin around the edges, and so she needs kick to her arrangements. This was just flat, so her vocals turned too cute and too weak, albeit okay. And it put me off for the rest of the performance, so when "You and I" came on I was already knocked out and asleep. And no amount of bouncy, IU could've erased the boring arrangement she just did beforehand.
The Okay
Infinite - "Paradise"+"Be Mine" The lights on the suits, although not exactly original, were a nice touch and an okay way to open the show. Nothing especially spectacular happened on this performance, but their vocals were pretty solid for Infinite standards, the dance intro was well-prepared and practiced (no one forgot anything), and the transitions, from the dance to the remix of "Paradise", to another dance break and finally to "Be Mine", were clean. The fact that this is one of the best performances of the night should not only be a compliment to Infinite, but an insult to KBS.
SISTAR - "SO COOL" I never thought I'd see the day where I'd put a SISTAR performance among the best, but really, after the boring performances that came before, this was a welcome relief. And it's not like SISTAR are completely talentless, only 3/4 of them! Hyorin's vocals were incredibly strong as usual, and for the first time I didn't notice their lack of grace that much. I see improvement!
Miss A - "Goodbye Baby" Brilliant re-arrangement. I loved the drums during the intro, even if they were pretty useless for the rest of the song, but I also adore the arrangement of the song itself, with just that hint of rock elements, including real drums (!!), but also enough of the original, familiar, arrangement! And they pulled this off much, much better than the SBS re-arrangement! Strong vocals, good concept, fitting re-arrangement. Best performance of the night? Best performance of the night.
Wonder Girls - "Be My Baby" The beginning was messy, I don't know if it was on purpose or what, but their choreography was all over the place. Their vocals were strong, and up until the dance break it was actually really boring. All I could think of was that if I wanted to see a performance like this, I could've watched a weekly music show. Even their comeback was more flashy than that. But the end kind of resurrected them, and it was so amusing to hear Ye Eun and Sun Ye actually singing what should've been autotuned. I'd say, as a whole, this is okay verging on boring.
DBSK/HoMin - "Before U Go"+"Why? (Keep Your Head Down)" This was not their best. It wasn't, and I'm disappointed, but their heavily overdubbed vocals could've been because this was pre-recorded and SME couldn't help but show off their flashy studios. HOWEVER, if you listen well enough (like I know many of you did!), it's rather clear that they're actually singing and not just relying on the overdub because their vocals were actually consistent. And that's something these new acts have to learn. Like what I said about their SBS performance, DBSK are, first and foremost, singers, and so even with the overdub, it's courtesy to the audience to sing live for a live performance. And that's what separates them from their back-up dancers, that's why they're the featured artist on their albums. Not because they look good, go on variety shows, and dance on stage, but because they sing.
It's January first pretty much everywhere now, I guess, so happy new year to all you guys! Thank you for making 2011 such an amazing year for me, without you guys and your constant pestering and all your tear-jerking comments, as well as all the trolling I got this year, I would've never been able to get through the year in one piece, and win my very first Philippine Blog Award! Thank you so much for taking time out of your lives to read my work, and even more time out to comment on my posts. I may not answer your comments, but I read every single one of them. You've made Pop Reviews Now one of the leading critical K-Pop review blogs, and although I still have a long way to go, I promise to make an effort to repay you guys this year for all your support. Also, thank you for reading this, because it means you're sticking with me this 2012!
Allow me to explain this post first though. I really meant to do a recap of the 2011 Gayo Daejuns, but the original plan was throwing everything in to one huge post with all three networks' shows divided into several categories. However, due to the fact that I want to get the Gayo Daejun post out as fast as possible before it becomes stale news, and also the fact that I'm still in the process of getting a copy of the MBC show (which I've heard is the best out of the three), I've decided to split the posts by network. Today's recap is of the SBS show, which was broadcast on December 29th. Tomorrow I will be recapping the KBS show, and on Tuesday the MBC show (hopefully I have a copy of it by then), if everything goes as planned.
The first of the three Gayo Daejuns this year, SBS delivered a solid show with 170 singers packed in to three and a half hours of running around stage. The show was divided into several themed stages, including a special suite for SM Entertainment artists (and the debut of several EXO members), one which featured CN Blue and FT Island collaborating with f(x) and the Wonder Girls, and a hip-hop stage. The SBS show was a balance of familiar, hit singles from 2011, and special stages.
But that doesn't mean it was immune to disasters, because there were quite a few. And there were those performances that could've been really amazing, but didn't really come out right. I won't be recapping the entire show, instead, we'll talk about the best, worst, and the most promising performances.
THE BAD
B1A4 - Beautiful Target And the award for the worst performance of the night? Well, that goes to none other than B1A4. For several reasons. First, obviously the song itself is a complete and utter disaster. It's all over the place in the most spread-out way possible. You look away for a while and the song sounds completely different, plus, about 99% of the song has to utilize a backing track, because the vocal treatment changes every five seconds, so basically all these guys are doing is screaming "yeah!" and running around stage. I'd hardly call that a performance. Second, what is with that choreography? My eyes. And third, when you put the song, together with the horrid choreography, and the fact that they're actually trying desperately, it's hilarious.
Gain (Brown Eyed Girls), Jiyeon (T-Ara), Hyun A (4Minute), Sunhwa (Secret), Fei (Miss A), G.NA - "Run the World" Oh wow. Where do I start. Well, I appreciate the effort, and I appreciate the fact that they included Ga-In (even if she forgot some of the choreography), but this performance was another mess. Too many girls, and I guess they didn't have enough time to learn the whole song, because for the majority of the song they danced in shifts, and yeah, choreography was forgotten. The dancing in shifts really irritated me though, because it really shows how unprepared they were, and it's like the performance was half gyrating all over the place, and half dead air. At the same time. It's inconsistent, three or four of them are dancing, then there are two or three just standing there on the side. What are they, mannequins? If they didn't have enough time, then they should've just done one verse and a chorus or something. I'd rather they did that then haphazardly do a full, 3-minute performance. And really, people can only take so much of that kind of dancing.
G.NA - "Top Girl"+"Black&White" It really breaks my heart to see G.NA like this. With that horrid choreography at the beginning, those pretty weak vocals throughout, and the cheap repertoire. She's talented, she shouldn't be singing songs like this, because they do her absolutely no justice.
KARA and 2PM - "Every Little Step" Everyone was so dead during this performance. I mean I understand that KARA and 2PM aren't the best singers around, but what makes this so bad is that it was already lip-synced for heaven's sake, and yet the singing was wimpy and lifeless. I would've written it off anyway if the vocals were fixed up, but not as much as I am now. If you're going to lip-sync a performance anyway, at least use all those studio tricks to make the track sound damn good. Such lazy, lazy people.
THE PROMISING
Miss A - "Goodbye Baby" I adore this arrangement, I really do. It's so fierce, and it matches the melody so well. It's obvious that this was thought about. However, their vocals on this were so disappointing, bad almost. Like, really, they were weak and everyone sounded like they were being strangled all the way through. I've dealt with the regular Miss A breathlessness since they debuted, and they got better this year, but this performance was so painful to listen to. It's such a waste though, because the arrangement was really good.
After School - "Diva" This was a really interesting song choice, but also a very logical one, because "Shampoo" would bore people to death. Just the idea of hearing them perform "Diva" after so long is enough to get people interested, but in true After School fashion, they failed to deliver. Add the fact that line-stealer Raina struck again, STEALING LINES FROM JUNG AH (HOW DARE SHE), and that they didn't do the entire song and it just disappeared into them and Pledis boys dancing to dubstep (snore..), the originally good idea turned into bad execution.
KARA - "Step" This is another arrangement I really like. "Step" in itself is already a big performance-ready song, and there's little you can do, but I like how they made the percussion sound a lot more real as if they had a live band behind them. They didn't lose that high-energy, yet girly, sound, but they made it a lot more apt for a live performance, and the transition to and from the dance break was very smoothly done. The let down? Again, the vocals. I'm not surprised, in fact I was expecting worst, but just because this is the best they can do, doesn't mean I'll forgive them for being inferior. They can't sing live, and it's such a shame because their material is really, really good, fun, pop.
T-Ara - "Cry Cry" If this was done completely live and pulled off just as well as it was lip-synced, this would've been one of the best performances. But no, the backing track wins and you hear next to no live vocals. The arrangement is brilliant, the dance break is different but not disjointed and they kept the distinct piano line, even a bit of the original feel of the song, but made it fresher, and interesting. And believe me, after looping this for over 200 times this year, thus making the original arrangement pretty stale for me, this is really a strong, new, but faithful take on the song. It's an amazing arrangement ruined by bad production decisions and possibly the lack of solid live vocals.
CN Blue and The Wonder Girls - "Tainted Love" First of all, Yoobin shouldn't have been the first to sing, because I was turned off right away. Yoobin isn't a bad singer, but you have to have a certain level of proficiency to sing songs like this, and she doesn't have that. She sounded like she was drunk and singing this on karaoke or something, not on stage. But Sohee and Lim don't have that proficiency either. Lim needs more power and this is a song she can't get away with because she has an American accent. And really now Sohee, why do you even try. Her line was all air and no singing, she was useless. It should have been just Ye Eun and Sun Ye doing this, because if it was it would've been an amazing performance.
Wonder Girls - "Be My Baby" It was a classy performance, with decent vocals and a very polished arrangement, but even if the arrangement was fresh, it was boring. Pretty piano line, yes, and if you think really hard it's actually not a bad performance or anything, it surprisingly matches the lesser members' vocals even if it's now more dependent on the melody, but this is a performance, it's supposed to really catch your attention from the very beginning. In a sense, this arrangement was so predictable, but on the other hand, had they done a rock remix it would've been boring too considering all the other rock-ish arrangements that came before them. But actually, I liked the track that was playing during the intro, if they turned that into the remix things would've been interesting. Basically, what this performance lacks is shock. I know I have very high expectations of them, but after "Wonder World", why wouldn't I?
SMTOWN - "The Sound of Hallyu" I loved the idea of this, and I loved how, even if majority of them weren't playing live, it was made very obvious that the people who played instruments actually know how to play them in real life. And I like how the people who sang were actually the people who can sing, and they didn't force people who are dancers, not singers, to sing. Like Taeyeon and Changmin's duet. Even if Changmin out-screamed Taeyeon, she was definitely the right choice for the song. If it had been Jessica I would have raised hell. The Shinhwa and H.O.T. covers were tame, and that's one of the two reasons why this is a "promising", but not one of the best performances. The songs they chose need savage vocals. Raw, powerful, with minimal processing, but seeing as the people they got to sing those parts, although good singers, simply don't have the vocals to do those songs justice. Of course the Exo members were a big part of the thrill of this suite, but they, or actually just one of them, are the second reason I didn't put this down as one of the best performances. Towards the end, the second guy to the left of Changmin, I think he was the one who danced after Victoria, was TALKING to the other Exo guy beside him. That's such horrid stage deportment. It may not be a lot to you guys, because the standard reaction is "So what's wrong with that? They're just talking.", but this is one of the most basic forms of courtesy towards not only the audience, because they have a responsibility to give their full attention to the audience and their performance, but also towards the other artists on stage. How would you like it if the guy beside you was talking to someone during your big solo? If, this early, that kind of behavior is just let go, forgiven and forgotten, it will get worse. Trust me, I've seen it happen, and it definitely doesn't end pretty. And considering how Exo are being hyped to be extremely talented, if they don't have basic stage manners it will be a huge waste of their talent.
THE GOOD
Yoon Mirae with Gary, Dynamic Duo, Jun Hyung (BEAST), Hoya (Infinite), Mir (MBLAQ), Taecyeon (2PM) - "Get It In"+"Monster" And the award for the best singing of the night goes to Yoon Mirae. All these idols should be ashamed to call themselves singers after Yoon Mirae, who I believe raps majority of the time (the new times I've heard her material), out-sings them all without lifting a finger, by just by singing a few lines. Backing track, yes, but you know she's rapping and SINGING live, it's so obvious, but she does it so well that to untrained ears it may be a bit confusing. But apart from the strong vocals, she has the stage presence to not have to jump around too much. She still does towards the end, but she has a certain air to her that you know she's having so much fun and you want some of it too, but she still commands the stage, and all the guys sharing it with her. This, my friends, is a true performance.
2NE1 - "I Am The Best"+"Ugly" I didn't like "I Am The Best", but like I always say, you have to watch 2NE1 for their material to make sense. It's not that their recordings are bad, because the production on them is outstanding, it's not that they can't sing, because my God can Minzy and CL sing, it's that their material is made to show off their strengths, and 2NE1's strengths lie in performance. They don't exactly run around stage because the majority of their performances are choreographed, but they have a command of it that's like no other. It's not just stage manners, or presence, it's really a command and it shows in everything -- the way they move, the way they sing. Pair that with a very creative and accommodating talent agency, and you have familiar, but stellar performance.
Brown Eyed Girls - "Sixth Sense" I noticed that hardly any of my favorite performances were full remixes. But I guess that it's harder to perform a familiar arrangement and still make it sound interesting. But that's exactly what the Brown Eyed Girls did. Apart from adding a few bits and pieces (literally pits and pieces) all over the place, and adding a dance break, the base is still the same. This is one of the best girl group performances, and, like the entirety of their "Sixth Sense" promotions, performances, songs, singles, this is girl group master class. To all the girl groups trying to be sexy with skimpy, but cheap, outfits, to all the girl groups trying to be fierce but failing, to all the girl groups trying to sing while dancing, this, girls, is how it's done. Watch and learn.
BEAST - "Fiction" They didn't really do much to the arrangement of "Fiction", just softened a few parts, added bits and pieces here and there, and switched some things around, but the basic mould of the song is still the same. And that's the selling point of the performance -- it's familiar. However, despite it being pretty simple, the modifications were enough to keep things fresh and not bore people to death. It's also a very straightforward performance, but in being simple it's also very well-sung. And considering how good a song "Fiction" is to start with, it's a good thing that they didn't experiment too much, but still had the foresight to prepare for it. Like I said a while ago, I prefer a simple, but prepared performance over an elaborate but haphazard one.
DBSK/HoMin - "Keep Your Head Down"+"MAXIMUM" Call it unoriginal, because the dance part most probably is, call it boring, because there were no significant changes to the arrangements, but what you can't deny is that Yunho and Changmin know how to perform, and they showed it. They hold the audience in the palm of their hands and they know exactly what to do to make them go wild, but they never, ever, forget the musical aspect of it all. Screaming, yes, chanting and interacting, yes, but stopping to sing just for the sake of it? Never. That's the kind of stage deportment that newer acts, even Super Junior and SNSD, lack -- they lack concentration and choose dancing, waving and being cute over singing. Image is important, yes, and they take care of that too, but they are singers before anything else, and singing should always be first priority. Yunho and Changmin are what idols should be, and THIS is how it should be done.
I thought of mixing things up a bit this year, so instead of just laying down the best albums that came out in the past twelve months, I'm going to be talking about the albums that caught my ears, and maybe even eyes, this year. They are on the list not necessarily because they're amazing albums (but I have those too!), but because they've been talked about, or they've broken records, and basically because they've caught my attention. Therefore, I won't just be talking about the music, so I hope it's a welcome change!
The rules:
1. This list is exclusively for releases which contain FIVE (5) or more tracks. A mini-album must have the minimum five tracks, whereas a full-length one should feature at least TEN (10) original tracks. Only cuts which were released for the first time in 2011 are eligible to be counted. For example, in SNSD's Japanese album "GIRLS' GENERATION", "Genie" and "Gee" were Japanese singles in 2010, not 2011, and so they will not be included in the final, technical, count (exclusively for eligibility and classification), however they can be talked about in the review proper. 2. The featured artist must be an idol or idol group and of Korean nationality, regardless of where the album was released and what nationality the production staff were. 3. The featured artist must be the sole artist on least 75% of the songs on the album. So, for example, G.NA's "Black and White" (let's pretend rule #1 doesn't exist for now, because half of that album was from 2010) contains TEN (10) tracks. However, in SIX (6) of those ten tracks, she shares credits with other artists. Therefore, the album is disqualified. 4. One album per artist, regardless of territory. If the artist had two albums this year, only one can appear on the list.
I will not be writing full reviews for the eleven albums on the list, however, if available, I will refer you guys to my reviews of the albums, or singles. I don't have enough time to write eleven full reviews, but I hope the 2-3 paragraphs I wrote will suffice.
The Album: Super Junior - "Mr. Simple" The Format: Full-Length The Release: August 2011, South Korea The Lead Single: "Mr. Simple" The PRN Review: N/A The Reason: Because according to Hanteo, and several other Korean sales charts, this is the biggest-selling album in Korea for 2011. So far. Do I think it deserves that title? Honestly, no. And that's why it caught my attention, because this is the business side of the industry at work -- you don't just have to have superior material to be popular, you also need buying power and armies of fans who will buy anything you release at the drop of a hat. And sometimes, you can't have both. The material on "Mr. Simple" aren't the dregs of the earth or anything, but so much more could've been done, considering that one, Super Junior aren't completely lacking in talent, and two, SM Entertainment clearly have the money and manpower to get better material. I mean, if you put together a sub-par album then put Super Junior's name on it, since the buying public is stupid, then no one will really notice how bad the album is, right? "Mr. Simple" also demonstrates how stupid all these capitalists are for thinking that we're stupid. The Recommended Track(s): "Opera", "My Love, My Kiss, My Heart"
The Album: Wonder Girls - "Wonder World" The Format: Full-Length The Release: November 2011, South Korea The Lead Single: "Be My Baby" The PRN Review: Full Review, Best of 2011 - "Me, In" The Reason: Best album of the year, and most definitely worth the long wait. I went from being this close to absolutely hating their Korean material, to worshipping the ground they walk on. I don't do that very often. But somehow, in this massive shift, the Wonder Girls managed to keep the sound that makes them, themselves. "Wonder World" is cohesive yet diverse, it's fresh yet familiar but confident, and the material is not only top-grade, it's also well-executed. Outstanding song selection and strong production, but not too strong, giving the album some character. Catchy hooks, simple melodies, a whole array of synth loops, and everything your standard pop album has to have these days, but done in a sophisticated and musical manner. "Wonder World" is pop down to the last note, and it's not ashamed of that, but it also has kick. With tracks like "Me, In", why wouldn't it? It's one of those albums that you have to listen to from start to finish over and over and over again. The Recommended Track(s): "Girls Girls", "Me, In", "Stop!", "Sweet Dreams", "G.N.O."
The Album: BEAST - "Fiction and Fact" The Format: Full-Length The Release: May 2011, South Korea The Lead Single: "Fiction" The PRN Review: Full Review, Best of 2011 - "Though I Call" The Reason: BEAST are solid proof that effort can, and will, go a long way. They have talent, they have good songs, but unlike other acts, they also put in actual effort to make up for what they lack in. Even if they got what is possibly the best material Cube ever provided, the album was a success because they knew how to deliver the material and how to make it work for them. The songs on "Fiction and Fact" have the potential to be classics, and it's not exactly impossible now that BEAST have the influence they have now. And also, the material allowed us to both look at how far BEAST have come, but also see what they still have to improve on, and something to make us look forward to their next release. The Recommended Track(s): "You", "Virus", "Though I Call"
The Album: DBSK/Tohoshinki/HoMin - "TONE" The Format: Full-Length The Release: November 2011, Japan The Lead Single: "Why? (Keep Your Head Down)" The PRN Review: N/A The Reason: It's DBSK, that's why. Even if it's just Yunho and Changmin now, doesn't mean it can't be brilliant. Despite the fact that DBSK are of Korean descent and thus are eligible for the "K-Pop" categories of major Japanese retailers' charts (like other Japanese-language releases by K-Pop acts such as SNSD and KARA), they do not appear on them. Instead, they are counted as a J-Pop act and are the only K-Pop group ranked alongside J-Pop artists. (see: my soompi article on HMV Japan's year-end rankings) Despite the influx of Korean acts in Japan, DBSK (and BoA!) are still much, much higher up the respect ladder than everyone else, and this album is solid proof of that. While the rest of the Hallyu wave is merely scraping the surface of Japan, DBSK are already a part of the Japanese industry. "TONE" is an amazing album, whether you hear it in CDQ or MP3, because every single track matters, and every single track was thought through and delivered outstandingly, but with such ease. Filler tracks, what filler tracks? The Recommended Track(s): "Back To Tomorrow", "Thank U My Girl", "Duet", "I Don't Know"
The Album: SNSD/Girls' Generation - "GIRLS' GENERATION" The Format: Full-Length The Release: June 2011, Japan The Lead Single: "Genie" The PRN Review: Single Review - "Mr. Taxi", Best of 2011 - "Let It Rain" The Reason: It was SNSD's first Japanese album, the best-selling K-Pop album in Tower Records Japan during the first half of the year (despite being out for only a month prior to the chart), and it was their ticket to this year's Kouhaku Uta Gassen. In short, it was massively successful. And it's probably one of the most cohesive SNSD albums. Ever. With material from Swedish producers like Jörgen Elofsson, strong A&R, and generally okay vocals from the girls, this is probably the best album SNSD have ever released. Of course "Gee" sticks out like a sore thumb, and so does "Genie" at times, but the album proper, and the new material first heard in Japanese, is really good. Months after it's release, and a few hundred plays later, the good songs are still as good as they were back in June. The Recommended Track(s): "you-aholic", "Let It Rain", "BORN TO BE A LADY", "Mr. Taxi"
The Album: MBLAQ- "Mona Lisa" The Format: Mini The Release: July 2011, South Korea The Lead Single: "Mona Lisa" The PRN Review: Best of 2011 - "Mona Lisa" The Reason: Apart from actually being a good, solid album, "Mona Lisa" was what I had been waiting for since day one. Like I said earlier this month, this EP is still not enough to make up for the disaster of the debut they had back in 2009, but it's a step in the right direction. We have actual songs now, people, ACTUAL SONGS! They've managed to deliver good, solid songs, without losing the MBLAQ sound, a bit thin around the edges and trying to be a Michael Jackson song, among others. And, I never thought I'd say this, but the album is filled with gorgeous songs. Stunning, almost. Everything, from "Mona Lisa" down to the last track, they're all such a pleasure to listen to. "Mona Lisa" is as cohesive as it is gorgeous, and it's also one of the few albums I can listen to without skipping a single track. The Recommended Track(s): "Mona Lisa", "One", "말하지 말걸.."
The Album: Brown Eyed Girls - "Sixth Sense" The Format: Mini The Release: September 2011, South Korea The Lead Single: "Sixth Sense" The PRN Review: SOOMPI - single review ("Cleansing Cream") The Reason: "Sixth Sense" is girl group master class, courtesy of the Brown Eyed Girls. Even if you don't like their music, because even I'm very picky with the BEG songs I like, you have to hand it to these girls because my gosh the attitude is literally spilling out of the album. Even for a toned-down song like "La Boheme", which is also my favorite track. It's half the material, because the songs are so distinct yet tie together nicely, and half their strong vocals. They pull off the material because they actually have the vocals to jump through hoops and fire. While all the other girl groups were either going the cute route or trying way too hard to be edgy and "fierce" (I'm talking to you, SNSD and "The Boys"), the Brown Eyed Girls don't even have to lift a finger and BAM you have "Sixth Sense", both the album and the gorgeous, gorgeous single. Listen to it for the sake of hearing what kind of attitude everyone else should be channeling, regardless of the song. The Recommended Track(s): "La Boheme", "Sixth Sense"
The Album: Big Bang - "The Fourth Mini Album" The Format: Mini The Release: February 2011, South Korea The Lead Single: "TONIGHT" The PRN Review: The First Quarter Report The Reason: Big Bang not only did a lot for their careers this year, they also did a lot for K-Pop. I know I kept quiet about their EMA win, but I'd rather it be them than a lot of other acts who could've very well been nominated as well, because even if I don't worship Big Bang, they, as musicians, have my respect, something I don't give out a lot in k-pop. Their 2011 offering was tight, cohesive, strong, and distinctly Big Bang. Catchy hooks, synths all over the place, and your usual Big Bang chaos were all present, but with a fresher, more current sound. Even without watching their performances and just listening to the album, I could literally imagine the five of them running around and going wild on stage. The Recommended Track(s): "SOMEBODY TO LOVE", "TONIGHT"
The Album: Infinite - "OVER THE TOP" The Format: Full-length, counting the repackaged tracks The Release: July 2011, South Korea The Lead Single: "Be Mine"/"PARADISE" The PRN Review: N/A The Reason: To the industry, and the fans, Infinite's success was one of the year's biggest surprises. You have here a group from a rather small talent agency, with okay, but not brilliant or stellar, vocals, and they actually won Inkigayo and M!Countdown this year. And who were they up against on Inkigayo? Oh, no one. Just the Brown Eyed Girls, KARA, Super Junior, B1A4, Davichi and Sung Shi Kyung. Although 4 wins is a far cry from the likes of DBSK, Big Bang, SNSD, BoA and a host of others, they have laid down the foundations, and they can only go up from here. "OVER THE TOP" is not the year's strongest album, but it's a solid effort, and a solid base to take off from now that Infinite are no longer rookies. It's a well-rounded and well-done album, that's very sure of itself, but it also leaves a lot of room for Infinite to grow with their subsequent releases, which I'll be eagerly waiting for! The Recommended Track(s): "Amazing", "Julia", "Be Mine", "Paradise", "Because", "Tic Toc"
The Album: G.NA - "Top Girl" The Format: Mini The Release: August 2011, South Korea The Lead Single: "Top Girl" The PRN Review: Best of 2011 - "Banana (Feat. SWINGS, JC지은)" The Reason: Because everyone should know of the injustice that is being done to G.NA. Sure, she's not the best singer in k-pop right now, she's a bit flimsy around the edges, but she's probably the most stable and one of the best voices in Cube! And she got *this* as a "big comeback single"? Blasphemy. The rest of the album, although the two recommended tracks are pretty, sound like leftovers from BEAST and 4Minute (and 4Minute didn't exactly get good material this year either) and even if I like "Banana", G.NA can't sing that song live even if she tried really hard. It's such a waste, because k-pop finally gets a young solo artist that is more pop than ballad, and who is actually from a talent agency with actual influence in the industry, and they just ruin her. "I'll Back Off So You Can Live" was light years better than this, I want that back. The Recommended Track(s): "싫어", "Without You"
The Album: JYJ - "IN HEAVEN" The Format: Full-length The Release: September 2011, South Korea The Lead Single: "IN HEAVEN" The PRN Review: Full Review The Reason: With all the intrigue that surrounded JYJ this year, and will probably continue to surround them next year, it's good to know why SME is so afraid of them that they take all these drastic measures to ensure that JYJ never promote this album on Korean TV, including banning "Pierrot" for mentioning "PSM", which apparently means "President Soo Man". JYJ denied it, and even if it's most probably true that it has something to do with SM, they didn't explicitly state it for heaven's sake! A "guess" cannot be grounds for banning a song. It's also good to know why, even amidst all the stupidity JYJ were faced with, this is still one of the biggest-selling albums of the year. Despite not being spoon-fed prime material from local and foreign songwriters and not boasting of "foreign producers" (they've already had their fill of that, thank you very much), JYJ deliver a solid effort with "IN HEAVEN". There's much to improve, yes, and it's only right that they learn to walk before they run, but for what it is, "IN HEAVEN" is a good album. The Recommended Track(s): "Get Out", "Boy's Letter", "IN HEAVEN", "You're"
Agree? Disagree? What albums did I miss out on? Comment away! ^_^
Before this album came out in full, I had mixed feelings about it because the first teaser stunned, the second was underwhelming, and "Be My Baby" was boring. However, my doubts were put to rest when I finally heard the whole album, because really, it's one of the strongest k-pop albums in a long time, and one of the few I can listen to from start to finish and not skip a track. (I can't even do that to majority of DBSK albums!) No matter what I say about JYP being one-dimensional and forcing his singing style down his idol groups' throats, we all have to remember that JYP was once an idol himself. Although I doubt they called him an idol, he was making pop music for himself before he branched out into mentoring, and because of that he not only understands the concept of a song, but the concept of a performance. Unlike other songwriters who merely adapt to trends, JYP understands that at the end of the day, the songs he makes will be sung by people, with strengths and exceptional talent, yes, but who also have limitations. He understands that because he went through that before, and it shows in the album.
"Wonder World" is a pop album through and through, but the quality of the songs is really something else. And they're actual songs, with actual melodies and actual singing, which can actually be performed live. Each and every song has a purpose on the album, even the ones I didn't like that much, they make sense. I never thought I'd say this, but "Wonder World" is, hands-down, one of the best k-pop albums of the year. I listened to it for the first time a few hours ago, and honestly I found myself giving almost every song 5 stars. I don't do that - like, the most 5-star songs I've given an album is probably two or three. I gave "Wonder World" five perfect scores out of twelve. In terms of the album as a whole, the Wonder Girls, and JYP, did not fail to deliver.
However, the single choice is as much an epic fail as the album is brilliant. Whose BRILLIANT idea was it to choose boring, whiny and generic, "Be My Baby" as the lead single, when there are like five other songs that are easily more amazing and more attention-grabbing than "Be My Baby"? Huh? The single, in theory, is supposed to sell the rest of the album, but when the lead single is out of place with the rest of the album, how's it supposed to sell? The only people who will end up listening to the brilliance that is "Wonder World" are the people who knew WG before "Be My Baby".
"G.N.O." is the song that everyone has been pulling the "why wasn't this the single?" on, and for reasons I do understand. I mean come on, the song is so Max Martin/Maratone Euro(dance) and it's practically a club remix in itself - everybody loves some Eurodance. When I heard the preview I was one of those people who were wondering why the song isn't the lead single, but hearing the entire song, I do understand why this isn't the single -- it's too hard to sing live. It's not that the Wonder Girls are vocally incapable, they aren't, they have Ye Eun and Sun Ye for heaven's sake, it's that the dynamics on this song are too constant and packed. It sounds like a club song for a reason, and the focus of this song isn't the group and their singing, but the song and the style. It's more style that substance, and although it's not overpowering in dangerous levels, a single like this is more fit for US promo, where the focus is on radio and TV airplay, not systematic live performances.
However, "G.N.O." not being single material still doesn't excuse the fact that "Be My Baby" should never have been the lead single in the first place. Just listening to it, "Be My Baby" sounds like those cheap/slightly slutty Christmas songs that warrant performances like how they did "Jingle Bell Rock" in "Mean Girls" -- but I don't know if I mean it in a good or bad way, so I'll leave it to you guys. It's catchy but boring, melodic but whiny, almost like they're yodeling or something, but one thing you can't deny is that it sounds like a Wonder Girls song. And it's a song. Weak and generic, it's still a song, and seeing as a lot of acts these days forget the song part of their music, not bad. HOWEVER, the more I listen to it, the more I'm convinced that whether JYP was conscious of this or not, "Be My Baby" was inspired in some way, shape or form, by Girls' Aloud's brilliant, brilliant, "Biology". It is, for lack of a better term, rather cheeky, and has the slightly dry British snappy-ness to the melody and the instrumental.
"Girls Girls" is the pretty kind of stunning. It's not the epic kind of stunning, it's the "oh my god this is sReeo pretty I'm gonna cry" kind, and that's my favorite kind -- it reminds me of "You I Do", my favorite song from "Dreamgirls", which in itself is one of my favorite movies. It's a simple song with simple verses, but the chorus is gorgeous and they have the vocals to pull it off properly, apart from the fact that it actually matches all their vocals. Actually, it's one of those easy to sing melodies, and that's why it's so gorgeous. Try humming it -- unlike other songs it's not only possible, but it will also sound good for a lot of people. The instrumental is playful yet gorgeous, and all the instruments are so graceful and really fall into place with each other. In an age where majority of the songs out these days are overproduced and loud, songs like this remind me that people still actually make music. It's a gorgeous song, but it doesn't leave out that element of fun, of enjoyment. It's songs like this that remind me of why I like music in the first place, and why I never resisted my family's insistence that I develop a strong musical background -- because music is fun, and it's meant to be enjoyed.
It came to my attention that "Me, In" is in fact a cover of an old-school Korean rock song, and Ree let me hear the original before the Wonder Girls version came out. My GOD is this an amazing cover. JYP really knows how to one, choose songs to cover, and two, make them DAMN good. Apologies for the informal language, but there's really no other word to describe how I feel about this cover. It's got attitude, spunk and kick, but without losing the clean pop sound of the rest of the album. The verses are so, so, SO strong, almost too strong, actually, that the chorus ends up sounding a bit flat. I mean it's an epic cover, but the way they treated the chorus (as in group of people singing, not the chorus chorus) vocals just ruined it for me. Still one of the better songs on the album though, and one of the five-star songs.
If Atomic Kitten were to come back in 2011, "Sweet Dreams" would be their lead single. If S Club 6/7/8 were to come back in 2011, "Sweet Dreams" would be their lead single. If all these European pop groups were to come back in 2011/2012 and this was written by Savan Kotecha or Max Martin or a Swedish production house, they'd ALL be fighting for this song. It's so Euro-pop, from the synths to the bits of "oo whoa whoa" autotune, to the melody, that for a while I was convinced I was listening to Atomic Kitten's "Feels So Good" and that it was 2002 again. But I wasn't, and that's what makes this so brilliant. It's like a more bass-y, fuller-sounding version of something off an Atomic Kitten/Later S Club album, and in case you've forgotten, before I got into kpop I was a British pop fan/critic/slight-expert. Like "Sweet Dreams", if all these European pop groups were to come back this year, they'd all be fighting over "Stop!" as the b-side, or a lesser act will get it for a single, like Play or something. Or No Angels. (are they still alive?) Again, the synths, the structure of the song, and basically everything about it makes it sound SO Euro, not that I'm complaining.
It's like after "Me, In", the songs on this album go in pairs. Another pair of pretty songs, slightly slower -- "Dear. Boy" and "두고두고". They're very mid 2000's R&B, like watered down versions of the songs they give to all these girls with okay voices but who never really manage to hit it big, like Cassie or Paula DeAnda. "Dear Boy" is a bit more on the hip-hop/top 50 and below single side, but "두고두고" is more like the ballads on those small-time, but major label, albums.
The final pair is "SuperB" and "Act Cool" -- the edgy songs. They're less melody, more hook and style, but even then they're still good songs. Well, "SuperB" is. After the two slower songs, it's a good song to get you back into uptempos and kind of leaves you hanging to go listen to the album again. From what I'm hearing, "Act Cool" sounds like just Hye Rim rapping, and remember, I hate Hye Rim's voice. It's an interesting song though, and a good filler track. In a sense I think the album does need these slightly less good tracks to one, keep you listening, but at the same time, while you're listening to these, all you're thinking about is re-listening to the previous songs. Apart from that (rather random) kinda interesting singing part at the end of "Act Cool", that's exactly what these songs are -- fillers.
"Nu Shoes" is entirely in English, so I'm guessing this is going on that English album they're working on? Putting aside that it sounds like Christmas (Why do so many songs on this album sound like Christmas? Is it just me?), I really like it. It's catchy, it's very trendy and edgy, but it actually has a pretty melody, a real bass line, and it doesn't just go in a straight line dynamics-wise, which keeps people interested. It's kind of a compromise to the loudness war -- the choruses are packed like crazy, but the song still has a sense of loud and soft.
I stand by what I said at the beginning -- "Wonder World" is, hands-down, THE best k-pop album of the year. It's an album, the songs make sense together, but the songs were also outstandingly produced, delivered and sung. It has its flaws, no album is 100% perfect and we all have our own preferences, but this is the closest k-pop has gotten to perfection.
The best song: "Girls Girls", hands-down The better songs: "G.N.O.", "Me, In", "Sweet Dreams", "두고두고" The worst song: "Act Cool", but that's because there's hardly any singing on it. The rating:4.9/5 - the highest rating I've given to an album all year.
