Thanks, Francisco. Trails Out Of Gloom is Fen's fourth album, but it's our first to get much critical attention. For many listeners it's the first they've heard of us, and they think we must be a new band, when actually we've been around for well over a decade. In that way, Trails Out Of Gloom is a new beginning for us. The album title could be significant in the sense that we have spent many years milling about in dark obscurity, and now we have finally come into the light of the media's narrow gaze. Ah, the wonder of marketing!
- Given that this is your first interview to our magazine, it would be great if you could tell us about Fen's origins. How did you and Sam Levin meet, and what did you want to achieve?
Sam and I met back in 1998, in a little pot-smoking mountain town called Nelson. We were teenagers at the time, and we started Fen after a single jam, where we droned a riff in 5/4 for about 45 minutes. We both played guitar, we both worshiped Tool and GnR, and we were driven to create our own dark and complex sound. The union came without hesitation.
- How would you describe Fen's sound?
The current sound is plaintive and brooding. Heavy and light. Subject to change.
- 'Trails Out Of Gloom'... the thing is that, although definitively dark sounding, the new album has many acoustic passages that, somehow, enlightens the compositions, taking them out of the gloom that surrounds your previous works... Has this acoustic side of the album been in the composition from the beginning of the writing sessions?
Most of the songs on Trails Out Of Gloom began on classical guitar, and the original plan was to make an acoustic album. During moments of weakness though, I strayed from that initial plan and experimented with bits of distortion here and there, and once I'd heard those distorted layers, I couldn't do without them. My roots are in heavy music, and that primal pull was too strong to resist. The final recording ended up being an amalgamation of the two textures, heavy and light. I always loved those classical-sounding Metallica intro's, but I wanted them to carry on for longer, and I wanted them to develop more slowly, rather than cutting straight to the thrashing. In a way, Trails Out Of Gloom helps bridge that transition for me.
- Fen's lineup has gone through several changes throughout these years, though yourself and Sam have always been the band's core...Do you think that these changes brought new elements into the band's sound?
Everyone we've played with have been exceptional musicians who can't help but bring something new to the sound. At the same time, our approach to songwriting has changed with each recording. This combination of variables has resulted in a big gap between the chaos of our first album, Surgical Transfusion of Molting Sensory Reflections, and the measured progressions of Trails.
- Given the band's sound evolution... Have you got an idea of how will Fen sound in a couple of albums time?
We've been working on new material, and from a guitar perspective, it's heavier and proggier than Trails. Sam's been writing high energy rock/metal-type riffage. Also, for the first time since our 2003 album, Heron Leg, we're bringing bass and drums into the writing process much earlier. For anyone who's only heard Trails, the next album may be a shock.
- 'Trails Out Of Gloom' is an album that requires several listenings to be fully appreciated, and is a perfect example of what a "grower" is. Does the good music always need an extra effort in order to get into it?
It's a fine balance in songwriting, offering enough yum-yums in the first few listens to keep people coming back, but reserving the more exquisite treats for subsequent listens. I can't say that I know how it's done. The music for Trails took a long time to write - about three years. Perhaps that slow evolution into being can account for its "grower" status.
- For 'Trails Out Of Gloom' you have signed with Ripple Music. How was this contract forged? Do you plan to re-release your former albums with Ripple, so they could reach a wider audience?
I had contacted The Ripple Effect Blog a couple years ago, asking them to review our latest album at the time, Congenital Fixation. They came back with a killer review, then they requested an interview, and eventually they told us they were starting a label and wanted us to sign on. Their hard work and enthusiasm has helped us reach a lot of new listeners. And yes, we'll be re-releasing Congenital Fixation under the Ripple flag later this year.
- Remembering the fast and energetic entrance of 'Cockroach Eyelids' from the previous 'Congenital Fixation', I can do nothing else but wonder how you have taken that energy and embellished it with layers of emotional playing. Even the guitar parts seems to be more melodic. Is 'Trails Out Of Gloom' Fen's more intimate work?
With Congenital Fixation, Sam wrote the guitar parts and I wrote the vocals and the songs came together collaboratively. But with Trails, Sam was occupied with school and health issues, so I took up the guitar end as well. There's no doubt that he's a superior player, and I did everything I could to keep the standard high with my more limited skills, which included layering and different textures and a lot of attention to arrangement. As you've mentioned, the result was pretty different. I guess the intimacy of Trails can be attributed in part to the acoustic root of the songs, but also to the fact that I was working on it alone.
- Your voice has been truly improved all along these years, and it feels like you feel much more confident with your singing style... Do you agree with that?
Thanks for your kind words, Francisco. I'm always trying to improve my skills as a vocalist. That's what keeps me going - the thought that the best is yet to come. But as much as my skills might have improved, I think it might be that I've come closer to finding a musical landscape that allows my voice to explore its full range. If I was suddenly thrown into any number of bands that go strictly with power chords and driving beats, half my lines would disappear. I'd be a vocal cripple.
- It has been recorded a video for 'Miracle'... Why did you choose that song? What can you tell us about this video?
The guys at our label thought 'Miracle' was the strongest tune on the album, and when making a video on a tight budget, shorter is better, so it was an easy choice. The video features two marionettes in a miniature landscape constructed of rocks and sticks and brambles and whatever else we could grab from nearby parks and beaches. In this set, arranged on a 4ft by 6ft plywood board, the two puppets play out a story of decayed love. We made the video with the help of Mind of a Snail Puppet Co and a handful of friends. You can watch it on youtube: http://www.youtube.com/watch?v=YP4zO07MF3I
- Given the fact that 'Trails Out Of Gloom' was published more than half a year ago... Do you think that this is time to think about Fen's future plans?
Our biggest goal right now is getting our live sound up to snuff. To do that, we plan on making some short tours through western Canada over the next year, and expanding the periphery of our local shows. That, plus writing and recording a new album should keep us busy.
- Can you tell us something about the gigs that you played for 'Trails Out Of Gloom'? How would you describe a Fen gig?
We're still getting comfortable in the live setting. I don't think we've found what we are yet, live. Right now we're slowly adding new elements to the show to see how we can create a more Fen environment while we're up there. We've got a show tonight and we're going to try out some sound effects between songs. We've been wanting to incorporate some kind of visuals as well, but haven't found a way to begin yet. For us, the music comes first, and the entertainment aspect is a faraway second, so it will develop more slowly.
- Well, I Think it's all by now, Doug. Thanks a lot for your time, and wish you all the best. Have you got anything to say to your Spanish fans?
Gracias! We're honoured to have you as listeners. To stay in touch with Fen, join our email list at www.fenmusic.ca or "like" us at www.facebook.com/fenmusic. We have many more albums ahead of us.
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